VALUTAZIONE IMDb
4,0/10
3160
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaClaire is about to get married, but her bachelorette party quickly spirals out of control.Claire is about to get married, but her bachelorette party quickly spirals out of control.Claire is about to get married, but her bachelorette party quickly spirals out of control.
- Regia
- Sceneggiatura
- Star
Lynette DuPree
- Linda
- (as Lynette Dupree)
Patrick Quinlan
- Paramedic
- (as Patrick Quinian)
Recensioni in evidenza
Wow...I've never seen a movie that tries so hard to be funny yet misses every single time. At no point did I laugh, smile, grin, or chuckle. Even worse, it wasn't even the kind of crappy movie that you can laugh at how crappy it is. The funniest part of the last hour and 40 minutes of my life is when I read a reviewer say its a "female hangover with a few more laughs". In order to find this film in any way funny you have to be on whatever drug that aforementioned reviewer was on...my guess is laughing gas, and lots of it. I have literally found two separate funerals I have attended in my lifetime funnier than this movie...FUNERALS!!! (Long story on the funerals)
One must give longtime parody directors Jason Friedberg and Aaron Seltzer some credit for branching out into new territory with their latest film, Best Night Ever. Being that the duo has grossed millions upon millions of dollars with each abysmal parody film after another, the duo had really no reason to stray from their niche; they found something that worked and made them a great deal of money each time. Why become diverse when they've already stuck gold? But randomly and all of a sudden, a film by the name of Best Night Ever was thrown into production by them, a raunchy comedy centered on an all female cast of characters who are hitting Las Vegas for their one friend's bachelorette party, which turns into a messy state of affairs after they are robbed for their money, purses, shoes, and their jewelry, including ones expensive wedding ring.
What ostensibly would play like an exciting and fun romp akin to Bridesmaids, or even The Hangover, however, turns overly-crass, shamelessly raunchy without even a hint of wit or subtlety, and exhausting by the thirty minute mark. As someone who was slightly (but cautiously) optimistic about how Friedberg and Seltzer's style of comedy would be conducted for a film wasn't a competition for references, I was disappointed (but unsurprised) that their humor outside of overcompensating references is largely predicated off of grotesque shock humor, where the female characters say and do the most revolting things in hopes they are funny enough for the audience. Lines like "My g-string is like a slip and slide" and witnessing a woman urinate and defecate on an innocent man's face is what we have to succumb to watching Best Night Ever.
The four female leads have almost no personality, so why refer to them by their names? Let's call them what they are; The Bride-to-Be (Desiree Hall), The Uppity Sister of the Bride-to-Be (Samantha Colburn), The Obnoxious Best Friend of the Bride-to-Be (Eddie Ritchard), and The Lewd and Dirty-Mouthed Friend of the Bride-to-Be (Crista Flanagan) all set out to have a fun girls night out, filming their travels thanks to the help of a hand-held camera. After The Obnoxious Best Friend of the Bride to Be tries to make a cocaine deal after the girls get kicked out of a strip club, the quartet of girls are robbed for everything they have and must find a way to get money in the heartland of Vegas so they can return home.
It's a tad frightening how much Friedberg and Seltzer seem to hate their female characters. The movie predicates itself off of showing them getting into trouble, being entirely irresponsible, childish, petty, and downright annoying, with consequences to their behavior at every turn that are ugly and downright cruel. Think Spring Breakers with none of the social commentary nor insights; this is true bad behavior on display with nothing significant to say at all.
The film is almost entirely comprised of scenes involving total hell breaking loose, chaotic parties, and the girls racing from place to place in a stolen limo. The editing here, is disastrous, with the hand-held-camera being another useless gimmick, and cuts, shots, and entire sequences being assembled in an incoherent order. The entire cut-and-paste editing job here fails to give the scenes in the film any feelings of placement and basic structure and, in turn, we get a cacophony of madness in the sound and editing department.
