Il sogno di una giornalista di diventare conduttrice del telegiornale viene compromesso quando si ritrova bloccata nel centro di Los Angeles senza telefono, automobile, soldi e documenti di ... Leggi tuttoIl sogno di una giornalista di diventare conduttrice del telegiornale viene compromesso quando si ritrova bloccata nel centro di Los Angeles senza telefono, automobile, soldi e documenti di identità, effetto collaterale dell’avventura di una notte. Ha solo otto ore a disposizione... Leggi tuttoIl sogno di una giornalista di diventare conduttrice del telegiornale viene compromesso quando si ritrova bloccata nel centro di Los Angeles senza telefono, automobile, soldi e documenti di identità, effetto collaterale dell’avventura di una notte. Ha solo otto ore a disposizione prima di presentarsi al colloquio più importante della sua vita.
- Regia
- Sceneggiatura
- Star
- Denise
- (as Sarah Wright Olsen)
Recensioni in evidenza
I find myself craving more movies of this caliber that can evoke such genuine laughter. This hidden gem deserves greater recognition and appreciation. It's a must-watch for anyone seeking a hearty dose of laughter and an unforgettable comedic experience.
I really looked forward to this. I like Elizabeth Banks and it looked promising. The early parts aren't that funny but once the plot kicks in and she has to find her way out of "the hood," it picks up. It reminded me somewhat of After Hours or maybe even Adventures of Babysitting. Banks is very good, as well as being particularly hot in this. The supporting cast is really what makes it work. Kevin Nealon is fun as a weirdo helicopter reporter. Bill Burr and Ethan Suplee are great as a couple of clueless cops. But the highlight for me was the trio of Pookie (Alphonso McAuley), Hulk (Da'Vone McDonald), and Scrilla (Bob from Walking Dead). I don't want to spoil too much about their scenes but all three are terrific, especially McAuley who talks like a Fat Albert character come to life.
This is a funny comedy with a generally pleasant tone that I liked. Yeah it's somewhat predictable and formulaic but no one's trying to reinvent the wheel here. It's a good way to spend an hour and a half. One little thing I wanted to mention because when it happened in the movie, I had to roll my eyes a bit. James Marsden's bartender character is revealed to not just be a bartender but also a writer. Why is it that movies always do that? Someone can't be JUST a bartender or a waitress or a mechanic -- they always have to be something more "respectable" on the side or they are aspiring to be something like that. Just once I would like one of these movies to feature a working-class character who is happy with their life and does not want to go to law school or own the company or become a big movie star. Because ultimately what they are saying is that Marsden is not good enough for Banks if he is just a bartender, which is shallow and sad.
With echoes of "The Out of Towners" and "After Hours," the movie works mainly because of Elizabeth Banks's character. She's funny, she's likable, she's sexy... what more could you want out of a screen heroine?!
The writing, for the most part, is realistic and smart. A well-structured story full of unpredictable events and offbeat characters. Full of surprises. Full of tiny details (like the plastic center in a pizza delivery box... how many times have we dealt with that... yet when has it ever been in a movie??)
But perhaps most importantly, the movie has heart. And taste. It goes so far above and beyond what passes for comedy these days, it's ridiculous. Farrelly Brothers, Apatow and especially Adam McKay -- watch and learn.
So if you want to see a well-written, well-directed, hilarious movie with a great premise that will put a smile on your face for 95 minutes, see "Walk of Shame." I have absolutely no shame in admitting I loved it.
(And normally I hate just about everything these days.)
Lo sapevi?
- QuizThe character "Pookie" played by Alphonso McAuley is a nod to Chris Rock's character "Pookie" from New Jack City (1991). Some of the same lines were mentioned during the crackhouse scene.
- BlooperAirbags do not stay inflated.
- Curiosità sui creditiKeep your zombie ass moving.
- ConnessioniReferenced in Chelsea Lately: Episodio #7.93 (2013)
- Colonne sonoreDrama On The Dancefloor
Written by Jon Ingoldsby, Lux Lovelle, Sven Martin, Julian Schramm
Performed by Lux Lovelle
Courtesy of Sven Martin and Julian Schramm
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Walk of Shame
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 59.209 USD
- Fine settimana di apertura Stati Uniti e Canada
- 39.751 USD
- 4 mag 2014
- Lordo in tutto il mondo
- 8.122.990 USD
- Tempo di esecuzione
- 1h 35min(95 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1