Viduthalai Part 2

Detailed review -Viduthalai Part 2, directed by Vetri Maaran, features a star-studded cast including Vijay Sethupathi, Manju Warrier, Soori, GVM, Rajiv Menon, and others. While the first installment primarily centered on Soori's character, the second part shifts its focus to Vijay Sethupathi.

The film weaves two parallel narratives. The first revolves around the aftermath of Perumal's arrest, while the second is shaped by Vijay Sethupathi's character, with some narration from Soori's perspective towards the end. Vetri Maaran incorporates subtle political and social undertones into the character arcs, adding depth to the narrative. For example, Perumal's wife, Mahalakshmi (played by Manju Warrier), cuts her hair short to signify resilience, and Karuppan (Ken Karunas) giving himself a name reflects a poignant personal choice.

The performances by the cast are commendable and do justice to the story and the director's vision. However, some characterizations leave room for questions. Anurag Kashyap's role feels unexplored-what purpose did his character serve? While Rajiv Menon, Chethan, and Manju Warrier deliver well-crafted performances, GVM's role lacks substance. The most disappointing aspect is the sidelining of Soori's character, who was the heart of Viduthalai Part 1.

Viduthalai Part 2, despite its strengths, doesn't reach the heights of its predecessor. The film becomes overly preachy at times. In Part 1, Soori's character was beautifully developed, and his diminished presence in Part 2 is a missed opportunity. This installment is dominated by Vijay Sethupathi, who carries the film with his stellar performance. However, Vetri Maaran, known for his sharp writing, appears to falter here. The film's heavy reliance on dialogues becomes tiresome, diluting its impact.

The disclaimer at the beginning of the movie, stating that the story does not target any political figures or entities, feels like a cop-out. If Vetri Maaran wanted to convey a specific ideology or message, he should have been more forthright. Using cinema as a platform to push personal ideologies without clarity undermines the craft. While the film retains its ideological and social relevance, it lacks the boldness and finesse one expects from Vetri Maaran. This isn't the kind of filmmaking that resonates deeply or leaves a lasting impression.

In a nutshell, Vidhuthalai Part 2 is nothing but a collection of too much dialogue with no depth. Vetrimaaran wanted to say something but he did not have enough guts to openly tell what he wanted to say. Stupidity at its best. This is the worst movie in the making of Vetrimaaran and a disappointing one.

Vetri had done something not many can do. I know he lived in North Arcot district in his early days. I have heard few stories about Naxalits and i can see he had heard too 😊

Dialogues were poweful and it's a politics lesson for all. It's coming at a time right wing is dominating india.

As always Sethu supporting these kinds of movie is not new but hats off again.

End of the day, i was wondering why Vetri did this movie. For sure this got less scope for a blockbuster movie like aadukalam or vada chennai. I see this as, Vetri liked to share what a communist party and back in days, the so called naxalites got created. More than that, he makes us all feel violence is not a solution but politicizing people is the solution, which is what Thiruma keeps saying 😊

Congratulations Team Viduthalai Part 2. Vetrimaaran Sir, we thank you for showing us such a realistic film. No doubt that you are the most loved and greatest director. Coming to the Movie:- BLOCKBUSTER POINTS IN Viduthalai Part -2

• Engaging story and screenplay
• Forest sequences, very engaging
• Fight scenes, Just wow

4. Music and Background score, Perfect 5. Ending/Climax, Heart-wrenching 6. Pure realistic performances from all actors 7. Social message; Caste-related issues, Human relations, Wife and husband love, Friendship, Loyalty, Honesty, Trust, Truth, Law and order, Promotions, Justice for the right cause...So many 10. Vijay Sir's pure realistic performance

Thanks Vetrimaaran Sir. Thanks, Team Viduthalai Part 2.

Viduthalai 2 is a rare instance of a Vetrimaaran film not hitting the anticipated highs. Sure, the efforts are evident in terms of writing and performance, but this is Vetrimaaran pulling off a Gautham Menon in terms of excessive voiceovers - it's always "tell" and not "show." The love story in Part 1 was one of its top redeeming qualities, but the Vijay Sethupathi - Manju Warrier romance is not as resonating. Maybe, both their wigs were too distracting for me. It gets better in the second half, however.

Ilaiyaraja's score is fantastic, especially adding more fervour to the action blocks. Vetri crafts the pre-intermission corn field set piece really well. Placing the blow horn-esque Viduthalai theme amid it was also a solid decision. Then again, the editing (as is the case in several Vetrimaaran films) is choppy. We can sense a matter-of-fact, information-dump nature to the proceedings with Rajiv Menon and company (offering some odd hilarity in the process), but an extra dose of melodrama (and preachiness) is added to the flashbacks.

I'm not sure if it's an editing flaw or because Vetri has the habit of rewriting dialogues at the time of dub, but the voiceovers at times tend to overlap with dialogue exchanges; that was jarring as hell. Technicalities aside, this is probably Vetri's most politically charged film to date, even when some loose threads don't really get anywhere. How you take to that can also affect your viewing experience. The film's concluding scene reinstates how good a writer Vetrimaaran is, and how great a performer Soori is.

Also, did CBFC really choose to blur out those gory scenes after an "A" certification? I don't get it. The same goes for cuss words.

Vetri Maaran's latest film is a big political statement, but it's a bit too complex, especially when compared to the straightforward Viduthalai Part 1. The story picks up from where the last movie left off, tackling themes of caste, politics, and revolution. The cinematography is striking, and Vijay Sethupathi delivers a standout performance, but the film feels cramped, like it's trying to fit too much into too little time. It might have been more effective as a TV series, with more room to flesh out the characters and the plot. Vetri Maaran's unique style peeks through occasionally, but it's often smothered by preachy dialogues. In the end, the film leaves us with a sense of unfulfilled potential.