Speaking of sound, in addition, towards the second and third act, almost the entirety of character dialog is comprised of obnoxious screaming, yelling, and exhaustive, high-pitched noise. This style is absurd and annoying, especially when one realizes this is what the film substituted actual character development for.
What we have here, in summation, is an attempt at something "new" for the directors that revolves around making female characters look disturbingly irresponsible and juvenile, characters who don't even deserve an assigned name, repetitive and downright unfunny shock humor, awful editing, and a script where about two-thirds of the lines of dialog are written out as *high-pitched screams from all the girls.* It almost becomes bad enough to the point where saying that the film is better than Friedberg and Seltzer other films isn't even an accurate statement.
Starring: Desiree Hall, Samantha Colburn, Eddie Ritchard, and Crista Flanagan. Directed by: Jason Friedberg and Aaron Seltzer.
What ostensibly would play like an exciting and fun romp akin to Bridesmaids, or even The Hangover, however, turns overly-crass, shamelessly raunchy without even a hint of wit or subtlety, and exhausting by the thirty minute mark. As someone who was slightly (but cautiously) optimistic about how Friedberg and Seltzer's style of comedy would be conducted for a film wasn't a competition for references, I was disappointed (but unsurprised) that their humor outside of overcompensating references is largely predicated off of grotesque shock humor, where the female characters say and do the most revolting things in hopes they are funny enough for the audience. Lines like "My g-string is like a slip and slide" and witnessing a woman urinate and defecate on an innocent man's face is what we have to succumb to watching Best Night Ever.
The four female leads have almost no personality, so why refer to them by their names? Let's call them what they are; The Bride-to-Be (Desiree Hall), The Uppity Sister of the Bride-to-Be (Samantha Colburn), The Obnoxious Best Friend of the Bride-to-Be (Eddie Ritchard), and The Lewd and Dirty-Mouthed Friend of the Bride-to-Be (Crista Flanagan) all set out to have a fun girls night out, filming their travels thanks to the help of a hand-held camera. After The Obnoxious Best Friend of the Bride to Be tries to make a cocaine deal after the girls get kicked out of a strip club, the quartet of girls are robbed for everything they have and must find a way to get money in the heartland of Vegas so they can return home.
It's a tad frightening how much Friedberg and Seltzer seem to hate their female characters. The movie predicates itself off of showing them getting into trouble, being entirely irresponsible, childish, petty, and downright annoying, with consequences to their behavior at every turn that are ugly and downright cruel. Think Spring Breakers with none of the social commentary nor insights; this is true bad behavior on display with nothing significant to say at all.
The film is almost entirely comprised of scenes involving total hell breaking loose, chaotic parties, and the girls racing from place to place in a stolen limo. The editing here, is disastrous, with the hand-held-camera being another useless gimmick, and cuts, shots, and entire sequences being assembled in an incoherent order. The entire cut-and-paste editing job here fails to give the scenes in the film any feelings of placement and basic structure and, in turn, we get a cacophony of madness in the sound and editing department.
Speaking of sound, in addition, towards the second and third act, almost the entirety of character dialog is comprised of obnoxious screaming, yelling, and exhaustive, high-pitched noise. This style is absurd and annoying, especially when one realizes this is what the film substituted actual character development for.
What we have here, in summation, is an attempt at something "new" for the directors that revolves around making female characters look disturbingly irresponsible and juvenile, characters who don't even deserve an assigned name, repetitive and downright unfunny shock humor, awful editing, and a script where about two-thirds of the lines of dialog are written out as *high-pitched screams from all the girls.* It almost becomes bad enough to the point where saying that the film is better than Friedberg and Seltzer other films isn't even an accurate statement.
Starring: Desiree Hall, Samantha Colburn, Eddie Ritchard, and Crista Flanagan. Directed by: Jason Friedberg and Aaron Seltzer.
