Il dubbio e il mistero crescono in una piccola comunità montana che viene scossa al suo interno quando parecchie persone locali che si presume morte improvvisamente riappaiono nelle loro cas... Leggi tuttoIl dubbio e il mistero crescono in una piccola comunità montana che viene scossa al suo interno quando parecchie persone locali che si presume morte improvvisamente riappaiono nelle loro case.Il dubbio e il mistero crescono in una piccola comunità montana che viene scossa al suo interno quando parecchie persone locali che si presume morte improvvisamente riappaiono nelle loro case.
- Nominato ai 1 BAFTA Award
- 5 vittorie e 7 candidature totali
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Recensioni in evidenza
Much credit is deserved here, to find such a fresh field amongst the hordes of undead programming assaulting our screens just now is a real achievement.
The setting is also a nice change adding bags of atmosphere. The acting is excellent with almost all the players showing just the right level of reluctance to accept the mind breaking reality of what is happening around them. The characters are diverse enough to give a real sense of the effect the events are having on the community and not just the individuals.
It's hard to criticise a show that makes such an effort to do things differently, and I wouldn't dream of being harsh to this one. The plot is that of a teasingly slowly unravelling mystery, and I would say this can naturally be just a little frustrating at times. One or two scenes are perhaps a little tough to accept as the genuine reaction of the character.
Little (almost petty) criticisms aside, I really enjoyed this show. It always left me eager for the next episode and I recommend it heartily to anyone looking for a smart new approach to an increasingly tired category.
The setting is also a nice change adding bags of atmosphere. The acting is excellent with almost all the players showing just the right level of reluctance to accept the mind breaking reality of what is happening around them. The characters are diverse enough to give a real sense of the effect the events are having on the community and not just the individuals.
It's hard to criticise a show that makes such an effort to do things differently, and I wouldn't dream of being harsh to this one. The plot is that of a teasingly slowly unravelling mystery, and I would say this can naturally be just a little frustrating at times. One or two scenes are perhaps a little tough to accept as the genuine reaction of the character.
Little (almost petty) criticisms aside, I really enjoyed this show. It always left me eager for the next episode and I recommend it heartily to anyone looking for a smart new approach to an increasingly tired category.
Slow in a good way, of course, because it's all about suspense. People start coming back from the dead - some are better remembered than others, some are more aware of what's going on, some just want to start again. This makes the narrative layered, the characters' stories only slowly become clear, the whole situation gradually starts to make sense. There's no hurry, plenty of atmosphere, and a lot is left to the imagination (or at least not explained properly, which I suppose amounts to the same). Family drama overlaps with the fantasy element, so one minute it's really sad and moving, the next weird or horrifying, and all wrapped up in a melancholy soundtrack and lovely mountain scenery. Unsettling, sometimes baffling, but strangely addictive viewing.
Les Revenants is a simply stunning production with its evocative setting and equally musical score. With well drawn characters and an intriguing premise which offers a thrilling obtuse take on the zombie genre each episode makes for wonderful, entrancing viewing. Its resonance reflects David Lynch's TV tour de force, Twin Peaks (itself about to get a 21st century make-over by Lynch). The only disappointing thing is how long it is taking for the second season of Les Revenants to be broadcast. If the second season replicates the very high production standard of the first, Les Revenants is destined to mark its place in television history as one of the greatest shows of all time.
This is the best creepy drama I've seen this year. I was gripped every second. The title sequence is full of mysteries. Disturbing and yet beautiful imagery. The music is by Mogwai and it stirs the soul. It is the very heart of the series. All the cast are excellent. The "Returned" characters, especially the young Vincent, are both sympathetic and scary by turns. Some are seeking love and acceptance. All are hungry and confused. They are not your typical horror monster. They are just people who happen to have been given a new chance at life. The plot-line unfolds slowly and subtly. Some scenes are left to the imagination, but there are still shocks. Certainly lots of questions which lead to questions, but that did not bother me. I was simply drawn further in. I am excited about the 2nd series.
Review of Series One:
THE RETURNED, a French TV series tackling a zombie epidemic, is one of the freshest and most inventive pieces of television I've watched in a while. Everything about it screams impressive: it boasts wonderful performances from a series of outstanding actors, huge attention to detail, and exceptional technical values from the direction to the camera-work, the set design, you name it. It's also very well written, with a cast of intriguing characters and just the right level of incident to keep you watching.
