Television
- 2012
- 1h 46min
Aggiungi una trama nella tua linguaAs a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it ... Leggi tuttoAs a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a despera... Leggi tuttoAs a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this tradi... Leggi tutto
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 6 candidature totali
- Amin Chairman
- (as Kazi Shahir Huda Rumi)
- Solaiman
- (as Suchinta Chowdhury Chanchal)
Recensioni in evidenza
The film brilliantly juxtaposes tradition and modernity, highlighting the transformative power of television. It showcases how the arrival of a TV can change social dynamics, bringing both excitement and conflict to the village. Apu, played convincingly by the talented Chanchal Chowdhury, is portrayed as a reluctant yet relatable protagonist, caught between his conservative upbringing and the allure of the new media. His internal struggles and eventual decisions form the emotional core of the film.
Farooki's direction is commendable, balancing humor with serious social commentary. The screenplay effectively blends satire with drama, providing sharp insights into the clash of values and the complexities of human relationships in a changing society. The dialogues are witty and engaging, adding to the film's appeal.
The cinematography captures the essence of rural Bangladesh beautifully, with vibrant visuals that enhance the storytelling. The music, featuring a blend of folk and contemporary styles, complements the narrative and adds to the film's overall charm.
One of the film's strengths is its ability to provoke thought without being overly didactic. It encourages viewers to reflect on their own relationships with technology and the media, while also addressing broader themes of identity and cultural preservation.
However, some viewers may find the pacing uneven, with certain scenes feeling prolonged. Nevertheless, the film's engaging narrative and relatable characters keep the audience invested throughout.
In conclusion, Television is a captivating film that successfully merges entertainment with meaningful commentary on the effects of modern media on traditional values. It is a must-watch for anyone interested in the evolving cultural landscape of Bangladesh and the ways in which technology shapes our lives.
This movie shows a strange village where no one can watch television and young people cannot use mobile phones.
I like the writing of the movie. Mostafa Sarwar Farooqi always makes such good movies. The cinematography and the screenplay was good.
Mojnu was interesting as a character and the actor made it even better. The story of Solaiman and Kohinoor's relationship was amazing. You will love it,
The acting of Chanchal Chowdhury and Mosharraf Karim was fantastic. Nusrat Imroz Tisha was a good actress in the movie.
I would suggest you to watch this movie.
Lo sapevi?
- QuizOfficial submission of Bangladesh to the Oscars 2014 best foreign language film category.
- ConnessioniFeatures Tees Maar Khan (2010)
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Dettagli
Botteghino
- Budget
- 36.000.000 BDT (previsto)
- Tempo di esecuzione
- 1h 46min(106 min)
- Colore
- Mix di suoni