Aggiungi una trama nella tua linguaA Paiute woman enters a Las Vegas casino in 1980, triggering strange happenings. The addicted in-house comedian counsels eccentric patrons and must make a pivotal choice.A Paiute woman enters a Las Vegas casino in 1980, triggering strange happenings. The addicted in-house comedian counsels eccentric patrons and must make a pivotal choice.A Paiute woman enters a Las Vegas casino in 1980, triggering strange happenings. The addicted in-house comedian counsels eccentric patrons and must make a pivotal choice.
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The chemistry that Billy Gardell finds with this film's entire cast, despite his character's flaws and addictions openly on display, is incredible. Feels like a theatrical production in the best way given the caliber of acting, blocking, and interplay between static and dynamic camera movement. Richard Zelniker has done something special with this one! The gritty Vegas atmosphere is well-invited by the opening fire sequence and the claustrophobic pit scenes. The pacing is careful but engaging and it feels like we're glimpsing something we shouldn't as Gardell spirals down the proverbial vortex. Overall great watch!
I went to see The Vortex during its limited run in Los Angeles not realizing the story would play out against the backdrop of the 1980 MGM Grand Hotel fire in Las Vegas, but I left very impressed with the execution by Richard Zelniker and the performance by Billy Gardell.
Zelniker presents a narrative that swirls with an intoxicatingly dizzying effect, telling a cautionary tale of a comedian, Pete, played by Gardell, struggling with gambling debt and admittedly in too deep with underworld associate and friend, Jimmy, played by Christopher Titus. The complicated dance that plays out from the beginning as Jimmy comes to collect is heightened by the passage of time as well as the eerie occurrences which give way to many jackpots throughout the night, spurred by repeat visits from a Paiute woman (Emily Alabi) on the casino floor. As Pete's desperation increases, the Steadicam shots seem faster, creating a vortex-like effect from which the film draws its name, only slowing as he addresses his shortcomings through conversations with other casino patrons and attempts to take control of his fate.
The film's commitment in its depiction of characters searching for redemption through gambling provides the a near-perfect level of dissonance and in turn evokes a sinking feeling through the last act.
The picture gives me hope that independent film will live on with convincingly good quality and is proof that period pieces are possible at any level. I believe it to be a must-see for audiences seeking heavy handed character-driven films.
Zelniker presents a narrative that swirls with an intoxicatingly dizzying effect, telling a cautionary tale of a comedian, Pete, played by Gardell, struggling with gambling debt and admittedly in too deep with underworld associate and friend, Jimmy, played by Christopher Titus. The complicated dance that plays out from the beginning as Jimmy comes to collect is heightened by the passage of time as well as the eerie occurrences which give way to many jackpots throughout the night, spurred by repeat visits from a Paiute woman (Emily Alabi) on the casino floor. As Pete's desperation increases, the Steadicam shots seem faster, creating a vortex-like effect from which the film draws its name, only slowing as he addresses his shortcomings through conversations with other casino patrons and attempts to take control of his fate.
The film's commitment in its depiction of characters searching for redemption through gambling provides the a near-perfect level of dissonance and in turn evokes a sinking feeling through the last act.
The picture gives me hope that independent film will live on with convincingly good quality and is proof that period pieces are possible at any level. I believe it to be a must-see for audiences seeking heavy handed character-driven films.
This is a Gambling Parable that brings us to contemplate the juxtaposition between the material world and the spiritual. At the crossroads is a gambling addict, a washed up 1980s classic Las Vegas comedian, who must make what will probably be the most important decision of his life. The audience is a fly on the wall as we become empaths, watching eccentric characters interact with Pete, played by Billy Gardell. Director Richard Zelniker takes us on a vicarious adventure, one the main character carries as his self-perpetuating loop of intense focus and addiction leads to an unpredictable outcome. Well done!
10jlsea
Loved this film from Richard Zelniker - from the opening moments you know you're in for a tense, nail-biting ride. The atmosphere is genuine 1980s Vegas gritty, dark, menacing and totally genuine. Gardell is winning as the charming Pete; even as he's sucked down into his self-made chaos, you can see why everyone is on his side and you root for him the whole way. The cast of characters are all engaging in different ways - this is no one-trick movie - and keep the tension building until the very very last frame. Stunning visuals, snappy writing, and taut, energetic direction from Zelniker - The Vortex pulls you in in all the best ways.
I think this movie was super cool as it captured the vintage 80s Vegas style very well! While watching this movie, you will feel a strong connection with every character you meet, as they all have interesting and attention-grabbing personalities. For me, I felt the strongest connection with the main character, Pete (Billy Gardell). I loved the way he told his stories and how deep down, he's a genuine dude. Also, the camera work and music was awesome. It was very creative and it really fit the story. Lastly, the ending will keep you on the edge of your seat! I highly recommend for everyone to see it as I enjoyed it a lot.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 7528 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3780 USD
- 16 feb 2025
- Lordo in tutto il mondo
- 7528 USD
- Tempo di esecuzione1 ora 23 minuti
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