VALUTAZIONE IMDb
5,8/10
6962
LA TUA VALUTAZIONE
Mentre sfuggono alla polizia di Agra, Rani e Rishu progettano di scappare insieme. Ma quando i loro piani vanno male, Rani chiede aiuto a un mite ammiratore.Mentre sfuggono alla polizia di Agra, Rani e Rishu progettano di scappare insieme. Ma quando i loro piani vanno male, Rani chiede aiuto a un mite ammiratore.Mentre sfuggono alla polizia di Agra, Rani e Rishu progettano di scappare insieme. Ma quando i loro piani vanno male, Rani chiede aiuto a un mite ammiratore.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 13 candidature totali
Aditya Srivastav
- Kishore
- (solo nei titoli)
Recensioni in evidenza
Phir Aayi Haseen Dillruba is a sequel that struggles to replicate the intrigue and complexity of its predecessor. While the film attempts to delve deeper into the twisted world of its characters, it ultimately falls short in delivering a satisfying narrative.
The sequel picks up where the first film left off, with Rani (Taapsee Pannu) and Rishu (Vikrant Massey) entangled in a web of deceit and manipulation. However, the novelty of the first film's plot twists is replaced by a sense of déjà vu. The constant back-and-forth between reality and illusion becomes tiresome, and the audience is left questioning the purpose of revisiting this convoluted story.
While Taapsee Pannu maintains her magnetic screen presence, the characters of Rani and Rishu feel underdeveloped. Their motivations remain unclear, and their actions often defy logic. The supporting cast, including Sunny Kaushal, fails to leave a lasting impression, further weakening the overall impact of the film.
The film's plot is convoluted and often defies credibility. The constant twists and turns become more of a gimmick than a suspenseful element. The screenplay struggles to balance the complex narrative with character development, resulting in a disjointed viewing experience.
Phir Aayi Haseen Dillruba had the potential to explore the psychological depths of its characters and offer a fresh perspective on the themes of love, obsession, and betrayal. Unfortunately, the film opts for shock value and convoluted plot twists over substance. While it may entertain some viewers with its over-the-top drama, it ultimately fails to deliver a satisfying cinematic experience.
The sequel picks up where the first film left off, with Rani (Taapsee Pannu) and Rishu (Vikrant Massey) entangled in a web of deceit and manipulation. However, the novelty of the first film's plot twists is replaced by a sense of déjà vu. The constant back-and-forth between reality and illusion becomes tiresome, and the audience is left questioning the purpose of revisiting this convoluted story.
While Taapsee Pannu maintains her magnetic screen presence, the characters of Rani and Rishu feel underdeveloped. Their motivations remain unclear, and their actions often defy logic. The supporting cast, including Sunny Kaushal, fails to leave a lasting impression, further weakening the overall impact of the film.
The film's plot is convoluted and often defies credibility. The constant twists and turns become more of a gimmick than a suspenseful element. The screenplay struggles to balance the complex narrative with character development, resulting in a disjointed viewing experience.
Phir Aayi Haseen Dillruba had the potential to explore the psychological depths of its characters and offer a fresh perspective on the themes of love, obsession, and betrayal. Unfortunately, the film opts for shock value and convoluted plot twists over substance. While it may entertain some viewers with its over-the-top drama, it ultimately fails to deliver a satisfying cinematic experience.
At first let me clear, this is not that much impactful sequel as compared to it's previous installment. But I will definitely like to recommend to those people who liked it's first part, they will enjoy it for some extend. The storyline continues and 2 important characters added to the main storyline. Sunny's performance was really great and perhaps the best in this entire show but Jimmy Shergill is less utilized of course. They had potential to use Jimmy Shergill as such a badass character but writing was definitely weak for that character. Retro Songs and Music was perfectly blended in it and the screenplay of course feels quite rich and colorful to watch.
Overall some kissing scenes are present and the subject of the content doesn't make it safe to for go with the family audiences. So 6 out of 10 Stars from my side and I'll consider it as an average one time watch without applying any logics.
Overall some kissing scenes are present and the subject of the content doesn't make it safe to for go with the family audiences. So 6 out of 10 Stars from my side and I'll consider it as an average one time watch without applying any logics.
Phir Aayi Hasseen Dillruba relocates from the sleepy town of Jwalapur to the city of Agra while attempting to recapture its predecessor's dark, edgy charm. Written by Kanika Dhillon and directed by Jayprad Desai, the movie has all the ingredients to be a thrilling ride, and with the addition of a formidable new adversary and obsessed lovers, the stakes are significantly raised. A dogged cop, Montu (Jimmy Shergill) is hot on Rani and Rishu's heels, spelling doom for the duo because he is the slain ex-lover Neel's chacha, making the case personal for him.
Despite the initial promise, the execution is lacking, and the script tries to pack too much, resulting in illogical decisions and unconvincing outcomes. The film's focus shifts from the intriguing mystery of the first instalment to a more straightforward chase, diluting the suspenseful elements that made the original compelling. The cat-and-mouse game between Rani, Rishu, and the police becomes predictable, lacking the edge-of-the-seat tension that Vinil Mathew's outing delivered.
