VALUTAZIONE IMDb
6,3/10
5943
LA TUA VALUTAZIONE
Una brutale banda di criminali di Bruxelles fa da sfondo alla tragica storia d'amore tra Gigi, un ambizioso gangster, e Bibi, una giovane pilota di auto da corsa che proviene dai quartieri a... Leggi tuttoUna brutale banda di criminali di Bruxelles fa da sfondo alla tragica storia d'amore tra Gigi, un ambizioso gangster, e Bibi, una giovane pilota di auto da corsa che proviene dai quartieri alti.Una brutale banda di criminali di Bruxelles fa da sfondo alla tragica storia d'amore tra Gigi, un ambizioso gangster, e Bibi, una giovane pilota di auto da corsa che proviene dai quartieri alti.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 9 candidature totali
Recensioni in evidenza
Very good Belgian romantic drama about a couple that, despite loving each other deeply, have a bad fate and are very different: he is a great robber (who does not have the best relationship with dogs) and she is a rich car racer (her background is less important than his in the film). Acting is excelent (Matthias Schoenaerts and Adèle Exarchopoulos also do work well together), script is quite good and it is very well directed. However, the very depressing end, while not being bad, it is clearly below the excellent level of most of the movie development.
Wait, I don't say that's not a good movie. No, only it did not reach the point I expected, especially after the trailer watching. This is a melodrama, not a crime film; or may I say a melodrama with some crime accents. You have here one of the best armored truck heist sequences ever. I don't remember a better scene since LE PACHA, back in 1968. It is a must see. For the rest, it is a pure melodrama in the line of Arthur Hiller's LOVE STORY or BOOBY DEERFIELD ( still around car races !!!). This movie is too long for my taste, but performances are amazing, as the directing. A strange film, indeed. Interesting but not what I waited for. Many things unexplained, especially the ending.
This movie completely lacks cohesion and I'm in agreement with a couple of other reviewers here who have said it's a shambles. Roskam worked magic with the marvellous Matthias Schoenaerts (who tried his damndest to make this work) in Bullhead and The Drop, but frankly this just failed. It sprawled itself over three "acts", the first of which was quite exciting and showed promise but that's where it stopped. The two hours plus running time felt like five.
The first hour was entertaining. The second wasn't. I already had some difficulties with plot choices in the first half, but the suspense was there to keep the plot moving and the chemistry between Gigi and Bibi was intriguing enough. In the second half I find some plot choices too ridiculous and it made me loose my interest in the way the characters handle them somewhat. The sense of time also becomes kind of weird. A lot of very dramatic events are packed into that last hour, but the intensity or heaviness of them doesn't seem to come across the way it should.
I loved Karatzanis' photography and the sound design as well.
This movie is definitelty worth the watch. I think it deserves it's rating on here at the time of this review (6.3).
I loved Karatzanis' photography and the sound design as well.
This movie is definitelty worth the watch. I think it deserves it's rating on here at the time of this review (6.3).
Well ... It's a very well made film, with a great cast, lead and supporting; it does have a few less than believable aspects to the plot I must say. But the first part is sort of the car racing + heist film you were promised.
Anyway, yeah, the first part is fine - plenty of chemistry between Gigi and Bibi, lots of action, it looks like it's going somewhere ... and then where it goes is rather dark. And then from there, it turns utterly bleak. Forlorn, sad, depressing; you name it. I felt like there was a dark cloud hanging over me afterwards, and I'm surprised my dreams that night weren't darker than they were. I generally like noir, but this was a bit much for me. Some people have a higher tolerance for that sort of thing than I do though. C'est la vie.
Anyway, yeah, the first part is fine - plenty of chemistry between Gigi and Bibi, lots of action, it looks like it's going somewhere ... and then where it goes is rather dark. And then from there, it turns utterly bleak. Forlorn, sad, depressing; you name it. I felt like there was a dark cloud hanging over me afterwards, and I'm surprised my dreams that night weren't darker than they were. I generally like noir, but this was a bit much for me. Some people have a higher tolerance for that sort of thing than I do though. C'est la vie.
Lo sapevi?
- QuizBelgium's official submission to the Best Foreign Language Film category of the 90th Academy Awards. It was the second film by director Michaël R. Roskam and actor Matthias Schoenaerts to be selected by Belgium. The film was chosen to represent the country before it had an official screening.
- ConnessioniReferences C'était un rendez-vous (1976)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Le Fidèle
- Luoghi delle riprese
- Circuit Zolder, Heusden-Zolder, Belgio(Race track)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.000.000 € (previsto)
- Lordo Stati Uniti e Canada
- 46.337 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2513 USD
- 6 mag 2018
- Lordo in tutto il mondo
- 400.026 USD
- Tempo di esecuzione2 ore 10 minuti
- Colore
- Proporzioni
- 2.39 : 1
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