Una linguista viene reclutata dall'esercito per comunicare con forme di vita aliene dopo che dodici misteriose navicelle spaziali sono atterrate sul nostro pianeta.Una linguista viene reclutata dall'esercito per comunicare con forme di vita aliene dopo che dodici misteriose navicelle spaziali sono atterrate sul nostro pianeta.Una linguista viene reclutata dall'esercito per comunicare con forme di vita aliene dopo che dodici misteriose navicelle spaziali sono atterrate sul nostro pianeta.
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I watched this recently again and going a second time around, I appreciated the depth in this film. Arrival probes profound questions about time, language, and human behavior. The cinematography here was also excellent.
Prior to approaching this film, a word of warning that it is what many like to call a "thinking person's sci-fi". If you're going to watch this, I beg that you dedicate your utmost attention to it, as it is truly one rewarding experience, one of the smartest, most well-constructed science fiction marvels of recent years. 'Arrival' is Villeneuve's magnum opus.
Firstly, to put your mind at ease, I won't be analysing the plot, thus avoiding the use of spoilers. This decade, Villeneuve has crafted some fantastic works of art in the form of 'Prisoners', 'Sicario' and now this science fiction gem, and here's hoping his career further develops with more movie masterpieces coming our way. In a world where mysteries remain and the possibility of extraterrestrial life still stands unanswered, 'Arrival' approaches this with it's cliché-free take on the genre.
The relatively unknown Bradford Young provides the film with some of the most stunning cinematography ever conceived, taking advantage of the twilight hour to give the film its somewhat unique look, supported magnificently by Icelandic composer Jóhann Jóhannsson whose score is both haunting and beautiful. If you're someone looking for a science-fiction tale that keeps you guessing and thinking throughout, with fantastic performances, cinematography, music and near-flawless direction, then 'Arrival' is the film for you. The masterpiece of 2016!
Firstly, to put your mind at ease, I won't be analysing the plot, thus avoiding the use of spoilers. This decade, Villeneuve has crafted some fantastic works of art in the form of 'Prisoners', 'Sicario' and now this science fiction gem, and here's hoping his career further develops with more movie masterpieces coming our way. In a world where mysteries remain and the possibility of extraterrestrial life still stands unanswered, 'Arrival' approaches this with it's cliché-free take on the genre.
The relatively unknown Bradford Young provides the film with some of the most stunning cinematography ever conceived, taking advantage of the twilight hour to give the film its somewhat unique look, supported magnificently by Icelandic composer Jóhann Jóhannsson whose score is both haunting and beautiful. If you're someone looking for a science-fiction tale that keeps you guessing and thinking throughout, with fantastic performances, cinematography, music and near-flawless direction, then 'Arrival' is the film for you. The masterpiece of 2016!
10Tweekums
In the opening scenes we see protagonist Louise Banks raising and ultimately losing a daughter. We then see her lecturing in linguistics in a university; her class seems poorly attended but it soon emerges that there is a good reason for that... news is breaking of the arrival of twelve alien space ships. They are hovering at various points around the world just above the Earth's surface. Louise is approached by Colonel G.T. Weber of the US Military to help them try to communicate with the craft above Montana. Here she is teamed up with scientist Ian Donnelly. Upon entering the ship they meet two seven limbed aliens, dubbed 'heptopods'. It immediately becomes clear that their method of communication is unlike any human language. Gradually a basic vocabulary is developed; then a potentially worrying message is received... it may be an offer, or a threat or just a misunderstanding. Some countries take it as a threat and prepare to attack the crafts above their countries. If peace is to be maintained Louise and Ian will have to decipher the aliens' final message.
If you are hoping for the sort of sci-fi that delivers lots of fasts moving action and sexy, almost human, aliens then you are in for a disappointment. If however you want an intelligent, ideas led story then you should watch this. Most science fiction conveniently avoids the problems of communication with ideas such as 'universal translators', 'translator microbes' of a fish you stick in your ear but this film is all about establishing communications. As such it moves at a fairly slow pace with much of the action set in drab rooms... this doesn't mean it was boring though; I was thoroughly engrossed and the twists, which I won't spoil, surprised me without being too convenient or irritating. Amy Adams and Jeremy Renner impress as Louise and Ian and Forest Whitaker is solid in the role of Col. Weber. The rest of the cast is pretty good too. I feared that the ending might not live up to what went before but thankfully it did. Overall a great film that fans of more cerebral sci-fi need to watch... that's not meant as an insult to action packed space operas like 'Star Wars' or the high camp of 'Flash Gordon'; I love those as well!
