Bone Tomahawk

I expected some sort of comedy-horror/western hybrid, but what I mostly got was a serious western with noticeable horror touches thrown in (until its third act, where the horror becomes even more prominent). I was surprised at how seriously the film took itself, which I now think is a strength. It could have been so easy to just make it yet another goofy horror/comedy, but what we got instead is a very restrained, very well-made, sort of classic adventure story. The directing is on point and there's a great control over the tone of the film. The decision to have so much of the film silent and without any noticeable score was a great decision. The cast is aces and the three real supporting players (Fox, Russell, Jenkins) all get their time to shine without anything being forced.

I watched this film very tired the other night and found myself sitting up alert immediately !

Pleasantly surprised I found it an entertaining macabre mystery thriller horror with outstanding performances by a quality ensemble of veteran actors working with good dialogue from a competent script.

Normally expect relative unknowns to do this type of film and end up with a B-Movie type of re-working of 'Hills with Eyes', but instead of the atomic bomb test in-bread cannibalistic mutants we are dealing with North American cannibalistic Indian savage troglodytes,

That somehow have avoided being massacred by the U.S Union Calvary Army and take revenge on some trespassers on their Indian burial ground and follow one back to a small town, end up killing and kidnapping some locals including a young woman whose husband, town sheriff, deputy and local gun slinger go in hot pursuit.

There is some elements from Ravenous 2001, Japanese horror film 'The Audition' with hints of blinding and limb amputations. A quality low budget movie with top notch acting from a first time director who wrote the script.

My Rating: 7.5/10

A rock-solid western in the beginning, Bone Tomahawk transforms midway to become one of the most gruesome horror movies this year. It's not an unlikely combination. There have been a few titles in the past that falls under the western-horror category, but not many of them delivered so well.

Written and directed by S. Craig Zahler, the movie has a smart and tight screenplay. Zahler's story is unflinching and he never dilutes the intensity of what is shown on-screen. He succeeds in maintaining an air of unpredictability throughout the whole feature, and yes Zahler's name is definitely something to look out for in the future.

The story is set in the American old west, maybe during the end of 1800's. Four men are on a mission to rescue a few kidnapped people from a tribe of inbred man-eating savages. The quartet includes The Sheriff of the town Franklin Hunt (Kurt Russell), an injured Cowboy Arthur O' Dwyer (Patrick Wilson) whose wife Samantha O' Dwyer (Lili Simmons) is one among the captives, an armed gentleman John Brooder (Matthew Fox) and the Backup Deputy Chicory (Richard Jenkins).

The casting is okay but not great. The veteran actors Kurt Russell and Richard Jenkins give their best. Russell gives a fine performance as the Sheriff, making the whole premise believable. Jenkins' character Chicory might be the most likable of all and his role feels so natural and belonged in the whole plot. Patrick Wilson does a commendable effort, and so does Mathew Fox. The only character that appears to be misplaced is the town doctor Samantha O' Dwyer played by Lili Simmons. Her performance doesn't seem to blend in the 1800's period.

The cannibals were nightmarishly original. And their savagery is not just spoken of; rather it is shown in detail. The camera doesn't shift around much when it comes to the bloody violence. The eerie atmosphere together with the unpredictably quick turnarounds makes the feature quite effective. A major plus of this movie is that it sticks to being as realistic as possible. Be it the dialogues, the situations, the acting or even the gut-wrenching violence and gore, Bone Tomahawk is realism to the bone.

Recommended watch, if you can sit through a good old, slow paced, formal talked western in the former half and all the bloody gore in the later half, but ultimately the movie pays off.

Bone Tomahawk is about a small group of cowboys who set out in search of a group of cannibals who have kidnapped some of their townspeople, including the wife of one of the rough riders. It may sound similar to a lot of other westerns in the sense that it's a rescue story, which is somewhat true in the beginning. The first half of the movie is a great character drama as it follows the group of four for a few day and nights as they travel to their destination. This is where some people might have a problem with the film and the pacing might become an issue. During this time, we get expanded knowledge about the men involved and I found it rather entertaining because the route to their destination is just as dangerous as the destination itself. Yes, the movie could have been trimmed down by about 10-12 minutes, but it wasn't too slow that I lost interest (like many others I have read did).

It is during this time where acting comes into play and, for the most part, it's all on point, especially Kurt Russell! To no surprise, he is the highlight of the movie and is no one to be trifled with. He gives a very gritty and convincing performance worthy of his filmography. As well as the three other gentlemen that ride along with him, they all hit their marks (even my boy Matthew Fox from LOST).

