Bone Tomahawk

An impressive directorial debut from writer S. Craig Zahler, who also wrote this gruesome, filthy western of how wild the west can really get. More so impressive that the whole film was shot in just 21 days.

An outlaw drifter wanders into the town of Bright Hope unknowingly leading a tribe of savage, inbred, natives better known as Troglodytes which translates as Cave-dweller." During the night, these horrific abominations murder and kidnap some of the town folk, one being the wife of a crippled rancher, who then embarks on a rescue mission with the town sheriff, his old and incapable deputy and an over confident gunslinger.

Kurt Russell heads up the rescue posse as Sheriff Hunt, slipping comfortably into his western boots. Richard Jenkins plays his ageing deputy, Patrick Wilson the limping, desperate rancher and an impressive Matthew Fox who stole the screen, as the charismatic, narcissistic know-it- all who both annoying yet strangely likable, reminding me a little of Val Kilmer's Doc Holliday in Tombstone.

There's an air of mystery for the majority of the film, keeping the audience on tender hooks waiting to see what's in store for the rescue party. Are the kidnapped still alive? Dead? Or worse? While some elements are left to your imagination, you can only think of the worse, but what isn't, is nothing short of disturbing.

The gory violence is shocking to watch, even just hearing the graphic noises is enough. The sound is gruesome, bloody and unsettling. The climatic end was actually painful to watch, scarring the memory making me shudder just at the thought of it. The lack of a score only intensifies the haunting atmosphere.

Something has to be said for the special effects, make-up and the sound engineering that were all completely on point. I've never seen a more gory western, even more so than The Hateful Eight. The makeup and effects throughout are amazing but they really go beyond during the epic climax.

There's been a few disturbing films this year, visually, Neon Demon and imagination wise, Nocturnal Animals springing to mind but this one really made me wrench covering my mouth with both hands. It's like those good horrors you're too scared to watch but find yourself mesmerised to the screen regardless. This is certainly not one for the weak stomached. Kudos to director Zahler for created a stunning western with a difference, becoming borderline horror.

Running Time: 7 The Cast: 9 Performance: 8 Direction: 8 Story: 9 Script: 7 Creativity: 9 Soundtrack: 9 Job Description: 10 The Extra Bonus Points: 10 for the sound and graphic quality.

86% 9/10

Bone Tomahawk is a 2015 western-horror written and directed by S. Craig Zahler and starring Kurt Russell, Patrick Wilson, Matthew Fox and Richard Jenkins.

The story follows four men, the town's sheriff (Russell), a cowboy (Wilson), the back-up deputy (Jenkins) and a gunslinger (Fox) who go on an expedition to retrieve a group of captives from some cannibalistic cave-dwellers. The four actors really shine in this movie, giving very good performances, especially Matthew Fox as John Brooder. It's good to see Fox in such a good role, considering he hasn't done that much since the Lost years.

The movie gives us a very good look at the Old West. As the four men make their journey, we learn more and more about them and their motivations. Sheriff Franklin Hunt is a man who wants nothing more than the safety of his town and is willing to do anything to protect it. Arthur O'Dwyer is a cowboy who has a serious leg injury but still goes into this expedition, because for him the stakes are personal. Chicory is a simple-minded old deputy but with amazing loyalty for the sheriff. John Brooder is a well-dressed well- mannered gentleman who joins the ride because he is a trigger-happy gunslinger with a personal vendetta against the natives.

The script is very well-written, giving us full tri-dimensional characters. Also the dialogue and the mannerisms feel very authentic, transporting you back to the Old West. As I said in the beginning, this movie is a horror-western, and that really shows in the third act. There are some brutal, gore-scenes that will not be easy to digest (no pun intended) for those faint of heart. One slight negative about this movie is the pacing. Sometimes it feels a little too slow, but not enough so that it will ruin your enjoyment.

Bone Tomahawk is a very good movie, with an interesting premise and a nice twist on the western genre. It's a movie that could have gone wrong in so many ways, but surprisingly, it doesn't. Sporting some great characters and an intriguing storyline, Bone Tomahawk deserves an 8 out of 10!

This film is a great example of what Hollywood is sorely lacking these days: Originality! Like other reviewers have mentioned, this is slow burning western/horror flick that keeps building the suspense until the finale. It's not an edge-of-your-seat thriller that is loaded with action, but it has enough to keep your interest. It has more of a typical western feel to it in terms of character development. The dialogue is spot on for this genre. The acting is superb and plot is genuine. I think that it speaks volumes about the script given the fact that the actors signed on for minimum pay (that means they WANTED to be in this film for the script and plot). The gore is definitely there for the horror fans, although I would say that if you are seeking a lot of gore, you may be disappointed. It does have some that is pretty graphic. I definitely would not let children or even some teenagers watch this, its an adult movie. If you are a fan of westerns, I think you'll like it a lot. If you are a Kurt Russell fan, you will not be disappointed (this was his first western since Tombstone). Patrick Wilson and Matthew Fox make an excellent supporting cast and demonstrate their acting skills well. This is a new cult classic!

