L'elefante del mago

The story was wonderful. In my opinion, it is not only worthy of attention from an artistic-literary point of view, but also worthy of attention and reward from all of them who are trying to make the planet earth a better place for living. Especially the activists of children's rights, animal welfare and right and human rights.

Of course good stuff about this work more than just story for example the faces of most of the characters were designed very pleasantly.

I can list some complaints about the lack of work in some technical larts of this animation but with a more comprehensive view, we can easily ignore them.

The Magician's Elephant is an exceptional film that also provides a very important, valuable life lesson and it is a perfect movie to watch with family or close friends.

The story follows an orphan boy named Peter (Noah Jupe) who loses his sister at a very young age. Peter has always wanted to meet again with his sister but she has been lost since a newborn. Both of his parents passed away in a war and, ever since then, a strict and old soldier has taken care of Peter. On one special day Peter goes to the market to buy a small fish and stale bread, as that is what Peter and the soldier have for dinner every night, but instead of Peter buying dinner Peter spends his money on a fortune teller to answer his lifelong question. He asks, "Where can I find my sister?" and the fortune teller's response is "Follow the Elephant..."

I absolutely recommend watching this astounding film! The Magician's Elephant is so well-done that it made me and my whole family get very emotional. The animation of this film is wondrous; the visual effects are glorious, beautiful and realistic. The special effects are extraordinary -- I love how all the colors and scenes match the storyline so incredibly well. My favorite scene is when the magician (Benedict Wong) brings the elephant back to the animal's habitat and we realize that Peter is also helping another family get back together. This shows that Peter is not selfish at all. Peter is a kind-hearted soul who deserves to be reunited with his sister. He wants to find his sister so badly and so he obeys whatever the fortune teller tells him to do like, follow the Elephant, which he does. To get to the elephant Peter has to complete three impossible tasks given to him by the King. If Peter completes the three tasks he will earn the right to have the elephant and that will lead him to his dream. You will have to watch to see if Peter's dream comes true!

The film's message is to always care and love your family because, if you don't have them, then who do you have to love? Another message is to always have hope for whatever you do or believe.

I give The Magician's Elephant 5 out of 5 stars and recommend it for ages 5 to 12, plus adults. It is available in theaters now and releases on Netflix March 17, 2023. By Keila V., KIDS FIRST!

Set in the once magical city of Baltese, the city has lost its magic and wonder following a great war with the city now in the shadow of eternally unmoving clouds. A young boy named Peter (Noah Jupe) is an orphan from the war who is raised by an old soldier Vilna Lutz (Mandy Patinkin) who found him. When Peter comes across a Fortune Teller (Natasia Demetriou) who offers him a question for a coin, she tells Peter that his presumably dead sister is in fact alive and he will find her by following an elephant. In another part of the city, a clumsy Magician (Benedict Wong) tries to inspire a jaded crowd with his magic only to inadvertently cause an elephant to fall from the sky an cripple wealthy Dowager Madam LaVaughn (Miranda Richardson). Upon learning of the elephant, Peter sees this as a sign that the fortune was true and enlists the help of his neighbor Leo Matieene (Brian Tyree Henry) to use his position as Captain of the Guards to get him an audiences with The Countess (Kirby Lauryen Dockery), who holds the elephant in her home, so he can see about getting the elephant. The funloving King (Asaif Mandvi) hears of the elephant decides to visit Baltese to see and bears witness to Peter calling down the elephant when she is thrown into a state distress. Peter pleads his case for the elephant and the king agrees to give it to him provided he can complete three impossible tasks.

The Magician's Elephant is an adaptation of the 2009 illustrated children's novel written by Kate DiCamillo and illustrated by Yoko Tanaka. 20th Century Fox acquired the rights to the novel in 2009 with Martin Hynes adapting the novel and produced by Julia Pistor, but the project languished in development hell and like many other in-development projects at Fox fell victim to the Disney-Fox merger. In 2020, Pistor was able to shop the project elsewhere and took it to Netflix who acquired the rights and Hynes' screenplay and partnered with Animal Logic to produce the animation. Now arriving on Netflix I'm pleased to say The Magician's Elephant is a charming animated feature that captures the charm of its story.

The movie features a great ensemble cast with Noah Jupe of the A Quiet Place films very strong as our lead Peter, and the supporting cast is made up of reliable actors giving strong performances such as Mandy Patinkin, Miranda Richardson, Benedict Wong, Aasif Mandvi, and Brian Tyree Henry providing reliable and likable voice talents to the ensemble. While I haven't read the book the film is based on, Martin Hynes' screenplay is very charming and largely avoids the pitfalls of many modern day animated fantasy films that feel the need to "contemporize" their dialogue in ways that take you out of the story. It reminded me a bit of how The Sea Beast handled its dialogue and characters to a degree. Another point that really stuck out for me was how there's no villain in the film and while there is conflict it feels fairly organic while still fitting within the confines of fairy tale tropes without being overly glib about them as Shrek and its various imitators have, though we still do have some amusing exchanges such as "you've ruined a perfectly good killing machine" that made me smile, and Mandy Patinkin gets some strong comedic moments intermixed with the dramatic ones.

There are some sticking points to the movie. While the animation is good and did grow on me, there was something about the character models that felt a little off at first. The movie is animated by Animal Logic a noted and reliable Australian visual effects house, and while they have worked on animated films such as Happy Feet, Legend of the Guardians: The Owls of Ga'Hoole, and DC's League of Super-Pets, they don't typically animate films with prominent human characters and you can kind of tell with this film as the Elephant animated fantastically while the humans have some issues in how certain elements of their faces looked (primarily in the eyes and mouth) and I also felt the texturing on the models was a little off to a degree, but it was something I noticed less and less as the movie went on.

I rather liked The Magician's Elephant. While the animation does have some rough spots to it, I did like the story and characters and feel it's a charming movie with decent showcase of Animal Logic's prowess as an animation house outside movies with animal protagonists (even if their human character models could use some more polish).

Director: "Looks really good! Just one thing, have you ever seen a cloud before?" Animator: "No." Director: "Me neither. I'm sure it's fine."

This one's got quite great deal of tender, genuinely moving scenes. And for the most part the animation looks striking and original despite the obviously lower budget.

(Aside from the clouds, which I know are supposed to look odd but they're just...so obviously not clouds.)

The compelling story is unfortunately often dampened by poor dialogue. It's unbearably contrived and stilted, too often clumsily telling us what has already been expressed visually just in case we're too dumb to pick up on characters' emotions on our own.

But there's so much vibrant content and heartwarming elements that it's impossible to disregard this film, or even dislike it, entirely.

Started off great w a good premise, captivating animation.

... then the plot absurdities start to plonk in one by one until there's such a deluge of nonsense that all sense of connection to the plot or the characters are gone.

Yet AGAIN another animation which throws all its budget on the visual graphics and a tiny tiny pittance on good writers who can flesh out a viable plot with characters that can hold the viewers interest.

But here we have rubbish plot, rubbish dialogue, characters which held early promise all plonked down the tunnel of showy absurdity.

Good visual animation but the nonsense plotting is for animation trash heap.