Red Obsession

I was expecting to see a cliché movie, but instead I was overwhelmed. This movie shows exactly what is going on with a cohort of Chinese society. This movie worth it. Antropologically talking, this movie is a must if you want to understand what's going on here. Listen carefully the mix blood woman, she just put in worth my thoughts. Been in China is not the same as seeing China, we have to learn a lot about this country. I just write down everything she said. I think is the key to begging to understand China and Chinese people. AWESOME!!! What we think is right, for others maybe is wrong or even unacceptable, tolerance is the key.

"Red Obsession" makes the viewer appreciate the true artistry involved in wine making, and the asomatous beauty involved in wine tasting (ordering wine at the Olive Garden is not wine tasting.) Drinking a good wine can be an orgasmic physical experience, as well as a genuinely spiritual one. Some of the interviewed eloquently describe an exquisite wine as an enduring experience.

The scenic views of French countryside and century-old vineyards are astounding. "Red Obsession" has some of the most spectacular cinematography this reviewer has ever seen. This alone is a very good reason to watch.

The film eventually moves into the current politics of the luxury wine industry. The epicentre of this business is currently China, which is now the largest importer of Bordeaux wines in the world. The rest of the film can be summarized in a sentence spoken by one of the commentators: "When the Chinese buy the wine, they buy the wine as a symbol of their status." The film's content, which includes exploration of the shifting market, and the changing production and consumption of premier château wines, was very informative and interesting to this uncultivated viewer. But the film is as untroubled as the well-off Chinese in it, who think nothing of dropping tens of millions of dollars buying wines, creating connoisseur clubs, or purchasing antiquated French chateaus.

Overflowing with conceit and extravagance, "Red Obsession" turns out mostly shallow and pretentious. The film doesn't ask any questions, or challenge conventional thinking, or break any new ground. Yes it is a documentary, but it is not constructive filmmaking.

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You might think the movie is about wine but it's not. It's about the transformation of China and it uses the dusty old traditional wineries of France to highlight just what is going on. The Chinese became obsessed with fine vintage wines, in particular the Rothchild Lafite Bordeaux wines. You don't have to be a wine lover to enjoy the movie. The one quote I will always remember, that the Chinese have endured the cultural revolution which is like going to hell and coming back alive. They have endured living like peasants for decades and now that they are not, they want to live it up like a sir. The picture of China that is presented in the film is one that is super modern, trendy, and really fast paced. Money is everywhere. But this is a double edged sword, as you will find out in the movie. They could have swapped Lafite for BMW's or iPhones, but the Lafite is an excellent symbol of fine old stuffy European tradition coming head on to the Chinese economic juggernaut. This movies picks a single story to convey the seismic shift in economic pull that has happened in the last decade.

I like to enjoy a decent wine. I don't drink a Château Latour or a Château Lafite Rothschield simply because I can't afford them, but If I could, I believe I would once in a while delight myself with such an exquisite occupation. It is strange however, after watching this movie, that my sympathy and respect for red wine didn't increase. In fact, it decreased for a moment.

This documentary is totally hollow. You squeeze it and nothing comes out. You learn virtually nothing about nothing and you are fed with the usual clichés and prejudices about the new economic giant known as China, its people and the globalized world.

The cinematography is also one of the most boring I remember to have witnessed in years. This incipient self-centered director, insists in punching you over and over, again and again, with bird views of French chateaus and never ending vineyards, intercalated with interviews so empty, so senseless, so snobbish, that you start to feel a certain discomfort, even disgust.

Everything tastes very thin, very superficial, very made out of plastic, unlike the Bordeaux wines that deserved a much serious and better documented approach.

The only positive note about this waste of time was the narrator's voice, lent by Russel Crowe.

I was only mildly interested in watching this documentary and turned it on expecting very little. After all, I rarely ever drink French wines and just don't have much interest in them. However, I soon realized that in many ways the film isn't really about wines at all- -it's all a metaphor for the sudden and very dramatic rise in the Chinese economy and their subsequent buying power. It also, in many ways, is much like the entrance of Americans into the world economy in the 20th century--when some folks were more interested in spending their money on some hot commodity instead of what is quality. In the film, the Chinese elite seem too interested in specific famous labels as opposed to actually DRINKING the wines-- and as a result of folks stockpiling the wines and paying top dollar, the wine prices on the 'best' wines are astronomical and no one can afford to drink them! All in all, a fascinating film that really gets you to think.