Una coppia di coinquilini inizia un servizio di baby-sitting per guadagnare denaro extra.Una coppia di coinquilini inizia un servizio di baby-sitting per guadagnare denaro extra.Una coppia di coinquilini inizia un servizio di baby-sitting per guadagnare denaro extra.
- Candidato a 1 Primetime Emmy
- 4 vittorie e 7 candidature totali
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It's quiet funny actually, but the humour is just plain stupid/immature and gets old pretty quickly. The props and set is really cheap, and shows with these types of sets make me sick. Sam is not a very good actress. I think Arianna Grande is a better actress then her. The plots are really unoriginal and it gets worse with the seasons. So glad it got canceled to be honest.
Sam and Cat is exactly what the title says - two characters from two of Dan Schneider's previous shows put together in one environment and left to have fun together. The two characters haven't changed significantly since their previous appearances on iCarly and Victorious, respectively. There are a few laughs scattered throughout the premiere, but even the laugh track seems aware of how frail the comedy is. Any longtime fan of Schneider's brand of humor will be satisfied by seeing gutsy Sam and ditzy Cat interacting with each other and other folks, but genuine gut- busting comedy of the kind that was more common on iCarly is nowhere to be found. It seems Schneider is simply going through the motions rather than trying to create something original and memorable, but as of the time of this review's writing, only one episode has debuted so far. Thus, it remains to be seen whether or not Sam and Cat can rise above mediocrity and come close to matching iCarly in influence and enjoyment.
Another low-brow, immature offering from the creators at Nickelodeon. The show generates a few laughs but continues to rely on slapstick comedy a little too much. I get it, it is a show for younger children but why must it be so brainless.
The show is watch worthy but the style is nothing new and a little weak. Sam Puckett bores me and although Cat Valentine is adorable there is only so much of her you can take.
Nickelodeon pick up your game. Putting two supporting actors together does not equal a star. Also a weird child grifter and a man who behaves like Forrest Gump does not make a supporting cast.
The show is watch worthy but the style is nothing new and a little weak. Sam Puckett bores me and although Cat Valentine is adorable there is only so much of her you can take.
Nickelodeon pick up your game. Putting two supporting actors together does not equal a star. Also a weird child grifter and a man who behaves like Forrest Gump does not make a supporting cast.
Imagine that when "Laverne and Shirley" moved to Los Angeles they had opened up a babysitting service in their apartment complex and you have "Sam and Cat". This is one of those pre-sold spin off shows, trying to fuse characters from Nichelodeon classics "iCarly" and "Victorious". In this case Sam Puckett from "iCarly" (Jennette McCurdy) and Cat Valentine from "Victorious" (Ariana Grande).
"Laverne and Shirley" was able to develop some entertaining supporting characters, something "Sam and Cat" is still working on. The two little British girls have considerable potential but no one else in the supporting cast has registered a pulse.
It seems like a great idea because Sam and Cat (like their 1950's Milwaukee counterparts) are a study in contrasts. Sam (Laverne) is extreme and abrasive in a loud and physical way. Cat (Shirley) is gentle and cerebral (well Cat is more a gentle and innocent airhead than a cerebral one). This character dichotomy is appealing to viewers, who respond positively to the way the two girls complement and complete each other.
"Sam and Cat" had a chance to go one better on the dynamic because Ariana Grande has the best face on television or at least this side of Kelly Berglund. Which cries out for a production technique of wide shots of Sam's physical comedy in juxtaposition with close-ups of Cat. This technique would not only play to McCarty's strengths but would cement a huge bond between the audience and Cat. Grande is a naturally gifted actress who should be able to subtly sell her character's intense vulnerability in these tight shots. Thus the production technique would consistently echo the character contrasts that are the basis of the show.
Unfortunately this is a cheap and unimaginative production, filmed almost entirely in wide master shots. I can't think of a more extreme example in that regard since the old black & white Republic serials. This is the cheapest possible production method and the easiest and fastest way to crank out a lot of sterile running time. Just watch an episode and note the almost total absence of close-ups, it is glaring because virtually every line Grande delivers and every reaction she has to McCarty's antics would work better with the camera tighter on her. But this show is just beginning so I am hopeful the producers will recognize what is being lost by this cut-rate production method and will replace the current production company with one that has a clue.
"Laverne and Shirley" was able to develop some entertaining supporting characters, something "Sam and Cat" is still working on. The two little British girls have considerable potential but no one else in the supporting cast has registered a pulse.
It seems like a great idea because Sam and Cat (like their 1950's Milwaukee counterparts) are a study in contrasts. Sam (Laverne) is extreme and abrasive in a loud and physical way. Cat (Shirley) is gentle and cerebral (well Cat is more a gentle and innocent airhead than a cerebral one). This character dichotomy is appealing to viewers, who respond positively to the way the two girls complement and complete each other.
"Sam and Cat" had a chance to go one better on the dynamic because Ariana Grande has the best face on television or at least this side of Kelly Berglund. Which cries out for a production technique of wide shots of Sam's physical comedy in juxtaposition with close-ups of Cat. This technique would not only play to McCarty's strengths but would cement a huge bond between the audience and Cat. Grande is a naturally gifted actress who should be able to subtly sell her character's intense vulnerability in these tight shots. Thus the production technique would consistently echo the character contrasts that are the basis of the show.
Unfortunately this is a cheap and unimaginative production, filmed almost entirely in wide master shots. I can't think of a more extreme example in that regard since the old black & white Republic serials. This is the cheapest possible production method and the easiest and fastest way to crank out a lot of sterile running time. Just watch an episode and note the almost total absence of close-ups, it is glaring because virtually every line Grande delivers and every reaction she has to McCarty's antics would work better with the camera tighter on her. But this show is just beginning so I am hopeful the producers will recognize what is being lost by this cut-rate production method and will replace the current production company with one that has a clue.
This is a nice enjoyable series to watch. Yes, there was room for improvement to make the series even better but it was enough to be fun to watch. The cast was great. They really committed to their respective characters and to the storyline of the whole series. This series played a good part in helping build up the careers of the cast. This series also connected very strongly with the other teenage shows. I enjoyed this series. It revealed to viewers the many aspects of the life of a teenager. Viewers and fans of these teenage shows always learn something and see a real insight of the true reality of growing up and living life.
Lo sapevi?
- QuizCo-stars Jennette McCurdy and Ariana Grande are born on the same date (June 26th), though Jennette is a year older.
- BlooperSam begins to live with Cat despite arriving in Los Angeles on her motorcycle without taking anything and in later episodes. You can see Sam's red checkered backpack.
- Citazioni
Cat Valentine: You trickered me, right?
- ConnessioniFeatured in Henry Danger: Up the Stairs! (2018)
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Dettagli
- Tempo di esecuzione30 minuti
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- Mix di suoni
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