The Cloverfield Paradox

Held my attention throughout and was a decent all round sci-fi thriller. It definitely owed a lot to Alien and Sunshine among other classics though. It didn't make a lot of sense, but neither do most films these days.

If someone had told you this was the greatest block buster of the year, or a contender to beat out Star Wars or Alien for greatest sci-fi of all time, you'd be mightily disappointed.

And coming from J.J. Abrams and stupidly having had the "Cloverfield" thing jammed into it pointlessly, anyone would reasonably be very disappointed, or if you are someone who has to over think movies you would be too.

But if you approach this like an episode of Doctor Who, or Torchwood, or some other BBC type sci-fi series, (which is what it looks like given the actors), it is fine, and if you tell someone to approach it that way they might enjoy it even you didn't.

I love sci-fi. I LOVE it. So I've seen dozens of these average forgettable sci-fi b-movies. With this one it looks like they followed some sort of "generic sci-fi b-movie checklist". Let's get to the point:

-Generic b-movie plot.

-Generic physics mambo jambo that makes no sense.

-Generic crew. Generic characters making obvious mistakes (I mean, if a magnet is strongly and dangerously attracting metal objects, would you get close to look at the magnet? or would you look behind you for metal objects coming through??)

-Generic "we move power from system A to system B and that would fix everything!" plans.

-Generic "ok, to fix this part of the ship, someone has to die... I'll sacrifice myself for you guys, go! save yourselves!" altruism moments.

-Almost no character development. They try SO HARD (failing) to make us care about the main character, that when a generic crew member dies, you just don't even care.

-Has almost nothing to do with Cloverfield. And the "explanation" of why cloverfield happened it's just bland... I wish Cloverfield's explanation would still be a mistery.

I really wanted to like this, I really did. I loved Cloverfield and even 10 Cloverfield Lane, but this is just a flop.

Well, about 30 minutes in and you realize why Paramount decided to release via Netflix. I don't think anyone who loved cloverfield will be particularly taken by this film. And to those people who felt cloverfield lane was a bait and switch, they will really feel betrayed by this film. The acting in this film is respectable. The effects, set and the like are fine. But the dull plot is not overcome by having a single character to care about.

It's no mistake now that the team behind the Cloverfield series is simply purchasing films that are already shot or written and re-working them to fit within their "world". This entry into the series is no different, but at least we have a direct connection and explanation for things, which make this film the main one that will connect every single 'Cloverfield' entry from here on out.

In an attempt to produce endless energy, a group of people board a space shuttle known as The Shepard. Over 600 days in space with failure after failure, they finally manage to create something. But that something is not what they expected and now they have to fight to survive and deal with the horrors they've unleashed.

There is a moment in the film that is pure exposition, delivered by Donal Logue that really felt forced in there to be an explanation for the monster in the original film. It was such an awkward jumble of words that it stands out like a sore thumb. I felt like they could have delivered this information a bit differently, by someone on the ship maybe. There are other moments of missed opportunities as well, specifically when you are dealing with time paradoxes and alternate realties.

The film tries to deliver a sense of dread, but it doesn't really get there. There are moments where the weirdness explodes and we are dealing with severed limbs still working or body horror involving eyes and skin. I get the sense that they wanted these weird occurrences to really amp of the mystery. Sometimes it works, other times it does not. As a whole though, the film does deliver an edge of your seat sic/fi space survival flick.

Paramount clearly thought they had a stinker on their hands, which is why they dumped the film to Netflix. Saying this film sucks is a disservice to the material. It's ambitious enough to try and create a connecting tissue to the other films and anything else that Bad Robot wants to come up with. I applaud that, as well as their explanation for why things happened, to me is good enough. This film will be the most divisive one yet, that is clear.