VALUTAZIONE IMDb
6,0/10
2756
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young woman, kidnapped when she was a child, returns home to the family she barely remembers and struggles to feel at home.A young woman, kidnapped when she was a child, returns home to the family she barely remembers and struggles to feel at home.A young woman, kidnapped when she was a child, returns home to the family she barely remembers and struggles to feel at home.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 7 candidature totali
Juan M. Fernández
- Reporter
- (as Juan Fernandez)
Nelson Mashita
- Public Defender
- (as Nelson Lee Mashita)
Recensioni in evidenza
Leia (Saoirse Ronan) was abducted by stranger Benjamin McKay (Jason Isaacs) at the age of four. She lived in the basement believing the world had ended. After 17 years of isolation, she is reunited with her birth parents (Cynthia Nixon, David Warshofsky). She struggles to acclimate to them who are essentially strangers and even her real name Leanne. Her mother can't leave her by herself and is desperate to connect to her. The marriage is falling apart. Dr. Andrews (Rosalind Chao) is Leia's therapist.
Director Nikole Beckwith strips away any flash or music. The colors are washed out. It is deliberately quiet at times. It leaves the movie feeling dead for the first half. Saoirse is able to maintain interest by her sheer presence. Leia takes a turn around the midpoint. It's a big risk and it becomes bursts of overwrought awkwardness. She needs a connection outside of the situation. The obvious comparison is Room which is more cinematic and has more "life". This is trying to walk down the same path but not as scenic. The two women produce a compelling battle but I'm not sure if it's worthwhile.
Director Nikole Beckwith strips away any flash or music. The colors are washed out. It is deliberately quiet at times. It leaves the movie feeling dead for the first half. Saoirse is able to maintain interest by her sheer presence. Leia takes a turn around the midpoint. It's a big risk and it becomes bursts of overwrought awkwardness. She needs a connection outside of the situation. The obvious comparison is Room which is more cinematic and has more "life". This is trying to walk down the same path but not as scenic. The two women produce a compelling battle but I'm not sure if it's worthwhile.
Great acting but ya lost me. Not enough information was giving about the kidnapper and so we are kind of just thrown into the story. The mother had me hella confused and I don't know what was going through her mind towards the end. THE ENDING IS STUPID!!!!! Like what the hell was the writer trying to suggest. Great acting but ya lost me. I only watched it to support my girl Saoirse Ronan. 5/10; would be lower if the acting was bad.
Leanne/Leia (Saoirse Ronan) is a young woman who has had two crimes committed against her: she was stolen from her family, and she was robbed of a soul. She was kidnapped as a young child and confined to a windowless room by a kind but deranged stranger (Jason Isaacs) who raised her on lies and subtle influences to make her believe he was her only hope in life (hence the title "Stockholm" Pennsylvania). For obvious reasons, he intended to limit her understanding of the outside world and subsequently rendered her incapable of handling life beyond his walls.
Then it happens that Leia is freed and returned to her biological parents. It should be a happy, joyful reunion; unfortunately, it is anything but.
I'm a huge fan of Saoirse Ronan. She thrilled me in Hanna and ripped my guts out in the Lovely Bones. In this movie she has to play it down, as her character is emotionally stunted from captivity and psychically overwhelmed by the real world. She does a wonderful job as the detached escapee, conveying a wide range of emotions just with those big blue eyes and also with her control of subtle facial expressions.
Cynthia Nixon is also outstanding as the mother, who not only has to accept her own daughter's alienation of affection but also the horrible reality that Leia cannot accept her new situation. She and her flummoxed husband (David Warshofsky) struggle to rekindle the warmth and congeniality of a familial bond that has never really had a chance to exist, while battling with issues that no parent would ever want to have.
Strong praise for writer/director Nikole Beckwith for composing a riveting (if at times deliberately slow-paced) depiction of a true tragedy. Her scenes are at times difficult to endure, but the story is excellent.
Then it happens that Leia is freed and returned to her biological parents. It should be a happy, joyful reunion; unfortunately, it is anything but.
I'm a huge fan of Saoirse Ronan. She thrilled me in Hanna and ripped my guts out in the Lovely Bones. In this movie she has to play it down, as her character is emotionally stunted from captivity and psychically overwhelmed by the real world. She does a wonderful job as the detached escapee, conveying a wide range of emotions just with those big blue eyes and also with her control of subtle facial expressions.
Cynthia Nixon is also outstanding as the mother, who not only has to accept her own daughter's alienation of affection but also the horrible reality that Leia cannot accept her new situation. She and her flummoxed husband (David Warshofsky) struggle to rekindle the warmth and congeniality of a familial bond that has never really had a chance to exist, while battling with issues that no parent would ever want to have.
Strong praise for writer/director Nikole Beckwith for composing a riveting (if at times deliberately slow-paced) depiction of a true tragedy. Her scenes are at times difficult to endure, but the story is excellent.
Of anyone who has raised kids is going to hate this movie, because they are going to see themselves in it, mistreating kids.
The acting in this was extraordinary. The storyline is complete with no gaps. The actors are very believable. The situations are very believable
As I stated, where it fails is in how gritty revealing it is on how "adults" can and do fk up kid's heads, because they themselves are fked up.
Whoever put this movie together, the director and the script writer are some very very mature and rounded adults that have seen some very evil things
The other reason this movie is probably not getting accolades is that it is independent, so the hollywood wokies are going to be browbeating it, keeping it down
Cult Classic.
Found it on Tubi.
The acting in this was extraordinary. The storyline is complete with no gaps. The actors are very believable. The situations are very believable
As I stated, where it fails is in how gritty revealing it is on how "adults" can and do fk up kid's heads, because they themselves are fked up.
Whoever put this movie together, the director and the script writer are some very very mature and rounded adults that have seen some very evil things
The other reason this movie is probably not getting accolades is that it is independent, so the hollywood wokies are going to be browbeating it, keeping it down
Cult Classic.
Found it on Tubi.
The ending???? Come on!!!
It was ridiculously slow moving, and there was no character build up to anyone. I felt nothing for any of the characters -everything was flatlined. I was hoping towards the end there would be a little action or a nice wrap up and there was absolutely nothing. The ending offers nothing and leave you hanging the ending, which is the beginning didn't tell you anything at all. There was no background as to her situation from the time she was kidnapped until she was found so many details were missing that could've made things a lot better. The ridiculous ending again was a complete joke.
It was ridiculously slow moving, and there was no character build up to anyone. I felt nothing for any of the characters -everything was flatlined. I was hoping towards the end there would be a little action or a nice wrap up and there was absolutely nothing. The ending offers nothing and leave you hanging the ending, which is the beginning didn't tell you anything at all. There was no background as to her situation from the time she was kidnapped until she was found so many details were missing that could've made things a lot better. The ridiculous ending again was a complete joke.
Lo sapevi?
- QuizNot based on any one story, Writer and Director Nikole Beckwith stated in interviews that it was important to her not to exploit anyone's actual trauma in the making of a fictional one.
- BlooperIn opening scene, police vehicles display a front license plate, Pennsylvania only issues one rear plate per vehicle except for some tractor trailers and official state vehicles display all blue license plates, not standard issue passenger plates.
- Citazioni
Leia Dargon: Is this how people love? They become a room for you to live in and then they lock?
- ConnessioniReferences Guerre stellari (1977)
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