Truth

This has got to be one of the worst movies I've decided to endure until the end.

I now know what happens when theater kids and friends get to make their own movie. I don't know what's worse: the acting or the script. No. I'm lying. The acting is slightly more atrocious.

If you need to be entertained by watching a trainwreck, this movie (and Andrew Christian ad) is for you.

A relation from beginning to its last consequences. The effort to impress and the try to explore inner demons , maybe forced in few moments , maybe giving to story strong aspect of emotional montagne russe, but having the virtue to enter in crumbs of many details giving roots to frustrations, vulnerability, angry and hard need of other , with terrible consequences. A beautiful film , not great, not original, beautiful more for acting than for story itself. Chronicle of a relation, brutal in few scenes, profound unrealistic in others it is just a decent film, for for the try of a sort of exorcism than for the story itself.

"Truth" is one of those movies where you ask yourself: "who green-lighted this thing???" It is a gay-themed psychological thriller, and the script itself is actually pretty good. The dialogue is creepy, and at times actually more disturbing than the action around it. But the acting (and I use the term loosely), the "made for TV" style cinematography and campy music just don't match dark subject matter this film is supposed to evoke. I was wondering why there were so many shots of the main character (including full-frontal), and when I checked IMDb...surprise! (actually, not really) it turns out he is a gay porn actor. This and the fact that both characters are often wearing Andrew Christiansen underwear pretty much answer how this film came to be. The ending is probably the worst part of the film, and is both a drastic departure from the tone of the beginning of the film and sloppy way to resolve the entire situation. Sadly, what could have been an interesting premise was poorly executed and is basically just a warning to aspiring actors: don't do gay porn!

It's refreshing to see a film that isn't predictable. I had no idea what would happen in the second half and was quite surprised. I typically don't like flashback type films, but it worked with this one. I thought these guys' relationship could work, despite emotional problems until more was revealed. This isn't something I'd see twice, but it was good the first time around. I admit I wasn't completely satisfied with the ending, but it is possible the writer wanted to leave something for the viewers to decide for themselves. I enjoyed the suspense and not knowing what was going to happen.

Quite honestly I'm not sure what to think of it all. A "suspenseful, psychological thriller," it was not.

One of the two central characters, Caleb, has enough personal baggage to sink a ship although at least outwardly he seems to be coping with it all reasonably well at the start of the story. He meets Jeremy whose background has been less of a train wreck than Caleb's but he's not dealing especially well with the pressures that society and family put on gay men of his age. Through experience Jeremy has learned to use deception and denial in dealing with other people and with his perception of self. That this does not lead to a "they lived happily ever after ending" is not particularly surprising.

In the "storyline" description it states that Truth "exposes the hidden demons buried deep inside each and every one of us." Whoa. We may all have our secrets and have had experiences that affect the way we deal with others, but I doubt most of us are as burdened as Caleb nor do most of us resort to such manifest deception as does Jeremy.

The damage caused by a "Mommy dearest" and the need to remain "closeted" for survival are fairly common themes in gay drama, but this movie tries too desperately to pile it on and thrill us with the resultant mayhem.

It all just seemed a bit too much. From the start the relationship between Caleb and Jeremy seemed more weird than genuine and as it began to unravel the situations weren't particularly suspenseful or psychologically deep.

The actors, especially Sean Paul Lockhart, were good. The overall quality of the production was also quite good. The general result, however, seemed superficial, heavy-handed, inevitable & propelled by contrived events.