Snoopy & Friends - Il film dei Peanuts

I was unsure at first because of the animation style, it was much more modern than the charming animation style of the 60s and 70s specials. However, despite the 3D CGI animation style, the original charm of the cartoon specials remained intact. I liked how the animation didn't seem as finished just like the original Peanuts specials. In the film, just like in the specials, the trees and other plants in the background remained static. Even when it was supposedly windy. This film, like many of the Peanuts specials, had two storylines: A Charlie Brown storyline and a Snoopy storyline. In the Charlie Brown storyline, the film deals with Charlie trying to work up enough nerve to talk to the Little Red Haired Girl. In the Snoopy story, Snoopy finds an old typewriter and works on writing a novel. His novel deals with the World War I flying ace trying to save his crush Fifi from the clutches of the evil Red Baron.

This movie featured many in-jokes from the specials and comic strips. The typical Peanuts sentimentality was also present as were the lack of adults. The wonderful Peanuts music was present throughout the film. I wish they wouldn't have included a modern song, but it doesn't detract too much from the film. There were also bits of the comic strip that popped up throughout the film and also the fun 60s style graphics that would also appear periodically. It was such a fun film, I will definitely be purchasing my own copy.

I read that this film was written in complete cooperation with Charles M. Schulz's widow and the other members of his family. Schulz' son and grandson wrote the screenplay and apparently the Schulz family had to have approval over all aspects of the film. They also used archive sound recordings of Bill Melendez' Snoopy sounds for Snoopy's "voice" in the film. I did think that the Peppermint Patty voice was slightly off. The other Patty (who normally has brown hair and wears an orange dress) in this film was blonde and wore a green dress. Neither of the Pattys inaccuracies affected my enjoyment of this film.

A little red-haired girl has moved across the street from Charlie Brown. He sees her and falls in love. He wants to ask her out or impress her but everything he tries fails. Meanwhile Snoopy is in his doghouse plane fighting the Red Baron for cute little poodle Fifi.

I was expecting the worst when this was announced. I'm glad to announce that I was wrong. This is a charming, amusing and excellent update of the Peanuts. Actually there's no updating of the characters and their world. They still use phones and typewriters, No computers, cells or such exist here. The animation is now all CGI but manages to retain the charm of the hand-drawn originals. The aerial battles between Snoopy and the Red Baron are VERY well-done. The voices are now done by actual children and not adults like the previous ones did. Also there's no crude humor or violence--this is VERY G rated. Even better it has messages that say be yourself and don't give up no matter what. And of course it has a big old happy ending! Warm, amusing and perfect for the whole family. Recommended.

I loved the Peanuts half hour TV specials as a kid, particularly Halloween and Christmas. I make my kids watch them each year and they enjoy them. We have also watched at least one fuller length movie made some time ago (about a spelling bee?) that ran a little too long. Before the specials even existed I loved the Peanuts comic strips. This movie handled the characters great, no complaint there. I just got part way through and said okay where are we going with this and how much is left. So maybe the bottom line is Peanuts is more effective in small doses than in a full length movie. They seemed to realize that in having a short movie to start and keeping the running time down. Of the story lines the best (and the one that could be enjoyed the longest) was the Snoopy WWI theme. But the bottom line is that it may be hard to make this work for an hour or more no matter how you do it, even if you have stupendous graphics. In any event, nice to see a new generation of Schulz's carrying the torch.

P.S. In watching some of the older shows recently, I remembered that the best of the TV shows was where they basically just strung a bunch of the daily cartoons together, rather than tell a traditional story. Charles Schulz was a cartoon genius, and had a penchant for running a series of consecutive strips on the same subject, sort of a continual story with a daily punch line, which is directly transferable to the screen. Maybe they could go back to that format next time around?

Source of my comment: hitfix.com Review By Drew McWeeny.

When we live in an age when everything, no matter how pure the intent of the creator, is simply IP to be farmed, it is right to be suspicious of a "Peanuts" movie. After all, Charlie Brown and the rest of the characters created by Charles Schulz have been huge business for decades, and it makes sense that they would put something together if for no other reason than to keep the characters active in pop culture.

Thankfully, it appears that the people behind "The Peanuts Movie" take the legacy of these characters very seriously, and the result is a gentle, charming movie that seems far less frantic than much of what is created for young audiences these days. Blue Sky, one of the two major producers of CG animated films for Fox, has produced ten feature films now, and while the majority of their efforts have been originals, it was clear from "Horton Hears A Who" that when they adapt someone else's property, they try to do so from a position of authenticity and respect.

One of the things that makes "Peanuts" such a broad target is all the different versions there have been. Even in our editorial meetings at HitFix, as we talk about the films or the specials that we think of when "Peanuts" is mentioned, we all have our own take on what that means. For me, the old school TV specials and the first few movies were the defining version. Louis Virtel told me he always thinks of "Race For Your Life, Charlie Brown!" first. My kids have been exposed to some of the specials, but Toshi took it upon himself to read the Fantagraphics collections of all of the strips that I have on my shelves. And to any of those people, I would say, "You'll recognize the 'Peanuts' you love in this movie, and you'll be happy." That could not have been an easy task, so for that alone, Blue Sky and Fox deserve some accolades.