While there are moments of intrigue, the narrative often meanders, bogged down by unnecessary subplots (including murders) and convoluted twists. The screenplay's attempts at clever dialogue and literary allusions (the pulpy crime novel background, a highlight of the first film) often feel over the top this time around, detracting from the overall impact. At 132 minutes, the film moves at a decent pace, but the plot points leave many questions unanswered.
Vikrant Massey shines as Rishu, with a commendable character arc from the first film. Taapsee Pannu brings a captivating energy to her role, although her performance in the first instalment was more subtly nuanced. Sunny Kaushal is decent as the meek but intense Abhimanyu. The two actors' on-screen dynamic is compelling. Aditya Srivastav and Jimmy Shergill are underutilized, despite Shergill's impactful scenes. The cinematography is a redeeming factor, capturing the essence of Agra.
Phir Aayi Hasseen Dillruba is engaging, if not awe-inspiring, and has some entertaining moments. While it maintains a stylish aesthetic and a talented cast, the film ultimately lacks the originality and suspense required to truly captivate audiences. With some tighter writing and more focused storytelling, this could have been a memorable sequel.
Despite the initial promise, the execution is lacking, and the script tries to pack too much, resulting in illogical decisions and unconvincing outcomes. The film's focus shifts from the intriguing mystery of the first instalment to a more straightforward chase, diluting the suspenseful elements that made the original compelling. The cat-and-mouse game between Rani, Rishu, and the police becomes predictable, lacking the edge-of-the-seat tension that Vinil Mathew's outing delivered.
While there are moments of intrigue, the narrative often meanders, bogged down by unnecessary subplots (including murders) and convoluted twists. The screenplay's attempts at clever dialogue and literary allusions (the pulpy crime novel background, a highlight of the first film) often feel over the top this time around, detracting from the overall impact. At 132 minutes, the film moves at a decent pace, but the plot points leave many questions unanswered.
Vikrant Massey shines as Rishu, with a commendable character arc from the first film. Taapsee Pannu brings a captivating energy to her role, although her performance in the first instalment was more subtly nuanced. Sunny Kaushal is decent as the meek but intense Abhimanyu. The two actors' on-screen dynamic is compelling. Aditya Srivastav and Jimmy Shergill are underutilized, despite Shergill's impactful scenes. The cinematography is a redeeming factor, capturing the essence of Agra.
Phir Aayi Hasseen Dillruba is engaging, if not awe-inspiring, and has some entertaining moments. While it maintains a stylish aesthetic and a talented cast, the film ultimately lacks the originality and suspense required to truly captivate audiences. With some tighter writing and more focused storytelling, this could have been a memorable sequel.
Weak story, weak screenplay and worst acting by All 3 characters. This is disaster if I will compare the same with 1st part. Not sure what they all seen in this story line up . The Jimmy Shergill character is totally waste. He is not able to so any justice from his role.
This story could have been better but it seems like the director wanted to finish in hurry hence they just focus on to make this movie in one go and was reliaying on previous part success.
Rani, Rishu and abhimanyu all acted like b grade movie seriously. Who play Snake & ladder in their first night. Who Buy 10bkg Tomatos . Disappointed 😞
This story could have been better but it seems like the director wanted to finish in hurry hence they just focus on to make this movie in one go and was reliaying on previous part success.
Rani, Rishu and abhimanyu all acted like b grade movie seriously. Who play Snake & ladder in their first night. Who Buy 10bkg Tomatos . Disappointed 😞
Phir Aayi Hasseen Dillruba attempts to recapture the magic of its predecessor, "Hasseen Dillruba," but falls short in delivering the same level of thrill and intrigue. While the movie does offer its share of some twisted turns, it lacks the gripping intensity that made the first part so memorable.
The love story is even more twisted than before, but unfortunately, the script this time is more predictable. Kanika Dhillon's writing starts strong, drawing viewers in with an engaging beginning, but as the film progresses, the narrative loses its momentum. The second half of the movie, in particular, feels messy and lacks the sharpness needed to sustain interest.
However, the film does shine in the performances of its cast. Taapsee Pannu once again proves her mettle, delivering an impressive performance that anchors the film. Vikrant Massey, too, impresses with his fine portrayal. The addition of Sunny Kaushal is a pleasant surprise, as he delivers a strong performance that stands out. Jimmy Sheirgill, in a supporting role, is as dependable as ever.
Direction 2.5/5 Acting 3/5 Dialogues 2.5/5 Story 2.5/5 Screenplay 2/5.
The love story is even more twisted than before, but unfortunately, the script this time is more predictable. Kanika Dhillon's writing starts strong, drawing viewers in with an engaging beginning, but as the film progresses, the narrative loses its momentum. The second half of the movie, in particular, feels messy and lacks the sharpness needed to sustain interest.
However, the film does shine in the performances of its cast. Taapsee Pannu once again proves her mettle, delivering an impressive performance that anchors the film. Vikrant Massey, too, impresses with his fine portrayal. The addition of Sunny Kaushal is a pleasant surprise, as he delivers a strong performance that stands out. Jimmy Sheirgill, in a supporting role, is as dependable as ever.
Direction 2.5/5 Acting 3/5 Dialogues 2.5/5 Story 2.5/5 Screenplay 2/5.
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