Suddenly

I loved the situation. A small town, frustrated ex-military cop. But then the movie goes downhill pretty quickly. Story does not move at all. The end seems to be rushed. Climax is really tepid. Predictable and flat dialogs, the characters, especially the villains are not described in enough details. It feels like the director gave up halfway through the movie.

I loved the situation, a small, sleepy, snowy town. But the rest was totally so-so. The story had a great potential. It is sad to see it being wasted like this. The 1954 original was much better.

The actors also did not do justice. Liotta was just OK not very convincing. Erin Karpluk was good. Pidge and his grandpa were better. The rest of the actors were bad.

I do not understand why good actors act in such "F" "movies"... I guess lack of money. Better to quit acting, open a restaurant or something, before you all turn to Steven Seagal...

OK, I agree that movie is a real Junk one, I agree at one hundred percent, but a cool Junk. I did not expect more from Uwe Boll. Although most of the movies he made did not disappointed me that much. I know that he is not an ambitious film maker, nothing to do with the likes of John McTiernan or Michael Mann. But I always enjoy the films he gives us. If you dare comparing this feature with the genuine one, made in the fifties by lewis Allen, of course you'll run away from it. Sure. But, please, compare what is comparable. Performances are OK for me. I know I repeat myself, but from this kind of feature, don't expect so much, don't expect grade Academy Awards performances. I appreciated the lead bad guy, Irak vet sitting with the American flag on his knees. I loved this sequence. Yes, I am fond of Uwe Boll, despite the fact he is a lousy director for most of the audiences.

I am not at all sure what the reason is for so many Canadian movie productions being of such poor quality. The fact is there is NO good reason for it. We have terrific writers, a wide variety of talented actors, and several great directors. A decent film doesn't start and end with any of that though. It starts and ends with solid producing, of which this production egregiously lacks.

Suddenly simply falls flat from the get-go and never really takes off nor goes anywhere. For one thing a Presidential visit to a small town looks like a grand affair, but the portrayal of that in this film comes off as low budget and rinky-dink. The actual Secret Service would have been all over that town.

Much of the dialogue is hollow, along with too much needless footage and shots, all serve to bring the watchability of it down further yet. Liotta's character had real promise but again, with not much in the way of meaty dialogue or depth of story even his is a somewhat tinny performance at best.

Weak writing is usually the main cause for actors coming off as bad, while poor direction is to blame for actors over-acting. Weak writing however can at least to some degree be compensated for with solid directing, but sadly that's another thing this film is sorely lacking in. Thus the entire production comes off as thin and very low budget. Newsflash Canada: "Low budget" does not always have to look as such.

Final thoughts --- This film does not do justice to the original with Frank Sinatra, not by half. The ending is somewhat inconclusive, and anyone who has developed any sort of connection with any of the principle characters is going to be disappointed at the lack of a decent story wrap-up. If you're bored and there's nothing much else on then go ahead and kill 90 minutes, but please don't blame me if you end up wanting your time back.

2/10, and that's being generous here.

I saw the original 1954 "Suddenly" movie several years ago, and I thought it was pretty good. This remake, however, just doesn't cut it. There are many reasons why it doesn't work, but I think the main reason is that its tone for the most part doesn't fit what should be a hard-edged thriller. The musical score is almost comic in tone at times, characters CONSTANTLY utter "clean" swears like "frigging" and"fudge" instead of real four-letter word swears (at least in the version I saw), and the bad guys seem too disorganized and soft instead of coming across as dangerous and intelligent killers. It seems that notorious director Uwe Boll's heart wasn't in this movie. Maybe it was because this project obviously didn't have a substantial budget compared to his other movies - it has that cheap and tacky look that plague so many other (bad) Canadian films. Boll's apparent lack of enthusiasm might also explain some real continuity flubs in the movie, like why it's snowing and snow- covered in some areas, though around the house where most of the movie takes place there's no sign of snow at all. It's all capped off with an ending that feels unfinished in a number of aspects. The end credits reveal that the creation of this movie was sponsored by a Canadian pay TV network, which are forced by a government-imposed quota system to sponsor a number of (almost always bad) Canadian movies every year. Based on this and the ton of other bad Canadian movies that have come from this quota for years, I'm really glad that Canada does not have a quota system for movie theaters!