Rey continua a sviluppare le sue nuove abilità con la guida di Luke Skywalker, che è turbato dalla forza dei suoi poteri. Nel frattempo, la Resistenza si prepara alla battaglia con il Primo ... Leggi tuttoRey continua a sviluppare le sue nuove abilità con la guida di Luke Skywalker, che è turbato dalla forza dei suoi poteri. Nel frattempo, la Resistenza si prepara alla battaglia con il Primo Ordine.Rey continua a sviluppare le sue nuove abilità con la guida di Luke Skywalker, che è turbato dalla forza dei suoi poteri. Nel frattempo, la Resistenza si prepara alla battaglia con il Primo Ordine.
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Riepilogo
Reviewers say 'Star Wars: The Last Jedi' garners varied reactions, with praise for its innovative storytelling, stunning visuals, and complex character arcs, especially Rey and Kylo Ren. It is celebrated for pushing Star Wars boundaries but criticized for plot inconsistencies and character missteps. The portrayal of Luke Skywalker and new characters sparks debate, alongside mixed opinions on humor and pacing. Despite the backlash, the film is acknowledged for its ambition and bold narrative direction within the Star Wars universe.
Recensioni in evidenza
This cinematic catastrophe, masquerading as a continuation of the beloved Star Wars saga, is an utter disgrace to the franchise and a desecration of everything that once made it great. Director Rian Johnson's feeble attempt to leave his mark on this illustrious universe falls short in every conceivable way, leaving fans and cinephiles alike bewildered and dismayed.
From the very outset, it becomes apparent that The Last Jedi lacks any coherent vision or respect for the source material. Johnson takes delight in tearing down the established mythology, tossing aside the profound themes and intricate character arcs that have captivated audiences for decades. Instead, we are subjected to a hodgepodge of convoluted plotlines and laughable attempts at subversion, all executed with a lack of finesse and intelligence that is truly astonishing.
Gone are the iconic heroes we once held dear, replaced by hollow caricatures of their former selves. Mark Hamill's portrayal of Luke Skywalker, a character etched into the annals of cinematic history, is reduced to a moping hermit devoid of purpose or conviction. The essence of Luke's struggle and growth, painstakingly developed over multiple films, is discarded in favor of a disillusioned old man who resorts to throwing tantrums like a petulant child. It is a disservice to Hamill's talent and an insult to the audience's intelligence.
Furthermore, the new characters introduced in The Last Jedi are equally unimpressive. Rey, portrayed by Daisy Ridley, continues to be a one-dimensional Mary Sue, effortlessly mastering the Force without any training or struggle. The potential for compelling storytelling is squandered, replaced by a tedious parade of nonsensical twists and contrived romantic entanglements. The script is riddled with cringe-inducing attempts at humor, which only serve to further undermine any semblance of seriousness or gravitas.
Visually, the film offers little respite from its narrative failings. The action sequences lack the grandeur and precision that once defined the franchise, devolving into a cacophony of meaningless explosions and flashy yet empty spectacle. The once awe-inspiring space battles are reduced to uninspired video game sequences, bereft of any emotional weight or strategic depth. Even the iconic lightsaber duels, once choreographed with elegance and purpose, now feel like nothing more than a choreographed mess of flashy acrobatics.
It is clear that The Last Jedi suffers from a severe lack of creative vision, guided by a director who either misunderstands or deliberately disregards the essence of the Star Wars saga. The film's attempts at subversion and reinvention fall flat, resulting in a disjointed and unsatisfying experience that tarnishes the legacy of its predecessors. Star Wars: Episode VIII - The Last Jedi is an abomination, an insult to the intelligence of its audience, and a dark stain on the once-shining galaxy far, far away.
From the very outset, it becomes apparent that The Last Jedi lacks any coherent vision or respect for the source material. Johnson takes delight in tearing down the established mythology, tossing aside the profound themes and intricate character arcs that have captivated audiences for decades. Instead, we are subjected to a hodgepodge of convoluted plotlines and laughable attempts at subversion, all executed with a lack of finesse and intelligence that is truly astonishing.
Gone are the iconic heroes we once held dear, replaced by hollow caricatures of their former selves. Mark Hamill's portrayal of Luke Skywalker, a character etched into the annals of cinematic history, is reduced to a moping hermit devoid of purpose or conviction. The essence of Luke's struggle and growth, painstakingly developed over multiple films, is discarded in favor of a disillusioned old man who resorts to throwing tantrums like a petulant child. It is a disservice to Hamill's talent and an insult to the audience's intelligence.
