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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe story of the 1980s snooker rivalry between the flamboyant Alex Higgins and the methodical Steve Davis.The story of the 1980s snooker rivalry between the flamboyant Alex Higgins and the methodical Steve Davis.The story of the 1980s snooker rivalry between the flamboyant Alex Higgins and the methodical Steve Davis.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 candidature totali
Dennis Taylor
- Self
- (filmato d'archivio)
Steve Davis
- Self
- (filmato d'archivio)
Alex Higgins
- Self
- (filmato d'archivio)
Recensioni in evidenza
From Treadaway's accent and mannerisms, to the clever interposition of excerpts of TV commentary from those early 1980s matches.. this film is (like the Steve Davis era it portrays) universally professional.
The characters are spot on, the emotional story played with respect, but without deference and above all (in capturing the effectiveness of this piece) the snooker sequences are brilliant! If you go onto Youtube and watch Higgins' 1982 Semi-Final "break of the tournament", then straight after you watch Treadaway jerking and swaying to the same beat you will see what I mean. How on this planet they recreated that blue to the top corner??? - The best thing I've seen for at least a year!
The characters are spot on, the emotional story played with respect, but without deference and above all (in capturing the effectiveness of this piece) the snooker sequences are brilliant! If you go onto Youtube and watch Higgins' 1982 Semi-Final "break of the tournament", then straight after you watch Treadaway jerking and swaying to the same beat you will see what I mean. How on this planet they recreated that blue to the top corner??? - The best thing I've seen for at least a year!
The Rack Pack is right up my street. I was big into snooker in the 80's and 90's . The time when the sport was massive and it had some larger than life personalities. None larger than the focus of this film Alex "Hurricane Higgins" Higgins. I never liked Higgins very much back then because being from Plumstead I was a big Davis fan . This BBC film doesn't sugar coat Higgins at all. it's quite brutal in it's portrayal and because of that I have to compliment the director Brian Welsh . Probably the most impressive thing about this is the casting. Luke Treadaway is great as Higgins ( the accent strays a little at times) as is Will Merrick as Steve Davis but the inspirational piece of casting is Kevin Bishop as Barry Hearn. Bishop got Hearn down to a T. I absolutely loved this film and if the BBC keep producing dramas like this they can have no complaints from me about the licence fee.
Just watched the Rack Pack on iPlayer and thought it was great, very amusing and moving in turns. The performances were very good, but I can't help feeling they made Steve Davis seem a little bit too nerdy in the early days, asking the manager of the first snooker club about the pockets and the slate for instance. Whilst I'm not denying Alex Higgins' talent, I did think the programme focused more on him, and made him the real main character. Personally, I was never that fond of him as a 'character' and have always admired Steve Davis for the way he handled himself, even moreso now as a respected presenter and commentator of snooker. Also, I'm sure all the real life people gave their approval to the portrayals on film, but I don't think Jimmy White has done himself any favours by agreeing to how he was portrayed in this drama. Finally, these 'real life' docu-dramas always leave me wondering how accurate they are, was Higgins really so rude to Cliff Thorburn and his wife, so that Thorburn laid into him physically. But overall, very enjoyable and watchable, and very well acted.
THE RACK PACK tells a straightforward tale by contrasting the life of clean-cut Steve Davis (Will Merrick) with that of maverick Alex Higgins (Luke Treadaway). Obsessed with snooker from an early age, Davis was taken up by manager Barry Hearn (Kevin Bishop) and transformed into a media personality. His trademark gestures on the snooker table was carefully studied; and he was encouraged to make jokes about his allegedly boring public persona. Success on the table only helped to increase his profile; throughout the Eighties he was always the man to beat.
Higgins was the complete antithesis. A genius at the table, he led a wild private life dominated by drink. He had a family, with a long-suffering wife (Nichola Burley) and two children, but they eventually left him. He had plenty of money and spent the lot; in desperation he approached Hearn to manage him, but was abruptly refused. His star declined; by 1990 he had been eliminated in the first round of the World Snooker Championship.
Brian Welsh's production tried to adopt an even-handed approach, but it was palpably clear that Higgins's story was dramatically more effective, thereby proving Barry Hearn's point that people respond to failure more enthusiastically than success. Luke Treadaway's performance was thoroughly creditable, combining relentless self- confidence with chronic insecurity. He needed the company of others, especially his practicing (and drinking) partner Jimmy White (James Bailey); when White signed up for Hearn, Higgins was left completely isolated.
