VALUTAZIONE IMDb
7,4/10
57.450
LA TUA VALUTAZIONE
Un ragazzo di 15 anni e una donna di 27 anni formano un'improbabile amicizia un giorno di pioggia nel giardino nazionale di Shinjuku Gyoen.Un ragazzo di 15 anni e una donna di 27 anni formano un'improbabile amicizia un giorno di pioggia nel giardino nazionale di Shinjuku Gyoen.Un ragazzo di 15 anni e una donna di 27 anni formano un'improbabile amicizia un giorno di pioggia nel giardino nazionale di Shinjuku Gyoen.
- Premi
- 2 vittorie e 2 candidature totali
Miyu Irino
- Takao Akizuki
- (voce)
Gou Maeda
- Takao no ani
- (voce)
Suguru Inoue
- Matsumoto
- (voce)
Megumi Han
- Satou
- (voce)
Mikako Komatsu
- Aizawa
- (voce)
Yûki Hayashi
- Moriyama
- (voce)
- (as Yuki Hayashi)
Wataru Sekine
- Young Takao
- (voce)
Crash Buist
- Takao's Brother
- (English version)
- (voce)
Recensioni in evidenza
I have no words that can describe how in love I am with this movie. I stumbled upon it randomly, thought the art looked lovely, and decided to give it a view. I'm so glad I did. The artwork and animation is just breathtaking. The landscapes and city scenes are almost photo realistic, attention being given to the tiniest of details. I would consider it on par with Studio Ghibli at least. I consider myself very critical when it comes to animations, and it takes a lot to really wow me, but this took the cake. I came with no expectations, and left wondering why this movie isn't more widespread and the need to tell everyone I know to watch it. Though the film is only 46 minutes long, it feels like a feature length film. I was captivated for every second of it, and will be watching it many times in the future.
Too long, didn't read? Watch this movie.
Too long, didn't read? Watch this movie.
This movie is technically brilliant.
It's colour pallet suits it's mood. It is animated immaculately. It is a marvel to watch. It has this natural element to its shorts and it has inserts of random elements of nature that just looks insanely good. It is so impressive.
It also has a very pretty score that works well with its subdued mood.
The story is where I start to find issue with the movie. It is such a short film and I think there is so much packed into it that it gets lost somewhat.
I don't love the romance of the story I honestly think it would have been better being about friendship and two lonely people finding a friend in each other. I think that would have been much more poignant. The romance added this uncomfortableness to it which sort of flattened the story.
The other issue is that the story is very unclear in areas. I think if the film was stretched out a little and had its run time at an hour rather than 45mins, it would have benefited tremendously. It would have had a little more time to flesh out the storylines. They all seemed crammed in and I got a bit lost.
I think this is an incredible movie and with tiny changes it would have been amazing.
It's colour pallet suits it's mood. It is animated immaculately. It is a marvel to watch. It has this natural element to its shorts and it has inserts of random elements of nature that just looks insanely good. It is so impressive.
It also has a very pretty score that works well with its subdued mood.
The story is where I start to find issue with the movie. It is such a short film and I think there is so much packed into it that it gets lost somewhat.
I don't love the romance of the story I honestly think it would have been better being about friendship and two lonely people finding a friend in each other. I think that would have been much more poignant. The romance added this uncomfortableness to it which sort of flattened the story.
The other issue is that the story is very unclear in areas. I think if the film was stretched out a little and had its run time at an hour rather than 45mins, it would have benefited tremendously. It would have had a little more time to flesh out the storylines. They all seemed crammed in and I got a bit lost.
I think this is an incredible movie and with tiny changes it would have been amazing.
Although I don't make reviews of movies (only read and maybe comment with friends), Shinkai's movies just force me to. My first comment was of, in my opinion is this director's best work to this day, 5 cm per second, and so this is going to be my second comment.
With that long introduction said, I must say this movie surprised me, with a scenery a OST worthy of the highest regards (like Shinkai has us used to) and a character development spot on. Not the deepest analysis in each character (he couldn't do that in 45 min) but deep enough for the audience to understand them and know what they are going through which is the whole point of the movie. All this wrapped up with a spectacular climax. Although you feel the climax coming, you don't expect a climax like this, with that much energy, sentiment, and art, all in 2 min long.
To finish, a little opinion on Shinkai, I have seen all his movies and I sense that him, with this movie, just realized what are his strong points: not huge movies with 8 characters and lots of themes (a ground where Miyasaki flourishes) but little situations where few characters stand for being truly humane and how they confront problems that ,at that time, mean the world to them and shape them for the future. He's a director that likes to test new grounds (part coming from being a young) but he's also getting reaching his full potential. That's why "Voices from a distant star", "5 cm per second" and this movie are his best work to date and "Voices from deep below" and "place promised" being his not so good movies (although I liked them).
