L'ispettore di polizia Carl Mørck è incaricato di un dipartimento di vecchi casi, affiancato solo dal suo assistente, Assad. Cercano un caso su una donna scomparsa.L'ispettore di polizia Carl Mørck è incaricato di un dipartimento di vecchi casi, affiancato solo dal suo assistente, Assad. Cercano un caso su una donna scomparsa.L'ispettore di polizia Carl Mørck è incaricato di un dipartimento di vecchi casi, affiancato solo dal suo assistente, Assad. Cercano un caso su una donna scomparsa.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 21 candidature totali
Anne Bærskog Hauger
- Viggas Rasmussen
- (voce)
- (as Anne Hauger)
Patric Lindström
- Serveur de comptoir
- (as Patric Neves Lindström)
Recensioni in evidenza
Slow moving detective movie but I like it like that.No excessive reading of words in another language because the film speaks for itself. The director has created a very entertaining atmosphere. You develop a feel for the investigation. The editing is tight. Nothing is wasted. The homicide detective gets demoted to cold case files. He picks up one that speaks to him. A suicide that after digging does not come close to a suicide and no body. Going deeper in, nothing is easy or as it seems. As you move along the story unfolds in tidbits and gets darker and darker. Man sinks about as low as a human twisted can go. I don't want to give away any of the ending but with lackluster uncommon in Hollywood style movie making it's riveting. I enjoyed this gem immensely.
I saw this on a rented DVD in 2014. Felt like writing a review before i watch two of its sequels. The plot - After a raid gone wrong that resulted in the death of one of his team and the paralysis of another, a homicide cop Nikolaj Lie Kaas has been kicked to the basement aka Department Q to tie off five years of unresolved cases along with an inexperienced assistant called Faras Faras. They wind up pursuing the case of a high-ranking female politician, a supposed suicide whose body was never found. In short this is Scandinavian Noir. The acting of the two leading detectives is assured and the cinematography is compelling. It is a perfectly adequate crime thriller that will appeal to fans of this genre. The Keeper of Lost Causes is genuinely gripping, even though the direction is fairly standard and the main plot elements are predictable. Fans of The Treatment, Marshland, Memories of murder, Headhunters, Insomnia, True Detectives - S1 will definitely enjoy this.
Suspenseful thriller that will keep you on the edge of your seat throughout the movie. I read the book a couple of years ago and as far as I can recall it, this movie does a good job in retelling the story.
Caught the Danish premiere yesterday with a friend - going in without much in the way of expectations.
I'm still in the process of reading the book, which I think is a fine crime/thriller/drama - but not much more than that. Not sure what all the fuss is about - but maybe the latter half of the book will make that clear.
Inevitably, there are significant changes from the source - most notably the protagonist Carl Mørck being significantly younger in the film. But Nikolaj Lie Kaas does a fine job portraying the jaded and highly sarcastic cop despite his age, and he's a reasonable fit for the part.
Fares Fares plays Assad, the upbeat immigrant counterpart to Mørck - and he's the standout in the film, if you ask me. He's a pitch-perfect match for the character in the book, and he manages to give the part warmth, machismo and endearing humor all in one package. Pretty much exactly as I imagined him - and that includes his physical appearance.
The character of Merete Lynggaard is played by Sonja Richter - and I'm not sure what to think of her portrayal. It's for certain that she's done a great job with her physical appearance - which changes during the film, to a degree not unlike the well-known extremes like DeNiro in Raging Bull or Christian Bale in The Machinist. Not quite that extreme, but probably the most significant physical change I've seen in Danish acting. That's commendable, of course, but I honestly don't think she's a good fit for Merete as described in the book. It's mentioned several times that she's almost divine and irresistible in her beauty and charm.
I imagined her as having much more presence than Sonja, I have to say. Overall, I'll give her a pass because of the work she put into her body for the film - but I would have chosen someone else for the part.
As for the film itself - it obviously skips a lot of detail, but that's to be expected. I did miss some of the interplay between Mørck and his boss (played by Søren Pilmark) and they didn't do justice to his relationship with Hardy, his crippled-by-gunshot best friend (Troels Lyby).
But beyond those omissions, I found the experience very engaging and quite faithful to the book. The atmosphere is very strong - with great photography and lighting. It has a very suitable Noir feel throughout - and I particularly liked the music, which did a great job of setting the dark tone.
The locations are strong - and I must admit that the police station and its "Afdeling Q" basement looked more or less just like they did in my mind when reading.
The buddy cop partnership of Mørck and Assad is spot on - and has a great combination of humor and subtle mutual respect. The banter between these two guys is definitely the high-point of the film.
I'm not going to spoil anything - so it will suffice to say that the ending is good and extremely tense.
Essentially, it's a great adaption - and I don't think they could have done much better, given the nature of film and the limited run-time.
It probably bears repeating that I'm not a major fan of the book (based on the first half) - and as such, I might not be invested enough to notice all the flaws. So, take that into account when reading this review.