One of the most interesting choices they made in approaching the movie was how to design the characters. They are 3D CG objects, but the faces are "drawn" onto the heads in a way that always feels like there's a physical brush stroke, a pencil mark. I assume the entire thing is CG, but it connects the characters to the long hand-made tradition that started with the comic strip itself. It's a strong stylistic decision, and it makes sure the characters feel like the characters we already know. Steve Martino, working from a script by Bryan Schulz, Craig Schulz, and Cornelius Uliano, touches on any number of familiar jokes and scenes and set-ups, with a number of references to the long history of the characters. Snoopy spends most of the movie working on a book on his newly-discovered typewriter, the story of a flying ace and his battle against the infamous Red Baron. Sally's got her crush on her sweet baboo, Linus, who nurses his faith in the the Great Pumpkin. Lucy gives advice at her sidewalk psychiatric stand while making passes as Schroeder every chance she gets. Peppermint Patty and her assistant Marcie both play their familiar roles as well, with Charlie Brown at the center of everything, constantly put upon, constantly taking one on the chin. If this is going to be true to the original strip that Schulz created, then Charlie Brown has got to be suffering, a kid who can't catch a break.

What surprised me was the way they took a quiet approach to finding something else to say about Charlie Brown. I was worried that this was going to be a film where they had to turn him into something he wasn't just to tick some demographic checklist, and instead, the film makes some very strong and interesting points about what is heroic when you're just a kid trying to define yourself. In this case, there's a new kid in school, the Little Red-Haired Girl, and Charlie Brown is determined to reinvent himself in a way that will win this girl's attention and approval. This being Charlie Brown, things are not that easy, but I thought the way they eventually bring it together was unexpectedly honest. At this point, these characters have been playing the same beats for so long that it is genuinely surprising to see them do something new that doesn't feel like a violation of the characters, but rather a natural extension of what we already know about them.

The cast of young voice actors all seem appropriately chosen, and it's interesting to hear how they've gone out of their way to find kids who naturally sound like the voices that have been connected to the characters for over 40 years now. One of the reasons I don't ever want a "Calvin & Hobbes" adaptation to happen is because I don't want to hear anyone else's take on how Hobbes should sound, but with these characters, they've had the same voices for so long now that it's kind of like a magic trick. It's a cast of real kids here, but they sound like the "real" Charlie Brown, the "real" Lucy, the "real" Linus.

Frequently very funny, undeniably aimed at younger audiences, and true to the source material, "The Peanuts Movie" is too mild-mannered to win over brand new audiences, but it's going to please people who were already fond of the underlying property, and it should be a big nostalgia-driven hit for the studio.

I can't imagine a Christmas or a Halloween without the mention of a young boy trying to lead his school friends in a school play or debate the existence of the Great Pumpkin. This young man is everyone's favorite blockhead, Charlie Brown. Yes, Charlie, Snoopy and his friends from Peanuts have created such a timeless look at childhood while maintaining a deep philosophical moral. The comics and television specials are something that I'm sure everyone has seen at least once. The newspapers and television networks still run Peanuts because their morals never fall out of style and everyone seems to feel nostalgic whenever it's mentioned.

I'm a big fan of Peanuts and hold these characters to such a high standard because creator Charles Schulz took it just as seriously. I think a lot of people have felt like Charlie Brown at one point, wondering how life can be such a good thing when their own failures seem to cloud ones happiness. It may seem downbeat, but Peanuts felt real despite having an exaggerated world where adults are never seen. To top it off, the writing still came off as funny as it's simplicity only added to the appeal. The Peanuts Movie takes our classic characters to the big screen on a personal journey.

Carefully never stating a time nor a setting, we open in the beginning of December where we see Charlie Brown is still trying to fly his kite. If you know the comics, he fails and it becomes a part of the "kite-eating tree", though this time, he seems to be tired of always failing. His sister Sally and his friends Linus, Lucy, Schroder, Peppermint Patty, Marcie and the rest of the gang know Charlie well enough that they always seem him as a klutz. Things change when they notice a new kid is moving right across from Charlie.

Sensing his first feelings of puppy love, Charlie decides that he wants to change himself to start fresh with the new little Red-Haired Girl. After a session with Lucy (and paying her the usual five cents), he tries several new things like trying to win a talent show or a dance contest. He also deals with a sudden popularity when he sees that he delivers a perfect score on a recent school-wide test. On the sidelines, Charlie Brown's dog Snoopy gets caught up in his own imagination as he continues to fight the Red Baron in occasional plane dog fights.

As a computer animated movie, I was worried that the simplicity of Peanuts would be compromised. I can safely say that The Peanuts Movie stays true to the nature to the classic comics…for the most part. To start, the animation is amazing. Unlike something like Pixar or DreamWorks, Fox's Blue Sky Studios have found a best of both worlds by giving the world of Peanuts an upgrade while still feeling like a hand drawn work of art. Another big plus are the voices. Unlike the TV specials where the child voices were always wooden and stilted, the kids portraying the characters can actually act. Pretty well too considering the challenge.

Story wise, it does feel like the kind of plot that Schulz would have given; something simple and emotional for Charlie Brown while leaving the highly imaginative side story to Snoopy. I do feel though that while The Peanuts Movie is smart, the deep philosophical dialogue is not that prominent for something more of a crowd-pleaser. I do understand however that while the comics and TV specials were allowed to do their own thing, they've now got to play by movie rules, and it does so well enough that even Schulz would have been proud to have his name on the picture.

I'll give this eight Snoopys on his doghouse out of five. The Peanuts Movie is a tribute to one of the most iconic set of characters created for the newspapers. It's defiantly something that everyone will appreciate, though I'd say start with the comics and TV specials first before seeing the movie.