VALUTAZIONE IMDb
5,3/10
1224
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe classic English ghost story gets a revision when a college professor finds himself plagued by spectral visions.The classic English ghost story gets a revision when a college professor finds himself plagued by spectral visions.The classic English ghost story gets a revision when a college professor finds himself plagued by spectral visions.
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Recensioni in evidenza
I don't know if the word chiller is strictly a genre but Blackwood perfectly fits the description. A moody thriller with ghost story leanings, mysterious locals, a missing woman and child and a haunted house that could have been plucked straight out of a Gothic romance it serves to get under the skin rather than try to turn your stomach. Directed with flare, rich cinematography and and a very haunting score it was one of the best low budget British films I've seen for some time. Sometimes the characters are difficult to root for as they are such a complex bunch riled with hidden secrets, but equally it's interesting to see a film that challenges your allegiance as to who to sympathise with. Wouldn't have hurt been a little longer to tie up some of the complex back stories but If you like well written character based horror and a good old fashioned fright then give it a look in.
I was surprised by some of the other reviews for this film, 10 out of 10? I was expecting a classic which had been gathering dust unloved, suddenly discovered and released to an adoring public, prompting review hysteria! I thought, wow! 'Bladerunner' IMDb rated 8.3, 'Citizen Kane' 8.5, 'Unforgiven' 8.3, this must be quite an undiscovered gem. It isn't.
Now, I don't claim to know much about the creative process of writing an original screenplay, but I'm pretty sure that the word 'original' is just about as important as 'screenplay'. This crazy-pa-moves-family-to spooky-house has been done, well lets say with no pun intended, to death.
I cannot understand why, essentially having really original takes on this theme, I'm looking at you, 'The Shining' and 'The Others', which took the idea in completely different and original directions, we need something like this which lacks any originality. The characters are written in 2 dimensions to such an extent that long before the end you simply couldn't care less what happens to them. But it doesn't stop the clichés coming thick and fast. Not only is this not a '10 out of 10' lost classic, it is derivative and lazy. It desperately needed rewrites from someone with something original to add to the genre. I felt conned.
Now, I don't claim to know much about the creative process of writing an original screenplay, but I'm pretty sure that the word 'original' is just about as important as 'screenplay'. This crazy-pa-moves-family-to spooky-house has been done, well lets say with no pun intended, to death.
I cannot understand why, essentially having really original takes on this theme, I'm looking at you, 'The Shining' and 'The Others', which took the idea in completely different and original directions, we need something like this which lacks any originality. The characters are written in 2 dimensions to such an extent that long before the end you simply couldn't care less what happens to them. But it doesn't stop the clichés coming thick and fast. Not only is this not a '10 out of 10' lost classic, it is derivative and lazy. It desperately needed rewrites from someone with something original to add to the genre. I felt conned.
Great, great cinematography! Also suspense, thrills, actors, music - you name it, this film has it all; even that "This looks like a special film" look, which is a rare thing today. Too bad the "twist" is shockingly weak and the whole idea is BAD. It's something done dozens of times. The film markets itself as "The classic English ghost story gets a revision" - no, it doesn't. You're promised something special but you get something done to death and weak, very weak. And to add insult to injury, the bad guy in this British atmospheric, beautifully filmed movie dies like countless bad guys in cheap American B movies. No, I'm sorry, great landscapes don't make a film smart or good. Oh, and even the stunning Sophia Myles looks old and vapid!
Well, I am a huge fan of the 'things that go bump, spill your popcorn' kinda movie, so was interested from the start to see what these guys were pumping so hard in their reviews. I'm all for that to get your low budget flick a bit of a boost, but no-one likes to feel conned. The story is the usual predictable rip off of 'The Shining', house in country, tick, husband in crisis moves family away against their best wishes, tick, husband starts to lose the plot (not the only one), tick, we all see dead people, tick, lots of dark rooms, wide angles and flickering, etc, etc . . . Which is all cool, except the character development is almost non-existent, his poor wife is left as a totally 2 dimensional character, and the husband struggles to convince with such poor dialogue to work with. In conclusion, without giving anything away (you'll see it all coming a ways off), it's nothing that hasn't been done a hundred times before, and with far more flair. Rather than copying everything that's gone before, try making something original. Poor.
Saw this at a festival last year and wasn't sure it was going to get distribution, but, against what appeared to be the general feeling it looks like it has a distributor for August, so have decided to post my notes.
The premise is the usual one for scary, strange-bump-in-the-night movies, emotionally challenged husband moves innocent family out of the big city and in to harms way. This is fine, after all, we all need to get our characters out of their comfort zones and into some kind of jeopardy, otherwise, 'Lassie' for example, would never have been made.
I totally love these type of films, but what follows is unfortunately something of a mash up of all the things you've seen before that have to appear in a make-'em-jump movie. Now, of course, we could try to to convince ourselves (a la Ben Affleck's speech to Col Dolittle in 'Pearl Harbour), that copying others is not bad, its an 'homage'. But then that would force you to accept the US remake of 'The Vanishing' was an 'homage' to George Sluizer's truly taut original. So we see 'Blackwood' is a fairly lame regurgitation of all the familiar tropes, there is a twist at the end, but if you don't spot it a mile you should pop out and show yourself a good time more often, either that or you've dozed off at some point. So all in all, not so unlike Lassie, a little bit more than just a dog.
The premise is the usual one for scary, strange-bump-in-the-night movies, emotionally challenged husband moves innocent family out of the big city and in to harms way. This is fine, after all, we all need to get our characters out of their comfort zones and into some kind of jeopardy, otherwise, 'Lassie' for example, would never have been made.
I totally love these type of films, but what follows is unfortunately something of a mash up of all the things you've seen before that have to appear in a make-'em-jump movie. Now, of course, we could try to to convince ourselves (a la Ben Affleck's speech to Col Dolittle in 'Pearl Harbour), that copying others is not bad, its an 'homage'. But then that would force you to accept the US remake of 'The Vanishing' was an 'homage' to George Sluizer's truly taut original. So we see 'Blackwood' is a fairly lame regurgitation of all the familiar tropes, there is a twist at the end, but if you don't spot it a mile you should pop out and show yourself a good time more often, either that or you've dozed off at some point. So all in all, not so unlike Lassie, a little bit more than just a dog.
Lo sapevi?
- QuizNorney Grange is a distinctive Arts and Crafts house built in 1897, near Guildford, Surrey. It was used for the external shots of the family home.
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 9985 USD
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