Furthermore, the new characters introduced in The Last Jedi are equally unimpressive. Rey, portrayed by Daisy Ridley, continues to be a one-dimensional Mary Sue, effortlessly mastering the Force without any training or struggle. The potential for compelling storytelling is squandered, replaced by a tedious parade of nonsensical twists and contrived romantic entanglements. The script is riddled with cringe-inducing attempts at humor, which only serve to further undermine any semblance of seriousness or gravitas.
Visually, the film offers little respite from its narrative failings. The action sequences lack the grandeur and precision that once defined the franchise, devolving into a cacophony of meaningless explosions and flashy yet empty spectacle. The once awe-inspiring space battles are reduced to uninspired video game sequences, bereft of any emotional weight or strategic depth. Even the iconic lightsaber duels, once choreographed with elegance and purpose, now feel like nothing more than a choreographed mess of flashy acrobatics.
It is clear that The Last Jedi suffers from a severe lack of creative vision, guided by a director who either misunderstands or deliberately disregards the essence of the Star Wars saga. The film's attempts at subversion and reinvention fall flat, resulting in a disjointed and unsatisfying experience that tarnishes the legacy of its predecessors. Star Wars: Episode VIII - The Last Jedi is an abomination, an insult to the intelligence of its audience, and a dark stain on the once-shining galaxy far, far away.
After George Lucas's execrable prequels and the mediocre The Force Awakens, I've learnt to keep my expectations low for any new Star Wars films in order to avoid total disappointment. Having just seen The Last Jedi, it appears that I haven't been keeping them low enough.
The reasons for my loathing are the same as those noted in the countless scathing reviews here on IMDb, so I won't go into drawn out detail - suffice to say that the film frequently beggars belief, is massively bloated, defies logic and is full of misplaced humour (the worst moments being the horrible 'steam iron' gag and BB-8's handy coin launcher).
3 out of 10, solely for the impressive special effects. Writer/director Rian Johnson shouldn't be allowed within 12 parsecs of another Star Wars sequel.
The reasons for my loathing are the same as those noted in the countless scathing reviews here on IMDb, so I won't go into drawn out detail - suffice to say that the film frequently beggars belief, is massively bloated, defies logic and is full of misplaced humour (the worst moments being the horrible 'steam iron' gag and BB-8's handy coin launcher).
3 out of 10, solely for the impressive special effects. Writer/director Rian Johnson shouldn't be allowed within 12 parsecs of another Star Wars sequel.
I love the Star Wars franchise. I was so anxious to watch The Last Jedi especially how The Force Awakens ended and how good The Force Awakens was. I bought my tickets a month and a half in advance in anticipation of episode eight.
As the movie started I was dialed in for the first 15 minutes then I noticed this subtle uneasiness in me like a disturbance in the force. It began with the interaction between Poe and Princess Leia. She made a comment and made a decision regarding Poe that I found a little unsettling. "OK." I thought. I didn't like that exchange but it's not a show stopper. The subtlety was that Leia was making it seem like the Rebels were in no need of heroes. They didn't need fighters anymore, they needed thinkers (or something akin to that). I took that little shift in philosophy in stride and kept eagerly watching. A couple of other small iniquities occurred but I soldiered forth watching with an open mind because it's "Star Wars".
Then, there came the interaction between Rey and Luke Skywalker.
Luke is part of movie folklore to me. Like many people have the one celebrity they'd like to meet: the one fictional character for me has always been Luke Skywalker. Luke was the first hero I'd seen wear black. He had piloting skills, light saber skills and could do Jedi mind tricks. He was the coolest.
Fast forward nearly 40 years and now Luke is an old man. So what I'm expecting is an older, WISER Luke. If Luke is on a deserted planet then it must be for a very good reason. And if Rey found him, much like Luke found Yoda, then Luke will have so much to impart upon Rey. That's not quite what went down. They made Luke a sullen pessimistic old man that was ignorant of simple truths. He offered so little; to the movie and to Rey. He was a shell of his former self, he was only good at being the ex machina. The Luke Skywalker in this movie was NOT the Luke Skywalker I knew. The Luke Skywalker I know was killed in this movie.
After seeing my fictional hero relegated to something unrecognizable I actually became bitter while watching the movie. There was almost nothing they could do to save the movie. And they didn't . In fact, it got worse. By the end the movie was more of what I should have saw coming: rebels running from the Republic and figuring out some remote yet heroic way to ward them off. And what added to the annoyingness of this movie is that they didn't know when or how to end it. What should have been the end was followed up by another half an hour mini movie with its own beginning, middle and end.
But unlike The Last Jedi I know how to end this post. Don't waste your time.
As the movie started I was dialed in for the first 15 minutes then I noticed this subtle uneasiness in me like a disturbance in the force. It began with the interaction between Poe and Princess Leia. She made a comment and made a decision regarding Poe that I found a little unsettling. "OK." I thought. I didn't like that exchange but it's not a show stopper. The subtlety was that Leia was making it seem like the Rebels were in no need of heroes. They didn't need fighters anymore, they needed thinkers (or something akin to that). I took that little shift in philosophy in stride and kept eagerly watching. A couple of other small iniquities occurred but I soldiered forth watching with an open mind because it's "Star Wars".
Then, there came the interaction between Rey and Luke Skywalker.
Luke is part of movie folklore to me. Like many people have the one celebrity they'd like to meet: the one fictional character for me has always been Luke Skywalker. Luke was the first hero I'd seen wear black. He had piloting skills, light saber skills and could do Jedi mind tricks. He was the coolest.
Fast forward nearly 40 years and now Luke is an old man. So what I'm expecting is an older, WISER Luke. If Luke is on a deserted planet then it must be for a very good reason. And if Rey found him, much like Luke found Yoda, then Luke will have so much to impart upon Rey. That's not quite what went down. They made Luke a sullen pessimistic old man that was ignorant of simple truths. He offered so little; to the movie and to Rey. He was a shell of his former self, he was only good at being the ex machina. The Luke Skywalker in this movie was NOT the Luke Skywalker I knew. The Luke Skywalker I know was killed in this movie.
After seeing my fictional hero relegated to something unrecognizable I actually became bitter while watching the movie. There was almost nothing they could do to save the movie. And they didn't . In fact, it got worse. By the end the movie was more of what I should have saw coming: rebels running from the Republic and figuring out some remote yet heroic way to ward them off. And what added to the annoyingness of this movie is that they didn't know when or how to end it. What should have been the end was followed up by another half an hour mini movie with its own beginning, middle and end.
But unlike The Last Jedi I know how to end this post. Don't waste your time.
I really want to sit across from Rian Johnson and Kathleen Kennedy and ask them honest questions:
1. Do you know what "heavy-handed" means?
2. In film school, or in any time in your career, did you ever learn about building tension, or making the audience care about characters, or continuity from a previous installment?
3. Is this a Star Wars movie or a Marvel movie version of Star Wars?
1. Do you know what "heavy-handed" means?
2. In film school, or in any time in your career, did you ever learn about building tension, or making the audience care about characters, or continuity from a previous installment?
3. Is this a Star Wars movie or a Marvel movie version of Star Wars?
They spend so much money for CGI and budget.
Can someone honestly answer, why they don't hire some of the best writers in hollywood? They have the cash..
Star Wars is a joke to them. RIP star wars
'Lilo & Stitch' Joins the Billion Dollar Box Office Club
'Lilo & Stitch' Joins the Billion Dollar Box Office Club
Lilo & Stitch just reached the $1 billion mark at the worldwide box office. Take a look at the top-grossing movies of all time.
Lo sapevi?
- QuizMark Hamill and Rian Johnson revealed at a BAFTA screening that Hamill asked to play a CG character in addition to his role as Luke Skywalker, saying that he had done it before (he had previously done CGI work for the computer game Squadron 42 (2026) (which is the separate solo campaign of Star Citizen)). In the film he plays Dobbu Scay, the character who puts money inside BB-8 in the Casino scenes.
- BlooperWhen Poe gets permission to leave the bridge and runs towards the X-Wing bay, several pilots on the bridge follow him, including the alien C'ai Threnalli. However, immediately after C'ai runs out of frame, there is a reaction shot of Finn with C'ai still standing at a console in the background.
- Citazioni
Kylo Ren: I'll destroy her. And you. And all of it.
Luke Skywalker: No. Strike me down in anger and I'll always be with you. Just like your father.
- Curiosità sui creditiIn loving memory of our princess, Carrie Fisher.
- Versioni alternativeThe home video releases (both physical and digital) include a version with an isolated score. It is accessible through the Movies Anywhere app.
- ConnessioniEdited into If Star Wars Wasn't Serious (2014)
- Colonne sonoreAquarela Do Brasil
Written by Ary Barroso
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Star Wars: Episodio VIII - Gli ultimi Jedi
- Luoghi delle riprese
- Salar de Uyuni, Bolivia(ending battle exterior scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 317.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 620.181.382 USD
- Fine settimana di apertura Stati Uniti e Canada
- 220.009.584 USD
- 17 dic 2017
- Lordo in tutto il mondo
- 1.334.407.706 USD
- Tempo di esecuzione2 ore 32 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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