Tutti tranne te

I knew from the trailers that I would love this. But if I'd known it was a "Much Ado About Nothing" retelling, I would've gotten around to watching it way sooner. It took me until about a quarter of the way in, but then all the names and Shakespeare quotes made sense. I loved the clever callbacks to both the play and the 1993 movie, from the overdramatic conversations overheard in the garden to the leads even looking a bit like Emma Thompson and Kenneth Branagh. This had me grinning from ear to ear. And my goodness, the credits had me cackling. I will never listen to "Unwritten" the same way again.

I went to see this movie because I am a sucker for a romantic comedy, even the average ones (and let's face it, most of them are). Having seen the trailer, I had low expectations, yet this film still managed to come it at an even lower level.

Boy meets girl, they hit it off briefly, there is a misunderstanding and when they reconnect through a friend/family wedding, they hate each other. Except as anyone could predict, ultimately they don't really, but it takes an eternity of inauthentic, puerile dross to get there. No tissues needed here.

The acting is generally average to poor, and local actors like Rachel Griffiths and Bryan Brown (much of it filmed in Australia) do the minimum required, and are completely wasted here. The script is juvenile, facile and has little in common with reality. The direction is pedestrian and much of the movie is a travel ad for Sydney. Throw in plastic, unlikeable characters and a healthy dose of gratuitous nudity. The attempts at comedy are almost laughable as that, and what little romance eventuates at the end fails to convince after nearly two hours of tripe beforehand.

Not recommended, even if you are a fan of the genre.

This movie was anything but consistent. Some scenes were ridiculously endearing, some were ridiculously annoying, some were ridiculously laughable, and some were just ridiculous. (I think the one commonality is self evident.) Gluck clearly wanted to bring back the big budget RomCom and update Shakespeare all at once - the movie version of a genre novel that leans all the way into all the tropes, but is smart enough to make good literary references along the way. Much like with any somewhat self aware story, there were times when the camera winks amused me and times when they had the opposite effect. Regardless, there is no denying that Powell and Sweeney make the most of every scene. Even if it never fully comes together for you, I bet you will still find yourself at least a little charmed.

The only reason I watched Anyone But You was because I have slowly come to appreciate Glen Powell. I wasn't expecting much, and I Didn't get much. Just imagine all of the standard rom-com tropes and you will surely be able to spot each one throughout the film. A spark on a first date, the breakup, and the back and forth will-they-won't-they until they come together in the end. "Spoiler" alert, if you didn't already see that coming. I don't know why I gave it a 6, but that's just what it felt like. Anyone But You had its share of good moments, but if Glen Powell or rom-coms aren't your thing, then there isn't much for you here.

This movie is exactly what I thought it would be so I can't complain too much.

The two leads are both very attractive and have good chemistry, so that was entertaining to watch and nice on the eyes. It had some cute scenes. I gotta say the ensemble was pretty good if I laughed it was always because something one of them said. They were a bunch of goofy characters. I also enjoyed dermot mulroney's character when he was learning how to dive and the reoccurance of that at the end of the movie. It made me giggle.

But I gotta say... the dialogue was very mediocre and at times just not good at all. It just lacked depth which again didn't expect it to have depth but still could have been better.