Alice ritorna nel mondo capriccioso del Paese delle Meraviglie e viaggia indietro nel tempo per aiutare il Cappellaio Matto.Alice ritorna nel mondo capriccioso del Paese delle Meraviglie e viaggia indietro nel tempo per aiutare il Cappellaio Matto.Alice ritorna nel mondo capriccioso del Paese delle Meraviglie e viaggia indietro nel tempo per aiutare il Cappellaio Matto.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 20 candidature totali
Alan Rickman
- Absolem
- (voce)
Timothy Spall
- Bayard
- (voce)
Paul Whitehouse
- Thackery
- (voce)
Stephen Fry
- Cheshire Cat
- (voce)
Barbara Windsor
- Mallymkun
- (voce)
Recensioni in evidenza
I enjoyed the 2010 "Alice in Wonderland" that had that unique Tim Burton touch to it. But I wasn't in any rush to get to see the 2016 sequel "Alice: Through the Looking Glass". Why? Well, because just what more could there be to tell about this story?
With that being said, then don't get me wrong. "Alice: Through the Looking Glass" is not a bad movie, it just seems like a movie that hardly was necessary to have been made. It is a good movie in itself, and works quite well as a stand-alone, if you will.
The effects in "Alice: Through the Looking Glass" were great, as they also were in the previous movie. And it was nice to see the beloved characters from the first movie return, and also to see the amazing job that the special effects team pulled off at bringing the world to life. Lots of details, vivid colors and memorable characters.
The actors and actresses in the movie were doing good jobs with their given roles, and it was a great treat to have the original cast return to play their characters once again. The Time character was interesting, but it left a less than savory taste in my mouth that they had cast Sacha Baron Cohen for this role. He is not an actor that I am too fond of, so in my opinion another cast would have been preferable. I do enjoy the Mad Hatter character and Johnny Depp does a great job in portraying him. And it was nice to get to see more of that quirky character and get to know more of his background.
The special effects and wardrobe teams really are the ones shining in this movie, because there are just so many wonderful things to look at throughout the movie. And the level of creativity is just astounding. No matter where you look there is something breathtaking.
"Alice: Through the Looking Glass" is certainly an entertaining movie, but it is hardly one that you will sit down and watch again any time soon.
With that being said, then don't get me wrong. "Alice: Through the Looking Glass" is not a bad movie, it just seems like a movie that hardly was necessary to have been made. It is a good movie in itself, and works quite well as a stand-alone, if you will.
The effects in "Alice: Through the Looking Glass" were great, as they also were in the previous movie. And it was nice to see the beloved characters from the first movie return, and also to see the amazing job that the special effects team pulled off at bringing the world to life. Lots of details, vivid colors and memorable characters.
The actors and actresses in the movie were doing good jobs with their given roles, and it was a great treat to have the original cast return to play their characters once again. The Time character was interesting, but it left a less than savory taste in my mouth that they had cast Sacha Baron Cohen for this role. He is not an actor that I am too fond of, so in my opinion another cast would have been preferable. I do enjoy the Mad Hatter character and Johnny Depp does a great job in portraying him. And it was nice to get to see more of that quirky character and get to know more of his background.
The special effects and wardrobe teams really are the ones shining in this movie, because there are just so many wonderful things to look at throughout the movie. And the level of creativity is just astounding. No matter where you look there is something breathtaking.
"Alice: Through the Looking Glass" is certainly an entertaining movie, but it is hardly one that you will sit down and watch again any time soon.
Alice travels into the past on an adventure to save the Mad Hatter from the grief that is poisoning him.
Set in 1875, it brings up albeit only briefly explores the misogyny of patriarchy, where mediocre men take away everything from extraordinary women through the limitations they put on them. It seems more comfortable examining problems between family members; Tarrant feels rejected by his father, mostly because he has been. And this is of course a much safer thing for a mainstream film to go into, and Disney prefers taking the well trodden path to profit to taking risks. Just like the Tim Burton original, this is nowhere near as creative and imaginative as the 1951 original, or, from what I hear, the novels. This does take a few steps in the right direction, though both of these definitely lose something in trying to make Wonderland a real, physical place that operates on some continuity and logic, when part of the appeal was that this was not the case. I appreciate that this is something that has been done with a lot of adaptations in recent years, and a lot, perhaps even most, of the time that is the right approach; however, like any rule, it has exceptions, and this is one. This is essentially Back to the Future in a fantasy setting; if you altered various aesthetic aspects, and a handful of lines of dialog, you would never get that it was related to the work of Lewis Carroll, which should never be the case with this sort of thing. The third Men in Black movie has a similar issue.