Have admit, my wife picked out a good movie here. Guys, you'll get a kick out of it
When is Hollywood going to realize that five things are necessary in good cinema: great camera transitions and camera work, a good soundtrack,interesting sets,a convincing premise-one that enables you to suspend disbelief, and good acting. A camera artist can suggest someone making love by a slow pan to a window sill,can change sets by panning to a tree. Camera work is an art and one that I especially enjoy in movie entertainment. It's time to throw the young turks with their belief that you can make good cinema with a handcam out on their ears. Good camera transitions have identified good cinema since.....Citizen Kane. And even light romcoms benefit from good camera work.
A good soundtrack establishes how you FEEL during the scenes and are especially important to the finale of the movie. Interesting sets can make the dullest movie more enjoyable. And a good premise combined with good acting can enable you to suspend disbelief in the wackiest movies- can make you believe in elves and dragons for a short time. Just saying-throw the handcam away....or give it to a family with a kid and get back to REAL cinema where the sum of each artists work is revealed in the whole.Anyone that makes movies any other way is wasting their time and yours.
A good soundtrack establishes how you FEEL during the scenes and are especially important to the finale of the movie. Interesting sets can make the dullest movie more enjoyable. And a good premise combined with good acting can enable you to suspend disbelief in the wackiest movies- can make you believe in elves and dragons for a short time. Just saying-throw the handcam away....or give it to a family with a kid and get back to REAL cinema where the sum of each artists work is revealed in the whole.Anyone that makes movies any other way is wasting their time and yours.
2swo0
From the makers of Disaster Movie and the likes comes a new low.
The story is a failed rip-off from The Hangover where 4 women: the rich neat sister, the weird one, the loose one and the one about to be married head to Las Vegas for a bachelorette party, their booking went all wrong so they just go out to get as drunk as they possibly can. What follows are seemingly random scenes akin to the stories my wannabe hip uncle tells at birthdays.
Still, if everything else was great it could have been saved. Unfortunately this isn't the case. The acting ranges from bad to mediocre. The editing only makes it worse, where sometimes people respond 2 seconds too late to shocking news. And the camera is horrible, they went for the handy-cam way of shooting the movie which makes for crappy quality and constantly gives you the feeling that you're watching some embarrassing home video that didn't quite make it to the funniest home videos show.
If after all of this you still want to see it, watch the trailer instead as anything remotely funny or worthwhile is in the trailer.
The story is a failed rip-off from The Hangover where 4 women: the rich neat sister, the weird one, the loose one and the one about to be married head to Las Vegas for a bachelorette party, their booking went all wrong so they just go out to get as drunk as they possibly can. What follows are seemingly random scenes akin to the stories my wannabe hip uncle tells at birthdays.
Still, if everything else was great it could have been saved. Unfortunately this isn't the case. The acting ranges from bad to mediocre. The editing only makes it worse, where sometimes people respond 2 seconds too late to shocking news. And the camera is horrible, they went for the handy-cam way of shooting the movie which makes for crappy quality and constantly gives you the feeling that you're watching some embarrassing home video that didn't quite make it to the funniest home videos show.
If after all of this you still want to see it, watch the trailer instead as anything remotely funny or worthwhile is in the trailer.
Lo sapevi?
- QuizThe first R-rated film to be directed by Aaron Seltzer and Jason Friedberg.
- BlooperWhen the girls come after Claire at the hotel, they say they will go up to the 5th floor but the rooms numbers indicate they are actually in the 9th floor.
- Curiosità sui creditiThere's a post-credits scene.
- ConnessioniReferenced in I Hate Everything: the Search for the Worst: Smosh: The Movie (2015)
- Colonne sonoreOn the Floor
Written by Eric Goldman (as Eric Peter Goldman)
Performed by Electrolightz
Courtesy of The LA Outfit
By arrangement with Format Entertainment
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Best Night Ever?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Best Night Ever
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 289.511 USD
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Proporzioni
- 1.78 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Best Night Ever - Una notte da leonesse (2013) officially released in India in English?
Rispondi