Duk sit dai jong

It's a Happy Chinese New Year movie and seems to be meant for fun. The 2.5hrs passed quickly and I didn't nap in the middle which is a mark of a good movie for me.

There are gags and chuckles and a chance to see the rich get eaten by us "normal" people. A fight against the ills we suspect the "other side" does, and gives you enough fuel and reason to keep fighting the good fight in this coming new year.

Dayo Wong carries the story believably but then when you leave, you wonder, could that really happen?

Just take it as fun. The plot has many things that don't make sense but don't worry, you're on the right side!

The script/plot, the acting and the pacing of the movie are top notch. It does a very good job in not reviewing the key plot until the very end. A climax is built up till the final showdown in the courtroom.

It certainly does not feel like a 2.25h movie and it's entertaining from the start till the end. Much effort has been put into crafting the dialogue between the barristers which does not make it corny but totally refreshing.

Feels like one of the very good HK movie in its golden era in the 80s. It deserves a film award and best actor award.

A 10 clap production.

👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻

This review comes from Singapore.

First, there is a strong plot to support this movie. A half time of this movie shows the challenge and conflicts that are faced by the protagonist. Every challenge gives the protagonist more passion and determination to find justice. And the rest of the half time is the climax of this movie because the protagonist challenges the legal system in the courtroom.

Second, good reflection of the main character makes the audiences have more empathy for the protagonist. The story set different turning points to show the changes of the main character to make the audience more understand his emotions, behaviors, and motivations and realize what he stands for.

I think it is a HK movie that is worth watching because it not just have a strong plot to tell a good story and also shows the reflection of the protagonist to defend justice.

"Adrian Lam" (Dayo Wong) is a magistrate who doesn't really care about his job. He gets a bit of a shock, though, when his new boss sends him back to the benches where he must, again, actually practice law. It's here, after a night on the booze, that he turns up to defend a woman charged with the negligent homicide of her young son. A combination of his laziness, incompetence and his hangover leaves this woman hung out to dry when one of the witnesses - from whom he didn't get a written deposition - changes his story. Off to jail she goes and into a maelstrom of despair goes he before the guilt starts to kick in, and he decides to get his act together. His co-defending counsel "Evelyn" from the original trial (Renci Yeung) and he decide to try and convince the convicted "Jolene" (Louise Wong) to let them work on an appeal and the remainder of this rather flat courtroom drama follows their efforts. It starts off quite entertainingly, with a bit of a tetchy dynamic between the lawyers and to be fair, Dayo Wong is quite proficient as the bored and rather indolent lawyer. Sadly, though, once the ship is all upright again, the story becomes one of rather predicable family intrigue and power-broking that exposes us to many from a supporting cast that are as unremarkable as the dialogue. The photography has something of a television feature to it and the denouement, though quite lively paced - well you can see that coming from space. At 2¼ hours it is also far too long with just not enough meat on the story to sustain it. Perhaps a more judiciously cut edit and a few fewer side-stories might have made it more of a watchable "Perry Mason" style drama, but as it is - I was a bit bored by the end.

Duk Sit Dak Jong / A Guilty Conscience (2023) is an engrossing story that envelopes the viewer through its highly involved characters and the resulting courtroom dramas that unfold due to the attitude an behaviour of a rather lazes fere Hong Kong Lawyer, who simply takes the job with ease and an over comfortable laziness in his approach to the law cases that cross his desk.

This particular lawyer and his colleagues try to save an innocent woman after his carelessness causes her lose the case ending up with a very unfair conviction, which creates the guilty conscience within himself, thereby pushing him to make some big changes not only within his life and approach to his legal position but to the larger scope of things where he can see how his action or inaction directly affect others negatively no thanks to his unscrupulous work ethic and lackluster approach to justice, instead of being astute, we see him basically just phoning-in a half-assed attempt at putting any real effort into following up his cases.

He learns to drop the arrogance and take on a more empathetic approach, once he is shaken up through a variety of details that come to the surface.

Brilliantly acted and not just another run of the mill, tyical Hong Kong movie ~ this film begs to be watched by all who love a solid courtroom drama that verges on being a thriller.

Definitely see it, and watch it with an open mind. Having lived in GuangDong Province for 8 years of my life, surrounded by Cantonese culture, this film greatly appealed to me from a Cultural viewpoint, with the wonderfully familiar accents, personas, characters, situations, scenery, locations, language and local cultural aspects at the fore of the film throughout, which i found very pleasing and enjoyable indeed.

However, whether you are familiar or unfamiliar with Hong Kong, Macau, GuangDong Province or Cantonese Culture in general, THIS is still a highly recommendable movie and a must-see film for court-room drama/thriller fans. No matter what culture you are from, this film is essentially about finding humanity, compassion and empathy within ourselves!