Alice ritorna nel mondo capriccioso del Paese delle Meraviglie e viaggia indietro nel tempo per aiutare il Cappellaio Matto.Alice ritorna nel mondo capriccioso del Paese delle Meraviglie e viaggia indietro nel tempo per aiutare il Cappellaio Matto.Alice ritorna nel mondo capriccioso del Paese delle Meraviglie e viaggia indietro nel tempo per aiutare il Cappellaio Matto.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 20 candidature totali
Alan Rickman
- Absolem
- (voce)
Timothy Spall
- Bayard
- (voce)
Paul Whitehouse
- Thackery
- (voce)
Stephen Fry
- Cheshire Cat
- (voce)
Barbara Windsor
- Mallymkun
- (voce)
Recensioni in evidenza
Alice travels into the past on an adventure to save the Mad Hatter from the grief that is poisoning him.
Set in 1875, it brings up albeit only briefly explores the misogyny of patriarchy, where mediocre men take away everything from extraordinary women through the limitations they put on them. It seems more comfortable examining problems between family members; Tarrant feels rejected by his father, mostly because he has been. And this is of course a much safer thing for a mainstream film to go into, and Disney prefers taking the well trodden path to profit to taking risks. Just like the Tim Burton original, this is nowhere near as creative and imaginative as the 1951 original, or, from what I hear, the novels. This does take a few steps in the right direction, though both of these definitely lose something in trying to make Wonderland a real, physical place that operates on some continuity and logic, when part of the appeal was that this was not the case. I appreciate that this is something that has been done with a lot of adaptations in recent years, and a lot, perhaps even most, of the time that is the right approach; however, like any rule, it has exceptions, and this is one. This is essentially Back to the Future in a fantasy setting; if you altered various aesthetic aspects, and a handful of lines of dialog, you would never get that it was related to the work of Lewis Carroll, which should never be the case with this sort of thing. The third Men in Black movie has a similar issue.
It is very much one of those sequels that expects you to have watched and remember the predecessor; it doesn't particularly reintroduce the recurring characters. The action is exciting, especially in the effective climax. This is filmed and edited well, capturing the sometimes epic scope. The special effects are convincing, and the design of sets, creatures, makeup and costumes is impressive and provides a very high number of memorable, unique sights and sounds. These include traversing the face of a massive clock, living chess pieces, seconds becoming minutes(you'll know it when you reach it), talking animals, bipedal vegetables, loops and a seemingly non-stop barrage of time puns. The cast are clearly having a ball, in particular the always deeply engaging to watch Helena Bonham Carter.
I recommend this only to the biggest fans of those involved. 7/10.
Set in 1875, it brings up albeit only briefly explores the misogyny of patriarchy, where mediocre men take away everything from extraordinary women through the limitations they put on them. It seems more comfortable examining problems between family members; Tarrant feels rejected by his father, mostly because he has been. And this is of course a much safer thing for a mainstream film to go into, and Disney prefers taking the well trodden path to profit to taking risks. Just like the Tim Burton original, this is nowhere near as creative and imaginative as the 1951 original, or, from what I hear, the novels. This does take a few steps in the right direction, though both of these definitely lose something in trying to make Wonderland a real, physical place that operates on some continuity and logic, when part of the appeal was that this was not the case. I appreciate that this is something that has been done with a lot of adaptations in recent years, and a lot, perhaps even most, of the time that is the right approach; however, like any rule, it has exceptions, and this is one. This is essentially Back to the Future in a fantasy setting; if you altered various aesthetic aspects, and a handful of lines of dialog, you would never get that it was related to the work of Lewis Carroll, which should never be the case with this sort of thing. The third Men in Black movie has a similar issue.