If you are hoping for the sort of sci-fi that delivers lots of fasts moving action and sexy, almost human, aliens then you are in for a disappointment. If however you want an intelligent, ideas led story then you should watch this. Most science fiction conveniently avoids the problems of communication with ideas such as 'universal translators', 'translator microbes' of a fish you stick in your ear but this film is all about establishing communications. As such it moves at a fairly slow pace with much of the action set in drab rooms... this doesn't mean it was boring though; I was thoroughly engrossed and the twists, which I won't spoil, surprised me without being too convenient or irritating. Amy Adams and Jeremy Renner impress as Louise and Ian and Forest Whitaker is solid in the role of Col. Weber. The rest of the cast is pretty good too. I feared that the ending might not live up to what went before but thankfully it did. Overall a great film that fans of more cerebral sci-fi need to watch... that's not meant as an insult to action packed space operas like 'Star Wars' or the high camp of 'Flash Gordon'; I love those as well!
Denis Villeneuve is without a doubt an upcoming director and I can't wait to see Blade Runner 2049. Prisoners, Sicario and now Arrival (haven't seen Enemy yet, or some of his earlier work). Denis knows how to capture the tension. It is almost the strongest point of all of his films. Minimal use of computer generated images, and main focus on story, characters, acting and thrilling scenes. Back on IMDb board, I have noticed a lot of people calling Arrival a boring movie. So many hypocrites these days. People trying to point out every possible flaw to look and sound smarter while at the same time hailing far worse movies. Calling it boring and slow while at the same time complaining no originality in Hollywood, only giant CGI laser explosions extravaganza. Go watch Independence Day. In Arrival there is no action, no explosions, just some amazing acting performances combined with good directing, editing and cinematography. There was not a single moment I felt bored.
This is a very, very well made film, which is thought provoking, measured, engaging, and thoroughly well made.
There is nothing brash, or heavy handed about it, the story is superbly told, with well grounded characters. The story is of course sci fi, and hugely creative, but it's never silly, it is incredibly intelligent.
Awesome special effects, I loved the design of the alien race, and their language, quite incredible.
A story of hope, which I loved. 9/10
There is nothing brash, or heavy handed about it, the story is superbly told, with well grounded characters. The story is of course sci fi, and hugely creative, but it's never silly, it is incredibly intelligent.
Awesome special effects, I loved the design of the alien race, and their language, quite incredible.
A story of hope, which I loved. 9/10
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- QuizTed Chiang, who wrote the story the film is based upon, approved the film, saying "I think it's that rarest of the rare in that it's both a good movie and a good adaptation... And when you consider the track record of adaptations of written science fiction, that's almost literally a miracle."
- BlooperIn the main landings chart, the Australian contact point seems to be in the Indian Ocean off Geralton in Western Australia. Later, there is a brief shot of an alien spacecraft with central Sydney in the distance across water; Sydney is on Australia's east coast.
- Citazioni
Ian Donnelly: [reading from a book by Louise Banks] "Language is the foundation of civilization. It is the glue that holds a people together. It is the first weapon drawn in a conflict."
- Curiosità sui creditiDenis Villeneuve's daughter, Salomé Villeneuve, is listed as "Hazmat Suit Specialist".
- Colonne sonoreOn the Nature of Daylight
Written and Performed by Max Richter
Courtesy of Deutsche Grammophon GmbH
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- La llegada
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 47.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 100.546.139 USD
- Fine settimana di apertura Stati Uniti e Canada
- 24.074.047 USD
- 13 nov 2016
- Lordo in tutto il mondo
- 212.758.656 USD
- Tempo di esecuzione
- 1h 56min(116 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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