I hope I've been helpful ;)
I'm still in the process of reading the book, which I think is a fine crime/thriller/drama - but not much more than that. Not sure what all the fuss is about - but maybe the latter half of the book will make that clear.
Inevitably, there are significant changes from the source - most notably the protagonist Carl Mørck being significantly younger in the film. But Nikolaj Lie Kaas does a fine job portraying the jaded and highly sarcastic cop despite his age, and he's a reasonable fit for the part.
Fares Fares plays Assad, the upbeat immigrant counterpart to Mørck - and he's the standout in the film, if you ask me. He's a pitch-perfect match for the character in the book, and he manages to give the part warmth, machismo and endearing humor all in one package. Pretty much exactly as I imagined him - and that includes his physical appearance.
The character of Merete Lynggaard is played by Sonja Richter - and I'm not sure what to think of her portrayal. It's for certain that she's done a great job with her physical appearance - which changes during the film, to a degree not unlike the well-known extremes like DeNiro in Raging Bull or Christian Bale in The Machinist. Not quite that extreme, but probably the most significant physical change I've seen in Danish acting. That's commendable, of course, but I honestly don't think she's a good fit for Merete as described in the book. It's mentioned several times that she's almost divine and irresistible in her beauty and charm.
I imagined her as having much more presence than Sonja, I have to say. Overall, I'll give her a pass because of the work she put into her body for the film - but I would have chosen someone else for the part.
As for the film itself - it obviously skips a lot of detail, but that's to be expected. I did miss some of the interplay between Mørck and his boss (played by Søren Pilmark) and they didn't do justice to his relationship with Hardy, his crippled-by-gunshot best friend (Troels Lyby).
But beyond those omissions, I found the experience very engaging and quite faithful to the book. The atmosphere is very strong - with great photography and lighting. It has a very suitable Noir feel throughout - and I particularly liked the music, which did a great job of setting the dark tone.
The locations are strong - and I must admit that the police station and its "Afdeling Q" basement looked more or less just like they did in my mind when reading.
The buddy cop partnership of Mørck and Assad is spot on - and has a great combination of humor and subtle mutual respect. The banter between these two guys is definitely the high-point of the film.
I'm not going to spoil anything - so it will suffice to say that the ending is good and extremely tense.
Essentially, it's a great adaption - and I don't think they could have done much better, given the nature of film and the limited run-time.
It probably bears repeating that I'm not a major fan of the book (based on the first half) - and as such, I might not be invested enough to notice all the flaws. So, take that into account when reading this review.
I hope I've been helpful ;)
I think it's fair to say that THE KEEPER OF LOST CAUSES is Denmark's answer to THE GIRL WITH THE DRAGON TATTOO; it has much in common with the look, style, and feel of the Steig Larsson adaptation, although the narrative is more simplistic and straightforward as befits a shorter film. Once again the story is a mix of crime grittiness, nasty unpleasantness, historical events impacting on the present, and some dogged detectives refusing to give up on a cold case.
The methods of the killer in this film are quite terrifying from a psychological perspective, adding a sheen of unique horror to the movie which comes as an unexpected surprise. Although the subject matter is depressing the film is never so, because the production values are excellent and the cinematography particularly strong. The main characters aren't particularly likable, they're too gruff for that, but they are realistic, which is what counts. Although I'm not a huge fan of Scandinavian crime stories, even I enjoyed this well-paced and engrossing tale.
The methods of the killer in this film are quite terrifying from a psychological perspective, adding a sheen of unique horror to the movie which comes as an unexpected surprise. Although the subject matter is depressing the film is never so, because the production values are excellent and the cinematography particularly strong. The main characters aren't particularly likable, they're too gruff for that, but they are realistic, which is what counts. Although I'm not a huge fan of Scandinavian crime stories, even I enjoyed this well-paced and engrossing tale.
Lo sapevi?
- QuizFares Fares, who lives in Sweden, had to learn Danish for the role of Assad.
- BlooperThe leader of the sanitarium tells the two main characters that Uffe was 8 years old when he had his brain injury in the car accident. But we are also told that Uffe was born on the 10th of may 1982 and that the accident, that gave Uffe his brain injury, happened on the 23rd of December 1988, making Uffe 6 when he got his brain injury.
- Citazioni
Carl Mørck: [to Assad] Let me do the talking... she's only seen your kind on TV
- ConnessioniFeatured in Dansk films bedste: Børneliv og På kant med loven (2022)
- Colonne sonoreSummer Dresses (featuring Cecilia Stalin)
Written by Jeroen van Olffen (as Jeroen van Olffen)
Performed by DJ Come of Age
(C)+(P) Zentropa Music
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Department Q: The Keeper of Lost Causes
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 5.000.000 € (previsto)
- Lordo in tutto il mondo
- 13.656.380 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Carl Mørck - 87 minuti per non morire (2013) officially released in Canada in French?
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