VALUTAZIONE IMDb
8,0/10
16.617
LA TUA VALUTAZIONE
Shinji Ikari è ancora alla deriva dopo aver perso la voglia di vivere, ma il luogo in cui arriva gli insegna cosa significa sperare.Shinji Ikari è ancora alla deriva dopo aver perso la voglia di vivere, ma il luogo in cui arriva gli insegna cosa significa sperare.Shinji Ikari è ancora alla deriva dopo aver perso la voglia di vivere, ma il luogo in cui arriva gli insegna cosa significa sperare.
- Premi
- 4 vittorie e 4 candidature totali
Megumi Ogata
- Shinji Ikari
- (voce)
Anri Katsu
- Hideki Tama
- (voce)
Hiro Yûki
- Makoto Hyuga
- (voce)
Mugihito
- Kiel Lorentz
- (voce)
Kôki Uchiyama
- Ryoji Kaji Jr.
- (as Koki Uchiyama)
Miki Nagasawa
- Maya Ibuki
- (voce)
Recensioni in evidenza
I love this movie.
Eva 3+1 and the whole rebuild series is complimentary to the original series. If you're going into this movie hoping to find if it's a parallel universe to the original series, or if it's a time loop, crazy mech action, a romance drama, or anything of that nature, you'll be approaching this series in a way that will leave you dissatisfied.
This is a psychological/meta commentary. It's experimental, it revels in its babel and self-indulgence, and that's what I love about it. It examines itself, it's exploring themes around the series, fans of the series, the creator, and what the series means to all of the above.
The rebuild series takes the messages and ideas of the original series and takes a step forward, and this final movie is where that is cemented.
If you liked the last two episodes of NGA and could appreciate what they were trying to do, then there might be something here for you.
Eva 3+1 and the whole rebuild series is complimentary to the original series. If you're going into this movie hoping to find if it's a parallel universe to the original series, or if it's a time loop, crazy mech action, a romance drama, or anything of that nature, you'll be approaching this series in a way that will leave you dissatisfied.
This is a psychological/meta commentary. It's experimental, it revels in its babel and self-indulgence, and that's what I love about it. It examines itself, it's exploring themes around the series, fans of the series, the creator, and what the series means to all of the above.
The rebuild series takes the messages and ideas of the original series and takes a step forward, and this final movie is where that is cemented.
If you liked the last two episodes of NGA and could appreciate what they were trying to do, then there might be something here for you.
I was very skeptical before watching this film, I am a huge fan of the original show and film and I didn't think they had to be "rebuilt".
It also didn't help that I thought the previous three films kind of sucked (though I did rewatch them before watching this one and I liked them way more the second time).
But, here we are, 9 years after the last Eva film, 24 years after Evangelion's previous theatrical conclusion, we have this movie, a beautifully animated 155 minutes long love letter to the Evangelion franchise and its fans.
This time the ending can satisfy all fans, those who look for great action, those who watch for the surrealist imagery and philosophy, those who love the characters, this movie ties every loose end beautifully.
Only issues I had here were some unnecessary fan-service scenes (though there are fans who watch it for this kind of stuff, I guess) and the 3D CGI fight scenes look kind of jarring sometimes but other than that, this was yet another high quality film by Hideaki Anno and I would highly recommend it.
Bye-bye, all of Evangelion.
It also didn't help that I thought the previous three films kind of sucked (though I did rewatch them before watching this one and I liked them way more the second time).
But, here we are, 9 years after the last Eva film, 24 years after Evangelion's previous theatrical conclusion, we have this movie, a beautifully animated 155 minutes long love letter to the Evangelion franchise and its fans.
This time the ending can satisfy all fans, those who look for great action, those who watch for the surrealist imagery and philosophy, those who love the characters, this movie ties every loose end beautifully.
Only issues I had here were some unnecessary fan-service scenes (though there are fans who watch it for this kind of stuff, I guess) and the 3D CGI fight scenes look kind of jarring sometimes but other than that, this was yet another high quality film by Hideaki Anno and I would highly recommend it.