With that long introduction said, I must say this movie surprised me, with a scenery a OST worthy of the highest regards (like Shinkai has us used to) and a character development spot on. Not the deepest analysis in each character (he couldn't do that in 45 min) but deep enough for the audience to understand them and know what they are going through which is the whole point of the movie. All this wrapped up with a spectacular climax. Although you feel the climax coming, you don't expect a climax like this, with that much energy, sentiment, and art, all in 2 min long.
To finish, a little opinion on Shinkai, I have seen all his movies and I sense that him, with this movie, just realized what are his strong points: not huge movies with 8 characters and lots of themes (a ground where Miyasaki flourishes) but little situations where few characters stand for being truly humane and how they confront problems that ,at that time, mean the world to them and shape them for the future. He's a director that likes to test new grounds (part coming from being a young) but he's also getting reaching his full potential. That's why "Voices from a distant star", "5 cm per second" and this movie are his best work to date and "Voices from deep below" and "place promised" being his not so good movies (although I liked them).
I've always had mixed feelings about the works of Makoto Shinkai. Movies like 5 Centimeters per second are visually striking and evocative, but they are also essentially illustrated radio plays, where the story is told through words.
Garden of Words, surprisingly, is a movie that lets the images speak. While there's still a fair amount of narration, much of the story is told through its gorgeous visuals.
Thoughtful and touching, this movie proves I was right to keep watching Shinkai's films in spite of continual frustration and disappointment. I did it because I knew what he was trying for could work beautifully if he just learned to allow silence, and now he has. I hope this is a sign that he has matured into the animator I always hoped he'd be.
Garden of Words, surprisingly, is a movie that lets the images speak. While there's still a fair amount of narration, much of the story is told through its gorgeous visuals.
Thoughtful and touching, this movie proves I was right to keep watching Shinkai's films in spite of continual frustration and disappointment. I did it because I knew what he was trying for could work beautifully if he just learned to allow silence, and now he has. I hope this is a sign that he has matured into the animator I always hoped he'd be.
With it's short length of only 45 minutes, it's hard to call this a full movie - although don't let that deter you, as it's still better than most that I have seen, anime or otherwise.
When you hear about this movie one of the things that get repeated mention is it's visuals, and I concur. It's probably the most well made anime from a visuals standpoint.
The story isn't bad either, for only 45 minutes it sets up and tell a surprisingly deep and moving story. It is simplistic storytelling, but still very powerful. It is somewhat reminiscent of one of the director's previous films, 5 Centimetres Per Second, in that it uses a similarly "simple" story but one that relates strongly to emotions and situations felt by normal human beings. I also think this is a great movie to show people who normally don't like anime, as anime very often have different storytelling than I think many are used to. This one is more grounded without many of the "fantasy" elements that most anime's have.
The plot summary on IMDb do just fine setting up the story so I wont bother explaining it, it would just be redundant.
When you hear about this movie one of the things that get repeated mention is it's visuals, and I concur. It's probably the most well made anime from a visuals standpoint.
The story isn't bad either, for only 45 minutes it sets up and tell a surprisingly deep and moving story. It is simplistic storytelling, but still very powerful. It is somewhat reminiscent of one of the director's previous films, 5 Centimetres Per Second, in that it uses a similarly "simple" story but one that relates strongly to emotions and situations felt by normal human beings. I also think this is a great movie to show people who normally don't like anime, as anime very often have different storytelling than I think many are used to. This one is more grounded without many of the "fantasy" elements that most anime's have.
The plot summary on IMDb do just fine setting up the story so I wont bother explaining it, it would just be redundant.
Lo sapevi?
- QuizAccording to Makoto Shinkai, the film's central theme is loneliness. This was inspired by the Man'yoshu, Japan's oldest collection of poems; in that volume, love was represented by the word "koi", or "lonely sadness"; more accurately, a longing for someone in solitude. Shinkai described the film as a love story towards people who feel lonely or incomplete in their social relations, but who don't feel that they need to fix this loneliness.
- BlooperDuring the last scene after the credits, especially 45:35, there are no footprints from outside towards the sunshade.
- Citazioni
Takao Akizuki: A faint clap of thunder / Even if rain comes or not / I will stay here / Together with you.
- Curiosità sui creditiThere is a final scene after the credits.
- ConnessioniFeatured in MsMojo: Top 10 Most Beautiful Animated Movies (2022)
- Colonne sonoreRain
Lyrics and Music by Senri Ôe
Performed by Motohiro Hata
Arrangement: Makoto Minagawa & Akifumi Tada
© 1988 by Sony Music Artists Inc.
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- Data di uscita
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- Sito ufficiale
- Lingue
- Celebre anche come
- The Garden of Words
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 852.788 USD
- Tempo di esecuzione46 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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