In the old American West, a bandit unwittingly leads a troupe of cave-dwelling cannibals to the town of Bright Hope. There, the troglodytes wreak havoc and kidnap a woman. A rescue party is quickly formed, consisting of Bright Hope's aging Sheriff, his aged Deputy, a cocky gunslinger and the kidnappee's husband. Warned of the savages' infamous reputation- and having to contend with the husband's broken leg- the four set out; though their journey proves to be far more dangerous than anyone expected.

Written and directed by S. Craig Zahler, 'Bone Tomahawk' is a brilliant, bloody film that you'd be hard pressed to forget. The story is presented in a typical western style, though is completely original in terms of content and tone. Part-western, part-horror, Zahler's screenplay is full of pulpy, Tarantinoesque dialogue and his characterization is rich. He successfully balances moments of tense violence, introspective quietude and humor in a way that reminds one of Takeshi Kitano. At times playing like a bizarre mixture of 'The Searchers' and 'The Hills Have Eyes,' 'Bone Tomahawk' has a lot to offer.

Lovely visuals, for one. Cinematographer Benji Bakshi's work is assured and epic in scale. Utilizing a variety of wide-angled lenses, he captures the grandeur of the American landscape in a way evocative of John Ford. In moments of action, Bakshi's intuitive Steadicam operation ensures the violence hits as heavy as possible. Additionally, Freddy Naff's production design is highly detailed and textured, lending locations a feeling of authenticity. The striking work of costume designer Chantal Filson also doesn't go unnoticed, contributing greatly to the film's overall visual aesthetic.

In addition to its lush visuals, 'Bone Tomahawk' boasts a fine score from Zahler and Jeff Harriott that is atmospheric and- at times- deeply unsettling. The tracks 'In The Defile' and 'Dragged Along A Course Road' are particularly memorable, and used to great effect, bolstering the ominousness of the villains of the piece. The work of Greg D'Auria and Fred Raskin must also be mentioned, as their tight editing keeps the film from dragging- quite a feat, considering the run time of 132 minutes.

'Bone Tomahawk' finds Kurt Russell headlining as Sherriff Franklin Hunt. Always a commanding presence on screen, Russell plays Hunt as a straightforward fellow wearily dedicated to seeing justice done; a kind of bitter Gary Cooper. Russell shows a great subtlety of style, giving a multifaceted performance that ranks alongside his best. Patrick Wilson co-stars as the husband of the kidnapped woman, the 'straight man' of the bunch, if you will. Though less colorful, Wilson makes the chap engaging, and he has our sympathies throughout.

Matthew Fox plays the gunslinger Brooder- a slick chap fond of blowing his own trumpet- and is marvelous; clearly reveling in the chance to play such a cad. Alongside them, Richard Jenkins delivers a masterclass in comedic acting as Deputy Chicory, all but stealing the film with his good-natured buffoonery. Jenkins, in his inimitable, understated way, makes the character well-rounded and engaging- lending credo to the notion that he is one of his generation's most underappreciated actors.

To cut a long story short, 'Bone Tomahawk' will have you gripped from start to finish. S. Craig Zahler's screenplay is full of unexpected moments, his characterization is strong and his direction is deft. With alluring cinematography and a fine score- as well as commendable performances from all in the cast- this is one you don't want to miss. As a western and as a horror, 'Bone Tomahawk' is frighteningly good.

Purvis (David Arquette) and Buddy (Sid Haig) are bandits killing and robbing in the old west. They stumble upon a native site and Buddy is killed by a warrior. Purvis escapes to the town of Bright Hope. Sheriff Franklin Hunt (Kurt Russell) confronts and wounds him. The town is attacked in the dead of night and people go missing. The locals suspect a clan of cannibalistic native cave-dwellers. Hunt leads John Brooder (Matthew Fox), hobbled Arthur O'Dwyer (Patrick Wilson) looking for his taken wife Samantha (Lili Simmons), and deputy Chicory (Richard Jenkins) as a posse of four.

The start is a very intriguing horror western. Then it turns into a slower paced affair. The intensity is lowered but it maintains the interest. The characters are good played by compelling actors. There are some brutal violence although sometimes the camera cuts before the coup de gras. With some of the crazy violence, it's weird that the film does the old fashion look-away. The last act is unforgettable.