Ritorno al Marigold Hotel

This film tells the story of a group of senior citizens from the Western world settling in a hotel in India.

"The Second Best Exotic Marigold Hotel" us exactly what the title is. It's second best compared to the first one. The first one had a cohesive story about a group of individuals finding themselves and their happiness. This time around, the story concentrates on the hotel owner's marriage and hotel expansion, and much less about the residents. Even when they tell stories about the residents, it's not as engaging and touching as it could be. I don't find myself caring for the characters at all. It's quite a disappointment for me.

film of a state of soul. seductive for humor. for the teenage side of an age. for the lights and characters, music, dance and the British mark. for the gentle manner to say truth as words from ancient Oriental poem. and for its silence isles. a perfect film as refuge because it is not only the second part of Marigold Hotel but an oasis , far by the trend of blockbusters or independent films, manifestos or moral lessons. a film who gives solid proofs for the admirable art of great actors. out of fans circle interests. because it has not stars. because each new presence - Richard Gere especially- represents the right part of the puzzle from the first Marigold. a film about essential small things. and theirs roots, fruits and taste. a film about solitude, happiness and courage.and, like the hotel itself, comfortable refuge for the viewer.

Have looked forward to this sequel and was not disappointed. It was so good to catch up with old friends (literally and metaphorically). Maybe the storyline was more diluted as less concentrated on the 'guests' and more on Sunni and his attempts to expand his empire and get married but the journey that the 'guests' had started was still ongoing. For me the film is a testament to the fact that old age need not be a slow descent into oblivion; we can lose interest before reaching the terminus or we can hang onto the strap handles and stick it out to the end, which is the message in the film and I know which I prefer. I have n't yet found my personal Best Exotic Marigold Hotel but when I do hopefully Dames Judi & Maggie,Bill, Celia, Ronald, Diana will be my fellow travellers, all haphazardly supervised by Sunni. To those expecting gratuitous violence, blood and gore, gritty reality and leave the cinema feeling life is on a downward spiral, then stay away. To those who want to enjoy a heart warming film,rekindle faith in human nature and joy and expectation in life, go see it and escape this miserable, violent world we live in; go with your friend/lover/partner or alone - just go and enjoy. I am in the age group that would qualify me as a guest but I, like them, am still on a wonderful journey, determined to strap-hang to the end.

The Best Exotic Marigold Hotel was a surprise hit in 2012, leveraging the "oldies" out of their armchairs and into the cinemas in droves: the film returned around 15 times its modest $10M budget. Now three years later comes the sequel – the amusingly titled "Second Best Exotic Marigold Hotel", and its much of the same again. After all, why break a winning formula? Set eight months after the original, and with an enviable occupancy record, expansion is on the cards for the Marigold Hotel. Sonny (Dev Patel) and Muriel (Maggie Smith) head to San Diego in search of investment funding from the US company Evergreen Inc, with the view to expand the franchise into a second property and beyond. There is interest from the owner Ty Burley (David Strathairn, probably best known as the head of Treadstone in the Bourne films) but that interest also brings the threat of a hotel inspector making Sonny (now back in India) suspicious of every new face. Richard Gere's appearance as a wannabe novelist sparks a particularly frantic burst of sucking-up, the farce surrounding these scenes being very reminiscent of the famous Fawlty Towers episode.

Sonny and Sunaina (Tina Desai) are to be married, and the storyline compounds the stresses associated with the business expansion with the stresses associated with the rituals and relationships surrounding the nuptials. Adding fuel to the fire is the unwelcome intervention – in both love and business – of a rich and good-looking family friend and rival (Shazad Latif), bringing the couple's relationship to breaking point. In a slew of secondary story lines, the rest of the ensemble cast comprising Bill Nighy, Judi Dench, Ronald Pickup, Celia Imrie, Diana Hardcastle (sidenote: wife of Tom Wilkinson) and Penelope Wilton pursue love and happiness against the romantic backdrop of Jaipur.

It is hard to actively dislike this film. Like the first film, and like similar recent films such as The Hundred Foot Journey, the esteemed cast demands your attention from the off and the lush colours of India (strikingly enhanced by the job of Evelyn – Judi Dench – in fabric procurement) wrap around you and warm you like a favourite cardigan. The script entertains, with good humour throughout and a smattering of laugh-out-loud lines. In terms of the acting, there is nothing like a Dame and both Dench and Smith are once again excellent, displaying nuanced and – particularly in Smith's case – very moving performances. Bill Nighy (after the strikingly different performance in "Pride") is back into reliable Bill Nighy acting territory again! New to the cast in this outing is one of my favourite comedy actresses Tamsin Greig ("Episodes") and Richard Gere, looking more silver-fox than ever.

But a particular joy for me was Ronald Pickup, celebrating 50 years in the business (after a debut in Dr Who!) who turns in a stellar performance as the besotted but slightly neurotic Norman Cousins.

Another star of the film is India itself. Having had the opportunity to travel extensively, I have never been particularly drawn to India: but this film does more for the Indian Tourist Board than a host of travel brochures ever could. Jaipur looks breath-taking – who knew they had a "Great Wall of China"? – and I may need to reconsider my future travel itinerary.

John Madden ("Mrs Brown", "Shakespeare in Love") directs again, with Thomas Newman scoring.

Any sequel will naturally be compared against its original and, whilst good, this is no "Empire Strikes Back". The film tries to partition itself into the different stages of the wedding preparations, but this becomes rather forced and irritating, particularly since the whole wedding storyline, and the mining of Sonny's jealous streak, gets a bit tiresome. I yearned to be left alone with more time for the quieter and more subtle love story lines permeating the rest of the film.

The script also tends to overly labour the 'you're old so you're about to die' angle in a manner that seems at times to be rather patronising.

But in summary, if you enjoyed the original then you won't find the sequel to be much of a disappointment.

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I took my mum to watch this as she is the same age as the characters so identifies with them and plot. But I equally found it a positive take on the opportunities in old age albeit in an exotic somewhat fantastical environment. It does acknowledge the downsides of getting old but sends the message that these will occur anyway.......but the good stuff can still happen to those who are open to it, whatever your age.

Fabulous casting with every character a joy to watch and all of whom seem to be enjoying themselves immensely.

Some reviewers seem to be disappointed that this film isn't ground breaking or 'gritty' enough with its plot or dialogue. But if you liked Best Exotic Marigold, this is like catching up with old friends who always make you smile. A gentle film told with humour and warmth.