All'indomani di una tragedia familiare, un'aspirante scrittrice è combattuta tra l'amore per il suo amico d'infanzia e la tentazione nei confronti di un misterioso forestiero. Nel tentativo ... Leggi tuttoAll'indomani di una tragedia familiare, un'aspirante scrittrice è combattuta tra l'amore per il suo amico d'infanzia e la tentazione nei confronti di un misterioso forestiero. Nel tentativo di fuggire dai fantasmi del suo passato, si ritrova a vivere in una casa che respira e san... Leggi tuttoAll'indomani di una tragedia familiare, un'aspirante scrittrice è combattuta tra l'amore per il suo amico d'infanzia e la tentazione nei confronti di un misterioso forestiero. Nel tentativo di fuggire dai fantasmi del suo passato, si ritrova a vivere in una casa che respira e sanguina. E ricorda.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 45 candidature totali
Recensioni in evidenza
6/10.
But it might get a second life in the video circuit as people might still discover this very enjoyable movie. Big thumbs up for me!
"Crimson Peak" is set in the late 19th century, first in New York, then in rural England. Edith Cushing (Mia Wasikowska) is a young budding writer who is intelligent, beautiful, and strong willed, refusing to allow Victorian sensibilities dictate what she can and cannot do, and as a result butts heads with those around her. Thomas Sharpe (Tom Hiddleston) is an English aristocrat and inventor who is in New York seeking financial backing for his mechanized clay mining business back home. When tragedy strikes, Thomas marries Edith and brings her to his home, Allerdale Hall in Cumberland, where his sister Lucille Sharpe (Jessica Chastain) is waiting. As Edith tries to fit into her new surroundings, she discovers that secrets abound and nothing is as it seems.
The visuals in "Crimson Peak" are so glorious, they are almost overwhelming. The sets are spectacular visions of beauty and decadence in decay; costumes are intricately detailed and gorgeous; the lighting and over saturated color bring depth and meaning; the ghosts are grotesquely beautiful; and, of course, the del Toro trademarks of insects and clockwork gracefully found their way into the story as well.
Because "Crimson Peak" is a rather large studio production, it is being marketed to a large audience. I believe this accounts for some of the lackluster reviews I have been reading. If one is not familiar with del Toro's prior Spanish language films, they may not understand his unique cinematic perspective. For some, this will mark the beginning of a journey into del Toro's fantasy world, for others it will be a disappointment. For me, it was almost everything I wanted it to be.
The film stars Mia Wasikowska, Jessica Chastain, Tom Hiddleston, and Charlie Hunnam. We focus on Edith, played by Wasikowska as she deals with a recent family tragedy without anywhere to go and no one to stay with. Enter Hiddleston and Chastain, playing Thomas and Lucille respectively, who seem to target Edith specifically. As Thomas and Edith grow closer to each other, he brings her to his childhood house, which is conveniently miles away from the next home or any part of civilization. It also happens to have an issue with the red clay that stains the snow around the house and floods underneath during the winter. This gives the whole feel of the movie a bloody undertone.
While the film isn't really a horror film, it certainly has frightening elements. Edith is constantly haunted by not only the ghosts of Crimson Peak but her mother's for whom she basing a book around. The strongest aspect of Crimson Peak is the visual spectacle you're given. Whether it's the costume design, special effects, or the sets themselves, this film is gorgeous. So there's no denying that seeing it in theaters is the way to go. The problem is that the film itself isn't all that original, and the characters aren't all that interesting. The first act is rather slow but the climax most definitely makes the film worth seeing. The performances are all great, in particular Wasikowska and Chastain, which in some way make up for the lack of character development. Go see the movie if you want to see a visual spectacle, but not if you want a horror-ghost centered film.
+Visually stunning
+Performances all around
+Climax
-Not all that scary
-Starts slow
6.8/10
Sadly, there are some noticeable downsides. The most obvious one is how slowly this film starts, with seemingly very little happening for the first twenty or so minutes. The focus is very heavily on the plot, and while some characters are developed more slowly because it ties in with the plot, others can feel underdeveloped. When this is combined with the slow start, it makes the first part of this film fairly boring. Some of the chronology of this film can seem slightly strange as well, when scrutinised.
However, despite its faults, this is still a good film and worth watching. 7/10
Lo sapevi?
- QuizThough the house was built in its entirety, it had to be torn down at the end of the shoot in order to make space in the studio.
- BlooperDr. Alan claims that it would be impossible to fake a ghost photograph with glass plates. In fact at the time a lot of 'ghost photos' were made with glass plates, because the expensive plates were re-used, and if not cleaned properly, a 'ghost' image would remain.
- Citazioni
Lucille Sharpe: But the horror... The horror was for love. The things we do for love like this are ugly, mad, full of sweat and regret. This love burns you and maims you and twists you inside out. It is a monstrous love and it makes monsters of us all.
- Curiosità sui creditiThe first half of the end credits reveals that Edith adapted her experience in the film into a book titled "Crimson Peak".
- Colonne sonoreIn the Sails of Your Dreams
Written by Guillermo del Toro and Fernando Velázquez (as Fernando Velásquez)
I più visti
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- La cumbre escarlata
- Luoghi delle riprese
- Kingston, Ontario, Canada(Market Square Downtown outside city hall)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 55.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 31.090.320 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.143.310 USD
- 18 ott 2015
- Lordo in tutto il mondo
- 74.679.822 USD
- Tempo di esecuzione
- 1h 59min(119 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1