The only real problem outside of the pacing is Lili Simmons' awkwardly dull performance (mostly during her captivity). Normally I wouldn't point out such a small characters performance but it was seriously lacking. It could be because her character was poorly written for the type of situation she was in. For example, why was she so relaxed and showing barely any emotion in such a frightening situation? Yes she could have broken down mentally but that doesn't let her off the hook. Also her line delivery was highly questionable and her overall performance felt like dead weight.

But it is the final 45 minutes of the movie that will leave everyone talking. Bone Tomahawk explodes into the horror genre with its cannibalistic violence (is this the return of cannibalistic horror movies?). The action is swift, and I mean very swift, it really comes out of nowhere. And this was what I loved most about the movie, you know they are getting closer and closer to unprecedented evil but you aren't quite sure when or where they will strike. It's this trepidation that makes the final third of the movie so thrilling. They're clearly unprepared for the gauntlet that is waiting for them. I won't spoil anything but the movie really doesn't shy away from violence once they get to where they are going. Bone Tomahawk transcends from a slow moving western into a carnage fueled frenzy.

In the old American West, a bandit unwittingly leads a troupe of cave-dwelling cannibals to the town of Bright Hope. There, the troglodytes wreak havoc and kidnap a woman. A rescue party is quickly formed, consisting of Bright Hope's aging Sheriff, his aged Deputy, a cocky gunslinger and the kidnappee's husband. Warned of the savages' infamous reputation- and having to contend with the husband's broken leg- the four set out; though their journey proves to be far more dangerous than anyone expected.

Written and directed by S. Craig Zahler, 'Bone Tomahawk' is a brilliant, bloody film that you'd be hard pressed to forget. The story is presented in a typical western style, though is completely original in terms of content and tone. Part-western, part-horror, Zahler's screenplay is full of pulpy, Tarantinoesque dialogue and his characterization is rich. He successfully balances moments of tense violence, introspective quietude and humor in a way that reminds one of Takeshi Kitano. At times playing like a bizarre mixture of 'The Searchers' and 'The Hills Have Eyes,' 'Bone Tomahawk' has a lot to offer.

Lovely visuals, for one. Cinematographer Benji Bakshi's work is assured and epic in scale. Utilizing a variety of wide-angled lenses, he captures the grandeur of the American landscape in a way evocative of John Ford. In moments of action, Bakshi's intuitive Steadicam operation ensures the violence hits as heavy as possible. Additionally, Freddy Naff's production design is highly detailed and textured, lending locations a feeling of authenticity. The striking work of costume designer Chantal Filson also doesn't go unnoticed, contributing greatly to the film's overall visual aesthetic.

In addition to its lush visuals, 'Bone Tomahawk' boasts a fine score from Zahler and Jeff Harriott that is atmospheric and- at times- deeply unsettling. The tracks 'In The Defile' and 'Dragged Along A Course Road' are particularly memorable, and used to great effect, bolstering the ominousness of the villains of the piece. The work of Greg D'Auria and Fred Raskin must also be mentioned, as their tight editing keeps the film from dragging- quite a feat, considering the run time of 132 minutes.

'Bone Tomahawk' finds Kurt Russell headlining as Sherriff Franklin Hunt. Always a commanding presence on screen, Russell plays Hunt as a straightforward fellow wearily dedicated to seeing justice done; a kind of bitter Gary Cooper. Russell shows a great subtlety of style, giving a multifaceted performance that ranks alongside his best. Patrick Wilson co-stars as the husband of the kidnapped woman, the 'straight man' of the bunch, if you will. Though less colorful, Wilson makes the chap engaging, and he has our sympathies throughout.

Matthew Fox plays the gunslinger Brooder- a slick chap fond of blowing his own trumpet- and is marvelous; clearly reveling in the chance to play such a cad. Alongside them, Richard Jenkins delivers a masterclass in comedic acting as Deputy Chicory, all but stealing the film with his good-natured buffoonery. Jenkins, in his inimitable, understated way, makes the character well-rounded and engaging- lending credo to the notion that he is one of his generation's most underappreciated actors.

To cut a long story short, 'Bone Tomahawk' will have you gripped from start to finish. S. Craig Zahler's screenplay is full of unexpected moments, his characterization is strong and his direction is deft. With alluring cinematography and a fine score- as well as commendable performances from all in the cast- this is one you don't want to miss. As a western and as a horror, 'Bone Tomahawk' is frighteningly good.