The only real criticism that can be leveled at this production was that it did not really take account the positive aspects of Higgins's life. He was certainly self-destructive, yet he also put snooker on the map as a televised sport. In the days of Ray Reardon and John Spencer the game was perceived as respectable yet rather staid, the kind of thing suitable for the BBC's POT BLACK yet not a ratings winner. Higgins's colorful personality helped to transform the game into a huge success during the Eighties, attracting viewing figures far in excess of mainstream sports such as soccer.
Nonetheless, Welsh's production made a thoroughly competent job of recreating snooker's glory days, with its recreation of the Crucible Theatre and John Sessions's memorable impersonation of "Whispering" Ted Lowe's commentary interspersed with the BBC's original soundtrack.
Higgins was the complete antithesis. A genius at the table, he led a wild private life dominated by drink. He had a family, with a long-suffering wife (Nichola Burley) and two children, but they eventually left him. He had plenty of money and spent the lot; in desperation he approached Hearn to manage him, but was abruptly refused. His star declined; by 1990 he had been eliminated in the first round of the World Snooker Championship.
Brian Welsh's production tried to adopt an even-handed approach, but it was palpably clear that Higgins's story was dramatically more effective, thereby proving Barry Hearn's point that people respond to failure more enthusiastically than success. Luke Treadaway's performance was thoroughly creditable, combining relentless self- confidence with chronic insecurity. He needed the company of others, especially his practicing (and drinking) partner Jimmy White (James Bailey); when White signed up for Hearn, Higgins was left completely isolated.
The only real criticism that can be leveled at this production was that it did not really take account the positive aspects of Higgins's life. He was certainly self-destructive, yet he also put snooker on the map as a televised sport. In the days of Ray Reardon and John Spencer the game was perceived as respectable yet rather staid, the kind of thing suitable for the BBC's POT BLACK yet not a ratings winner. Higgins's colorful personality helped to transform the game into a huge success during the Eighties, attracting viewing figures far in excess of mainstream sports such as soccer.
Nonetheless, Welsh's production made a thoroughly competent job of recreating snooker's glory days, with its recreation of the Crucible Theatre and John Sessions's memorable impersonation of "Whispering" Ted Lowe's commentary interspersed with the BBC's original soundtrack.
In the 1970's the BBC show Pot Black started to create some TV personalities like Ray Rearden and Dennis Taylor. Who would have thought that a program about two men taking turns to hit balls with sticks would be popular but it took off. Pretty soon the world championship snooker tournament was being televised. Millions of viewers proved they had the desire and stamina to watch games that lasted hours, interest in the players grew and the prize money rocketed.
The Rack Pack documents snooker's rise in popularity and how it alternatively made and broke two people. It focuses on Alex Higgins and Steve Davis. We see one personality being created from almost a blank canvas. On the other hand we see a dynamic personality destroyed by inner demons, be repaired and then self destruct.
In parts this film is funny, sad, informative and made me reflect on the need for identifiable personalities in sport. Do we need "bad" boys in our viewing before we really engage? At 88 minutes this film isn't as long as some snooker frames and is well worth your time.
The Rack Pack documents snooker's rise in popularity and how it alternatively made and broke two people. It focuses on Alex Higgins and Steve Davis. We see one personality being created from almost a blank canvas. On the other hand we see a dynamic personality destroyed by inner demons, be repaired and then self destruct.
In parts this film is funny, sad, informative and made me reflect on the need for identifiable personalities in sport. Do we need "bad" boys in our viewing before we really engage? At 88 minutes this film isn't as long as some snooker frames and is well worth your time.
Lo sapevi?
- QuizAlex Higgins actually really couldn't stand Davis and would always spread rumours about Davis to the other players.
- BlooperA Space Invaders Part II (1980) and Pac Man (UK release 1981) can be seen in the UK pub while the scene supposed to take place 1976.
- Citazioni
Alex Higgins: Before me, it was just old farts taking it in turns to miss.
- ConnessioniFeatured in Masters Snooker: 2016: Day 7, Part 2 (2016)
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Dettagli
- Data di uscita
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- Sito ufficiale
- Lingua
- Celebre anche come
- Dallas with Balls
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Botteghino
- Budget
- 100.000 USD (previsto)
- Tempo di esecuzione
- 1h 27min(87 min)
- Colore
- Proporzioni
- 2.35 : 1
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