Recensioni di Metacritic

The film’s appeal is largely dependent on Cage; Left Behind is a batshit-crazy Cage cult classic of a radically new stripe.

It’s inoffensive, unless you take umbrage at the idea that the only people who know not to steal are True Believers and all that keeps society from an instant meltdown are the Faithful.

Has all the subtlety of a sledgehammer and production values that verge on parody.

The Rapture won’t come soon enough for the unfortunate souls forced to suffer through Left Behind.

That lack of concern for the way people actually interact renders the film useless as entertainment, or as a conversion tool.

This Left Behind may be worse than the last Left Behind, but it’s much less boring, thanks in part to the commitment of its star, who plays the often ludicrous material with the straightest of faces. The Cage works in mysterious ways.

With a “Sharknado”-inspired visual style and a deeply weary lead performance from Nicolas Cage, Left Behind is cheap-looking, overwrought kitsch of the most unintentionally hilarious order.

This failed epic — really, an epic failure — would barely be noticed, were it not for former Oscar-winner Nicolas Cage taking on a “Sharknado”-quality remake of a Kirk Cameron movie.

Cage is going for manly, if conflicted, family-guy confidence in this role, but somehow it comes off as nuttier than the events surrounding him.

At best, Left Behind is shoddily made sensationalist propaganda — with atrocious acting — that barely registers as entertainment. At worst, it's profoundly moronic.