It is very much one of those sequels that expects you to have watched and remember the predecessor; it doesn't particularly reintroduce the recurring characters. The action is exciting, especially in the effective climax. This is filmed and edited well, capturing the sometimes epic scope. The special effects are convincing, and the design of sets, creatures, makeup and costumes is impressive and provides a very high number of memorable, unique sights and sounds. These include traversing the face of a massive clock, living chess pieces, seconds becoming minutes(you'll know it when you reach it), talking animals, bipedal vegetables, loops and a seemingly non-stop barrage of time puns. The cast are clearly having a ball, in particular the always deeply engaging to watch Helena Bonham Carter.
I recommend this only to the biggest fans of those involved. 7/10.
Don't believe any of The negative reviews. This Is a GOOD Movie! I was amazed to see so many negative reviews about a really good movie. My comment is about not believing comments on IMDb. There has been times when I've read positive reviews about a movie, and the move sucked major ass. Now I read negative reviews about a movie that was really good from beginning to end, and it simply amazes me. That's why I've decided to pay no attention to reviews too much and just watch the film and make my own decision on whether its good or not. There are just too many critics and you just can't rely on what you read. Don't get me wrong, some of the reviews are spot on and I find myself in total agreement with some reviews, but this movie was really awesome. I like when a movie keeps my interest the way Alice through the looking glass did. So for anyone looking for a nice escape from reality, don't go by the negative reviews, give this one look. I promise you will not be disappointed.
This film is quite zany compared to the first one. It has some new additions - the queens and the time travel - that make it quite fresh. However, showing the backstory of the queens can also make them feel too grounded and not surreal enough. The whole "saving the world" feel is also a bit too typical for Hollywood. The visual imagination is good as always though.
I love Alice in Wonderland - In fact I love most fairy tale/fantasy movies. With the first Tim Burton Alice movie I wasn't disappointed, but the story took me by surprise. The same goes for this movie. But the surprise for me was that I really enjoyed this movie. I wasn't sure what to expect, so I went in not expecting much - and though the story line was a little bland - It was nice to see what became of Alice - Also in this movie, you learn things about people you didn't know. Such as the White and Red Queen's childhood. Take a step through the looking glass and follow Alice through an adventure to save The Mad Hatter's family - In a race to turn back time, Alice goes on another adventure and learns some things that cannot change the past, but can change the present.
Tim Burton refused to direct this movie..and there is a reason..simply the script is terrible. There is no real and solid story behind this movie if not a marketing operation. The direction works well, nothing special but nothing you can complain about, also the rhythm and the storytelling works good, the problem is the script. The movie is visually stunning , probably visual effects are the only reason to watch this movie. Jhonny Deep is probably on his worst interpretation, he isn't able to transmit anything not even the madness of his character. Mia Wasikovska is the only one who truly believe in the project and tries to produce a decent interpretation. Sacha Baron Coen is funny on his character but maybe he could add more personality in his interpretation. As I already said you can watch this movie just for the amazing visual effects..but without a decent story isn't so entertaining
Lo sapevi?
- QuizAlan Rickman's last movie. He died four months before the release. This movie is dedicated to his memory. His final non-voice acting role was in Il diritto di uccidere (2015), which was released before he died.
- BlooperEarly in the movie Alice directs her crew to heel to port. Visually, the ship heels to starboard.
- Citazioni
Cheshire Cat: [from trailer]
Cheshire Cat: When the day becomes the night and the sky becomes the sea, When the clock strikes heavy and there's no time for tea. And in our darkest hour, before my final rhyme, she will come back home to Wonderland and turn back the hands of time.
- Curiosità sui creditiA dedication to the late Alan Rickman appears right when the first part of the end credits finish.
- ConnessioniFeatured in AniMat's Reviews: The Jungle Book (2016) (2016)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Alice Through the Looking Glass?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Alicia a través del espejo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 170.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 77.041.381 USD
- Fine settimana di apertura Stati Uniti e Canada
- 26.858.726 USD
- 29 mag 2016
- Lordo in tutto il mondo
- 299.820.798 USD
- Tempo di esecuzione
- 1h 53min(113 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti