Muscle Shoals - Dove nascono le leggende

I just saw this at the George Lindsey Film Festival in Florence, Alabama -- right across the Tennessee River from Muscle Shoals. I rarely give 10/10 but this film is a gem. Photography, editing, sound values, emotional through lines, entertainment value -- this film has it all. Lots of great interviews and a kaleidoscope of personal memories from great entertainers, as well -- including Mick Jagger, Aretha Franklin, Wilson Picket, and Alicia Keys, to name just a few. This film pulls you in and puts you there, back when a handful of friends got together and made music history in their own back yards. You'll be amazed at how many number one hits came out of humble little Muscle Shoals.

This is an important documentary if you have any interest in American Music. Well done and more information than you can believe. Musicians, songwriters and singers along with engineers and producers, tell how some of the greatest records of the past 60 years came to be.

Yes, I grew up in itty bitty Muscle Shoals, Alabama. I was born there in 1965 and spent the first 23 years of my life there. I lived three blocks from FAME studios, went to school with Rick Hall's sons and the son and daughter of Jimmy Johnson, one of the Swampers and founders of Muscle Shoals Sound. I did all of that and I still had NO idea of the monumental and historic events that were happening in my little town. When I watched this film for the first time, sitting in the sold out auditorium of our local university, I was blown away. I saw a special side of my hometown I never knew existed and gained a new respect and pride in my association with it. For years the welcome sign at our city limits proclaimed "Welcome to Muscle Shoals - The Hit Recording Capital of the World". Forty-eight years later, thanks to Mr. Camalier and his wonderful documentary, I finally have a full and complete understanding of what that sign meant. If you are a music lover, this film is a must-see, if only for the interviews with mega-artists such as Bono, Greg Allman, Wilson Pickett, Aretha Franklin, Mick Jagger, and Keith Richards, as they reminisce about their time spent in Muscle Shoals. But it is also a must-see for anyone who wants an honest-to-God, rags to riches story filled with love, loss, shame, anger, redemption, and lifelong friendships. This film isn't just about my hometown and the amazing music made there. It's also about one man's vision and how the bringing to life of that vision has profoundly influenced, and is still influencing, the world in a very special way.

I liked "Muscle Shoals" for many reasons but the biggest one is that it taught me a lot about something I knew absolutely nothing about, as I'd never heard of the famed 'Muscle Shoals'. However, there's more to the film than that--it is quite interesting, has some surprisingly big name musicians who gave interviews (such as members of the Rolling Stones, Bono and some great R&B legends) and terrific music! So, unless you absolutely hate R&B, the blues and rock (and I know that there at least three of you out there), there is plenty that you'll enjoy about this one and it's worth seeing--as well as well made.

By the way, I have no idea why but this film, the Oscar-winning "20 Feet From Stardom" and "Sound City" all came out at about the same time---and ALL are very similar. So, if you like one, you probably would like to see the rest!

My only regret upon watching "Muscle Shoals" is that I somehow missed it when it was first released, some seven and a half years ago.

I grew up in the 70s, and occasionally heard about Muscle Shoals and the Swampers (they even got a mention in Lynyrd Skynyrd's "Sweet Home Alabama"). But even after turning to music as an avocation, I never learned the story of what made Muscle Shoals special. This documentary lays out the human side of the Muscle Shoals story in beautiful, often emotional detail.

At the heart of the story is Rick Hall, who grew up a dirt poor hillbilly in northern Alabama and had more than his share of tragedy and betrayal. Through sheer determination and a perfectionist's sensibility in the studio, he clawed his way to becoming one of the most consequential producers and studio owners of the 20th century.

Hall's original studio band, the Swampers, features as another "character" in the film. The Swampers became one of the most sought after back up bands in the 60s and 70s, and played on some of the most memorable hits of the era. What the viewer will find surprising is that these white country boys from northern Alabama backed some of the most soulful black music hits of the era.

The film also touches on the many musicians who recorded in Muscle Shoals, and features interviews with a number of them, including the Rolling Stones and Aretha Franklin. The film gives a little too much time to the Stones, and the film never really explains why Bono keeps popping up, but overall, considering who was still alive at the time, it strikes a good balance.

Then, of course, there is the music, itself. All I can say here is that you should watch this with a good sound system.

My only disappointment, and the reason I don't give it ten stars, is that we learn nothing about Rick Hall's engineering secrets. What did he do technically to bring about that special, warm, Muscle Shoals sound? I would have enjoyed learning more about that.

But that omission didn't detract from the film's emotional punch. Ultimately, this is a story about tragedy and triumph, friendship and betrayal, and the combination of music and emotion occasionally brought a tear to my eye. Highly recommended.

P.S. I saw one reviewer comment disparagingly about a clip of Lynyrd Skynyrd concert footage that showed a Confederate battle flag in the background. I don't know what the reviewer expected the filmmakers to do about that. The Confederate flag was used by more than one Southern rock band in the 70s and 80s, and it wouldn't have made sense to just erase that from the historical record, nor would it have been practical, from a filmmaking standpoint. One can debate over what it meant to people at the time, but it was what it was.