Locked In

This forgettable Netflix thriller is poorly directed, acted and written that I felt ' locked in' and couldn't do anything to turn it off.

Laura would have loved to have tortured me with this junk!

It's unthrilling in its storytelling- no tension, suspense or action so it doesn't grab the audience from the beginning.

It's look is purely TV , a unfocused ,dimly lit splurge- that midway through Laura thought she was watching a TV show by asking" how many episodes is this?" The only thing frightening and creepy is Famke Janssen's face job!

It's also hilarious to see a hospital utterly devoid of other people/patients: day or night- believe me there's always someone about.

When Netflix finance films for their network - Reptile being a prime example, they do it with style and finesse, here it's tedious, bottom of the barrel mid 90s direct to DVD schlock.

I had my hopes up when I saw this film was on the number one spot at my coutrys Netflix chart this week. I really like Famke Jansen, but why did she have to be apart of this production? With her charisma there should be better roles for her. She is too talented for this type of conveyer belt productions. The film in itself looks good, but it feels more like a long music video. The idea for the story is great, but it doesn't unfortunately take off. Boring and predictable story. Even the genre of Locked In should mystery, by it is impossible to find that. Maybe the mystery is why was this even done in first place.

Locked In is generically a modern Gothic story. British, manor, orphans, illness, love affairs, duplicitous characters, plots within plots, etc. All of that, the movie does well.

Do we need another Gothic mystery of orphaned child becoming entwined with a decaying family and its manor? Probably not. Do the actors move past the 2 dimensional nature of their characters? Decidedly no. Does the story line bring anything new or ingenious to the story? A resounding no.

Part of the issue I see is that the main character is the young orphaned girl and her movement into this family and the machinations of the plot. She's not that interesting of a character. And the narrow focus that the film takes toward her shuts out the other characters from being able to provide much richness to the story.

This harkens to the great movie and story of Rebbeca in many ways. But that film allowed other characters room to play, and the uncertainty of motivations and conniving increased the sense of tension and dread. As a copy or comparison of that, this films decidedly missed the mark. As a display of a Gothic story, it does all right.

With her mom in a coma, a young woman named Lina tries to come to terms with the events leading up to it, while her nurse tries to uncover the mysties surrounding the strange injuries to her body. I'd say this is a film that gets better the more you watch through it. I did feel however Anna fris seemed our of place. The nurse character iaent really part of the story and doesn't do anything to make it better but I like her as an actress so it's still nice seeing her. I feel bad for Jensen as she can't move her mouth fully anymore. I thought the mystery element was good though and if it were more gritty it could be even better.

The premise of a woman who can't communicate after an accident but still finds a way to let her nurse know that someone tried to kill her starts off interesting. But let me save you your time: this movie is bad and will add nothing but sorrow to your life.

ALL the characters are annoying and make the dumbest decisions possible every single time. I would explain with examples, but then my review would be classified as containing spoilers and I wouldn't be able to save people that haven't yet wasted their time with this.

It's an infuriating, uninspired, very predictable movie. Rating it a 3 is being generous.