It is very much one of those sequels that expects you to have watched and remember the predecessor; it doesn't particularly reintroduce the recurring characters. The action is exciting, especially in the effective climax. This is filmed and edited well, capturing the sometimes epic scope. The special effects are convincing, and the design of sets, creatures, makeup and costumes is impressive and provides a very high number of memorable, unique sights and sounds. These include traversing the face of a massive clock, living chess pieces, seconds becoming minutes(you'll know it when you reach it), talking animals, bipedal vegetables, loops and a seemingly non-stop barrage of time puns. The cast are clearly having a ball, in particular the always deeply engaging to watch Helena Bonham Carter.
I recommend this only to the biggest fans of those involved. 7/10.
Set in 1875, it brings up albeit only briefly explores the misogyny of patriarchy, where mediocre men take away everything from extraordinary women through the limitations they put on them. It seems more comfortable examining problems between family members; Tarrant feels rejected by his father, mostly because he has been. And this is of course a much safer thing for a mainstream film to go into, and Disney prefers taking the well trodden path to profit to taking risks. Just like the Tim Burton original, this is nowhere near as creative and imaginative as the 1951 original, or, from what I hear, the novels. This does take a few steps in the right direction, though both of these definitely lose something in trying to make Wonderland a real, physical place that operates on some continuity and logic, when part of the appeal was that this was not the case. I appreciate that this is something that has been done with a lot of adaptations in recent years, and a lot, perhaps even most, of the time that is the right approach; however, like any rule, it has exceptions, and this is one. This is essentially Back to the Future in a fantasy setting; if you altered various aesthetic aspects, and a handful of lines of dialog, you would never get that it was related to the work of Lewis Carroll, which should never be the case with this sort of thing. The third Men in Black movie has a similar issue.
It is very much one of those sequels that expects you to have watched and remember the predecessor; it doesn't particularly reintroduce the recurring characters. The action is exciting, especially in the effective climax. This is filmed and edited well, capturing the sometimes epic scope. The special effects are convincing, and the design of sets, creatures, makeup and costumes is impressive and provides a very high number of memorable, unique sights and sounds. These include traversing the face of a massive clock, living chess pieces, seconds becoming minutes(you'll know it when you reach it), talking animals, bipedal vegetables, loops and a seemingly non-stop barrage of time puns. The cast are clearly having a ball, in particular the always deeply engaging to watch Helena Bonham Carter.
I recommend this only to the biggest fans of those involved. 7/10.
This film is quite zany compared to the first one. It has some new additions - the queens and the time travel - that make it quite fresh. However, showing the backstory of the queens can also make them feel too grounded and not surreal enough. The whole "saving the world" feel is also a bit too typical for Hollywood. The visual imagination is good as always though.
Tim Burton refused to direct this movie..and there is a reason..simply the script is terrible. There is no real and solid story behind this movie if not a marketing operation. The direction works well, nothing special but nothing you can complain about, also the rhythm and the storytelling works good, the problem is the script. The movie is visually stunning , probably visual effects are the only reason to watch this movie. Jhonny Deep is probably on his worst interpretation, he isn't able to transmit anything not even the madness of his character. Mia Wasikovska is the only one who truly believe in the project and tries to produce a decent interpretation. Sacha Baron Coen is funny on his character but maybe he could add more personality in his interpretation. As I already said you can watch this movie just for the amazing visual effects..but without a decent story isn't so entertaining
It is "decent". Not extraordinary, nor a waste of time. The sad thing is that it focuses more on the sparkly scenes, like these would impact the viewer the most. In fact, the story lacks substance and this should have been the epicentre of interest. It is far from great, although it's not a disappointment. Something slipped through the fingers of the producers when they were producing this movie. Now it's another commercial film.
Lo sapevi?
- QuizAlan Rickman's last movie. He died four months before the release. This movie is dedicated to his memory. His final non-voice acting role was in Il diritto di uccidere (2015), which was released before he died.
- BlooperEarly in the movie Alice directs her crew to heel to port. Visually, the ship heels to starboard.
- Citazioni
Cheshire Cat: [from trailer]
Cheshire Cat: When the day becomes the night and the sky becomes the sea, When the clock strikes heavy and there's no time for tea. And in our darkest hour, before my final rhyme, she will come back home to Wonderland and turn back the hands of time.
- Curiosità sui creditiA dedication to the late Alan Rickman appears right when the first part of the end credits finish.
- ConnessioniFeatured in AniMat's Reviews: The Jungle Book (2016) (2016)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Alicia a través del espejo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 170.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 77.041.381 USD
- Fine settimana di apertura Stati Uniti e Canada
- 26.858.726 USD
- 29 mag 2016
- Lordo in tutto il mondo
- 299.820.798 USD
- Tempo di esecuzione
- 1h 53min(113 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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