Bye-bye, all of Evangelion.
Everyone can relax. It was good.
It took the stunning visuals to the next level.
It stayed true to the characters.
It continued its use of incomprehensible techno-biblical-psychobabble.
The music was incredible.
There's gratuitous fan service.
And I left the experience feeling satisfied even thought I didn't completely understand what I just watched.
Yes, this film will finally answer so many of your burning Eva questions: Will Asuka ever say anything nice?
Will Rei ever learn to be a real person?
Will Shinji ever stop being so depressed?
In the end, it was not the game changer that End of Evangelion was. But it's still a great addition to the story.
It took the stunning visuals to the next level.
It stayed true to the characters.
It continued its use of incomprehensible techno-biblical-psychobabble.
The music was incredible.
There's gratuitous fan service.
And I left the experience feeling satisfied even thought I didn't completely understand what I just watched.
Yes, this film will finally answer so many of your burning Eva questions: Will Asuka ever say anything nice?
Will Rei ever learn to be a real person?
Will Shinji ever stop being so depressed?
In the end, it was not the game changer that End of Evangelion was. But it's still a great addition to the story.
Neon Genesis Evangelion is a franchise unlike any other. Made by a young man struggling with depression, it told the story of a teenager not unlike himself as he thrust into the role of an unwilling hero. It would become successful, infamous, and influential all at the same time, and this is addressed in the best way possible with its one true finale. Now upon first watch, I did much of the film's latter half to be very confusing because of its use of surreal imagery. There were also several things which didn't make sense but I thought it was good. But on the second watch, I realized what all this is truly about. Being human and what it means. It has apparent throughout the franchise that in spite of its popularity among anime fans, often seen as escapists, it was very much against escapism. Doing the research and seeing the real world influences in the story, you realize this isn't Anno's story anymore. It's not just about what him or the fans want, but what's best for its cast of characters. Moving on and growing up are without question the central themes of the film, and plays into how the characters get an ending that's not meant to satisfy the fan, although it still does, but give the character that suffers the ending they needed. Needles to say going back and rewatching for a second time refreshed my idea of what the film and series as a whole were telling us, and I was holding back tears catharsis after the fact.
I don't know if I was the only one, but when these movies that forced the plot in numerous moments in order to arrive to a happy ending, feel quite incompetent, unearned, incongruent, and ridiculous.
Plus, This utter of a mess films make me turn around to look at EOE, and it's quite rampage on its own, though, the film surprisingly makes more sense as well as feeling more satisfying than that universe/ sequel/ reboot/ loop/ or whatever you want to call since that plot is nonsense..
Plus, This utter of a mess films make me turn around to look at EOE, and it's quite rampage on its own, though, the film surprisingly makes more sense as well as feeling more satisfying than that universe/ sequel/ reboot/ loop/ or whatever you want to call since that plot is nonsense..
Lo sapevi?
- QuizThis movie was shelved until director Hideaki Anno finished Shin Godzilla (2016). After working on Evangelion: 3.0 You Can (Not) Redo (2012) Anno fell into another bout of depression and initially rejected the offer to direct Godzilla. However, his long time friend Shinji Higuchi convinced him to join the project and despite the difficulty working for Toho, Anno credited working on Godzilla as revitalizing him. After the film was finished, Anno apologized to the fans for the delay and recommenced production on this film.
- Citazioni
Misato Katsuragi: The only thing a son can do for his father is pat him on his shoulder, or kill him.
- ConnessioniEdited from Neon Genesis Evangelion (1995)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Evangelion: 3.0+1.11 Thrice Upon a Time
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 810.744 USD
- Fine settimana di apertura Stati Uniti e Canada
- 320.631 USD
- 11 dic 2022
- Lordo in tutto il mondo
- 93.882.453 USD
- Tempo di esecuzione
- 2h 35min(155 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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