Another plus is the horror theme, which for once is handled with maturity and insight into human emotion. These aren't clichéd, flesh-eating zombies, rather missing loved ones, and watching them return to their family members - who have long since stopped the grieving process - is heartbreaking. The horror comes from a growing sense of mystery, of an increasing foreboding, enhanced by some excellent, long-held musical notes which send suspense levels through the roof. It truly doesn't get much better than this, and it puts Hollywood to shame.
If there's one problem with THE RETURNED, it's that it ends up incredibly frustrating, because it answers very few of the many, many questions it raises. By the end of the last episode of season one, we're no closer to the truth of the matter than we were at the beginning of the first episode, which is a real pity; the audience will only go along with you for so long, and there should have been some real, concrete answers to sweeten the mix. As it is, we're now forced to wait - for a very long time - for the second series, which should hopefully provide at least some explanation as to what it's all about.
Review of Series Two:
Most of us who were fans of the first series were eagerly awaiting this second series as it would hopefully tie up some of the mystery from the first. No such luck. Instead of finally telling us what's been going on, THE RETURNED continues to plough the same furrow, deliberately obscuring the viewer and raising more questions than it answers.
The use of flashbacks has gone into overload here. Every episode opens with a flashback and they recur throughout. They're pretty tiresome by now, especially when they add very little to the plot development. Plus, a bunch of new and rather extraneous characters are introduced and the series tells their stories instead of adding much in the way of new stuff to the existing characters.
The quality of the acting is still good, and the cinematography - all stillness and gloom - remains excellent. But the characters seem like they're stuck in a rut, and viewers are forced to wait until the final episode until something finally happens. I'm not sure what - the ambiguous nature of it means that the viewer must make his or her own mind up as to what transpired - but at least it provides a conclusion of sorts. Please, no third series though, as this was a huge step down from the excellent first.
THE RETURNED, a French TV series tackling a zombie epidemic, is one of the freshest and most inventive pieces of television I've watched in a while. Everything about it screams impressive: it boasts wonderful performances from a series of outstanding actors, huge attention to detail, and exceptional technical values from the direction to the camera-work, the set design, you name it. It's also very well written, with a cast of intriguing characters and just the right level of incident to keep you watching.
Another plus is the horror theme, which for once is handled with maturity and insight into human emotion. These aren't clichéd, flesh-eating zombies, rather missing loved ones, and watching them return to their family members - who have long since stopped the grieving process - is heartbreaking. The horror comes from a growing sense of mystery, of an increasing foreboding, enhanced by some excellent, long-held musical notes which send suspense levels through the roof. It truly doesn't get much better than this, and it puts Hollywood to shame.
If there's one problem with THE RETURNED, it's that it ends up incredibly frustrating, because it answers very few of the many, many questions it raises. By the end of the last episode of season one, we're no closer to the truth of the matter than we were at the beginning of the first episode, which is a real pity; the audience will only go along with you for so long, and there should have been some real, concrete answers to sweeten the mix. As it is, we're now forced to wait - for a very long time - for the second series, which should hopefully provide at least some explanation as to what it's all about.
Review of Series Two:
Most of us who were fans of the first series were eagerly awaiting this second series as it would hopefully tie up some of the mystery from the first. No such luck. Instead of finally telling us what's been going on, THE RETURNED continues to plough the same furrow, deliberately obscuring the viewer and raising more questions than it answers.
The use of flashbacks has gone into overload here. Every episode opens with a flashback and they recur throughout. They're pretty tiresome by now, especially when they add very little to the plot development. Plus, a bunch of new and rather extraneous characters are introduced and the series tells their stories instead of adding much in the way of new stuff to the existing characters.
The quality of the acting is still good, and the cinematography - all stillness and gloom - remains excellent. But the characters seem like they're stuck in a rut, and viewers are forced to wait until the final episode until something finally happens. I'm not sure what - the ambiguous nature of it means that the viewer must make his or her own mind up as to what transpired - but at least it provides a conclusion of sorts. Please, no third series though, as this was a huge step down from the excellent first.
Lo sapevi?
- QuizBesides the 2004 film in which the show is based on, the plot is very similar to the Brazilian novel "Incidente em Antares" (Incident in Antares) by Erico Verissimo, which was published in 1971. A mini-series based on the book, Incidente em Antares (1994), was released in Brazil in 1994.
- BlooperOn Madame Costa's gravestone it gives her birth/death years as 1933 and 1978. During conversations with other characters, it is continually stated that she was born in 1943.
- ConnessioniFeatured in Una mamma per amica: Di nuovo insieme: Summer (2016)
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