Batman: The Doom That Came to Gotham

Batman: The Doom That Came to Gotham doesn't live up to the potential of a lovecraftian take on the world of the Dark Knight but it's still good thanks to a reasonably engaging central mystery and a period setting that allows it to have some fun with the pre-established characters and events.

David Giuntoli is a good batman once again, he isn't given particularly memorable material but he certainly has the required gravitas for the character. The rest of the voice cast are all fine, with some DC animated veterans in fine if forgettable form.

The animation is good overall, it's nowhere near as stylish as it could've been but it looks nice enough. The music by Stefan L. Smith mostly goes unnoticed but does have a few fun moments where it does come to life. The longer run time is also appreciated, even if the ending feels rushed.

The Doom That Came to Gotham is almost a companion piece to Gotham by Gaslight (2018). Here we have a turn-of-the-century Dark Knight investigating a cult who may be trying to summon up ancient forces of evil (spoiler: they are). Forbidden books, vast tentacled monstrosities and madness abound.

Lots of the usual Bat cast are thrown in - some given horrific make-overs, some don't make it to the final credits - and the voice work and animation are all above average. David Giuntuli is a terrifically fierce but impassioned, human Batman - he might be one of the best of the many voice actors in the role. This is a truly dark night for the Dark Knight, who at one point just stands in the Batcave and announces Gotham is doomed over and over again. To the wall.

As much as the movie uses such classic tropes and conventions from HP Lovecraft's stories, the biggest one - the overwhelming sense of unknowable dread - is something that just can't be conjured in a 90 minute animated action adventure. Slow-building tension and increasing unease are something it just doesn't have time for - also the problem with the first Hellboy movie, which Doom That Came to Gotham is very similar to.

However, as an atmospheric period superhero adventure, tinged with nightmarish horror, this is a winner.

When it comes to horror I can be a bit biased due to my love of the genre, but that aside I thought this was really good. While I enjoyed the color grading in Gotham by Gaslight a bit more as it truly invoked that story's era as well as the steampunk vibe it was going for, The Doom That Came to Gotham also looks stellar and the animation as well as the artwork is some of the best

Overall Batman: The Doom that Came to Gotham has a solid premise set to a tight pace that never lets up, with fresh takes on both Batman's allies and adversaries and artwork that makes it stand out from the crowd of animated DC films that exist. It's adult themes (and actual life and death consequences) coupled with smart narrative choices makes this worth seeing and as Batman stories go it deserves to sit up high with some of the best we've got from this medium thus far.

In Brief: Solid 7/10 - Well rounded experience following the major plot points of the graphic novel with above average VA work and lovely anime-esque animation.

Caught an advance screening of this over a month ago and have been waiting to review it ever since. David Giuntoli lends his voice to Bruce/Batman in this outing and honestly it decent justice to the legacy of batman voice acting, sounding pretty much exactly how you'd expect - closer to the Arkham games than to more recent adaptions. The same can also be said for Harvey and Alfred, who are particular high points, but sadly this doesn't extend to the supporting cast, with the younger voice actors coming across a little rigid at times.

Animation wise, it leans into an anime style for the action oriented series and falls back to traditional western styles for backgrounds and story moments, providing a well rounded experience that looks excellent for the vast majority of the movie.

Why have you given it a 7 instead of X?

Without spoilers, there's some younger characters (Sanjay, Kai) who lose a lot of their agency between the source material and the adaption and are relegated to "let's drive the plot forward" instead of having motivations or proper backstory but y'no, it might just be the best elseworlds adaption to date!

Give it a watch, if you liked Red Son, Gotham by Gaslight and felt utterly betrayed by the Injustice adaption, then this will likely be for you!

Animated adaptation of Mike Mignola's comic from 2000. In the 1920s, Bruce Wayne returns home after travelling the world for 20 years following the murder of his parents. He soon becomes aware of mysterious events stretching back to the founding of Gotham, and a connected present-day plot to unleash an ancient evil. He also starts to find that those events shine a different light on some aspects of his past.

The movie opens with Bruce and others in the Antarctic. A journey across gorgeous snowscapes - which begins behind the opening titles - is really striking, eventually leading to the stark contrast of abandoned remains of an expedition and several frozen corpses (which look like they've been photo-referenced from perhaps the Franklin Expedition). Bruce catches sight of what may be a survivor, and we're off into HP Lovecraft territory...

Apparently there's some race/gender-swapping of supporting characters; I've never read the original so this didn't tick me off; the characters presented are still relevant to Batman's mythology (and there's some cool name-play). Voice acting is fine; David Giuntoli as Batman, John DiMaggio as Jim Gordon, Jason Marsden as Dick Grayson, Jeffrey Combs as Kirk Langstrom (I won't list more for fear of spoilers) all do well. Standout for me is Brian George (Raj's dad from The Big Bang Theory) as Alfred, sounding uncannily like Efrem Zimbalist Jr in BTAS!

The plot is fine up to the introduction of a certain pair of characters, when it starts to go downhill; this may be Elseworlds but I still want it to feel like Batman - this could have been a John Constantine story (nothing against JC, btw). And the climax feels a bit generic. Frustrating after such a promising start.

People seem either bowled over by this or find it pretty meh. Sad to say I'm nearer the latter. 6/10.