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Queer

  • 2024
  • VM14
  • 2h 17min
VALUTAZIONE IMDb
6,4/10
23.707
LA TUA VALUTAZIONE
POPOLARITÀ
808
78
Queer (2024)
Lee, who recounts his life in Mexico City among American expatriate college students and bar owners surviving on part-time jobs and GI Bill benefits. He is driven to pursue a young man named Allerton, who is based on Adelbert Lewis Marker.
Riproduci trailer1: 50
6 video
99+ foto
Period DramaBiographyDramaHistoryRomance

Lee racconta la sua vita a Città del Messico tra studenti universitari americani e proprietari di bar dove sopravvive con lavori part-time e benefici della GI Bill.Lee racconta la sua vita a Città del Messico tra studenti universitari americani e proprietari di bar dove sopravvive con lavori part-time e benefici della GI Bill.Lee racconta la sua vita a Città del Messico tra studenti universitari americani e proprietari di bar dove sopravvive con lavori part-time e benefici della GI Bill.

  • Regia
    • Luca Guadagnino
  • Sceneggiatura
    • William S. Burroughs
    • Justin Kuritzkes
  • Star
    • Daniel Craig
    • Daan de Wit
    • Jason Schwartzman
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,4/10
    23.707
    LA TUA VALUTAZIONE
    POPOLARITÀ
    808
    78
    • Regia
      • Luca Guadagnino
    • Sceneggiatura
      • William S. Burroughs
      • Justin Kuritzkes
    • Star
      • Daniel Craig
      • Daan de Wit
      • Jason Schwartzman
    • 145Recensioni degli utenti
    • 195Recensioni della critica
    • 72Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie e 61 candidature totali

    Video6

    Official Trailer 2
    Trailer 1:50
    Official Trailer 2
    Official Trailer
    Trailer 2:09
    Official Trailer
    Official Trailer
    Trailer 2:09
    Official Trailer
    Queer
    Trailer 1:50
    Queer
    Queer: Q&A From NYFF 2024
    Interview 20:39
    Queer: Q&A From NYFF 2024
    In Theatres December 13
    Promo 0:31
    In Theatres December 13
    Now Playing
    Promo 0:31
    Now Playing

    Foto111

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 105
    Visualizza poster

    Interpreti principali34

    Modifica
    Daniel Craig
    Daniel Craig
    • William Lee
    Daan de Wit
    • Karl Steinberg
    Jason Schwartzman
    Jason Schwartzman
    • Joe Guidry
    Henrique Zaga
    Henrique Zaga
    • Winston Moor
    Colin Bates
    Colin Bates
    • Tom Williams
    Drew Starkey
    Drew Starkey
    • Eugene Allerton
    Simon Rizzoni
    • Ship Ahoy Bartender
    Drew Droege
    Drew Droege
    • John Dumé
    Ariel Schulman
    Ariel Schulman
    • Tom Weston
    Andra Ursuta
    • Mary
    La Bruja de Texcoco
    • Chimu Bar Artist
    Omar Apollo
    Omar Apollo
    • Chimu Bar Guy
    Silverio Castro
    • Hotel Owner
    David Lowery
    David Lowery
    • Jim Cochran
    Amir Antonio Samande Chavez
    • Ship Ahoy Bartender
    Andrea Montserrat Rios Hernandez
    • Ship Ahoy Waitress
    Claudio Cardenas
    • Ship Ahoy Chess Player
    Gilberto Barraza
    Gilberto Barraza
    • Cab Driver
    • Regia
      • Luca Guadagnino
    • Sceneggiatura
      • William S. Burroughs
      • Justin Kuritzkes
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti145

    6,423.7K
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    Recensioni in evidenza

    5martimusross

    I Was Bored Despite The Ravishing Cinematography

    Queer

    Based on a short story by William Burroughs this movie explored the dissolute life of middled aged William Lee, who spent his time frequenting the gay bars in downtown Mexico City. It really was a simple romantic movie that looked at an infatuation with innocence and a journey to recovery from drug addiction.

    The story, such as it was was tissue thin, very little happened by way of action, and we had inserted numerous dream sequences and fantasy elements that reflected in an emotional turmoil.

    Overall I can't recommend this movie. It was at best of 5 out of 10. I enjoyed it whilst I was watching it but it really had very little substance. Despite some very strong acting from the central leads much of the dialogue was banal and tedious.
    5mbnn

    Meeeh

    Though I loved 'Call me by your name', and definitely love Daniel Craig in a lot of movies this one is different and not in a good way. It actually took me quite some time to finish it, for me it felt it took way to long and at times lost my interest completely.

    The way they tell the story and use metaphors for a lot of things, just didnt do it for me with this movie.

    Some parts of the story are to long and boring imo and just dont grab me the way they should. And a lot of times it feels a bit weird, strange or a bit to typical.

    The good thing about this is the performance of Daniel Craig and Drew Starkey.
    7daoldiges

    Burroughs With An Actual Narrative

    I hadn't planned on seeing Queer in the movie theatre and was going to wait till it came to streaming but a friend wanted to see it so I went along. I'm actually glad that I did because it's a very interesting and beautiful film visually speaking. Like most Burroughs stories there will be characters involved in heavy drug use and so I was aware of that and kind of expecting much of the story to be told through a characters drug hazed/influenced/induced eyes. That can be tricky as much of the story is expressed via metaphors and odd/quirky/hard to decipher visuals. In Queer that all worked quite well and while I anticipated possibly leaving the theatre confused and wondering, I actually left satisfied. Trent Reznor produced all of the music and I think he did a bang-on job with most of the music really hitting the nail on the head for me emotionally. As for the performances, Craig turned in a very solid performance on a role that was a tricky one to pull off but I think he did indeed pull it off quite well. Jason Schwartzman was great and his character provided some much needed levity to this film. All of the remaining characters were all solid supporters and contributors. Guadagnino's direction was well executed and i will say seeing a few of his that he does have a special way of blending the camera, with the lighting, and the music so perfectly during the lighter and more tender moments of his films to really generate a vibe, yet without being too obvious soas to smother the moment. I do think the third part in the jungle could have benefitted from some prudent editing as I felt like it went on a bit too long, or maybe it didn't really need to take actually take place in a jungle at all? Something to consider. Queer is not an 'easy' film to watch and it will not be for everyone. Either way, I was pleasantly surprised by how effective, interesting, amd moving Queer was and consider it well worth checking out.
    6TakeTwoReviews

    Good, but Burroughs is better on the page.

    Daniel Craig is clearly making an effort to put down some markers with his post Bond choices. I don't blame him, it's such a suffocating role. The polar opposite, here he's William, a gay American in 1950s Mexico. A very William S. Burroughs premise, who wrote the generally autobiographical book this is based on. It's not Naked Lunch, but it does have an unsettling vibe. Not helped by unusual needle drops from Nirvana, Prince and New Order that just don't fit. William is lonely... and horny. So really, William is frustrated. That is until he meets Eugene (Drew Starkey) and they bond over war stories in the dry heat that drips from the screen. William is infatuated, but doesn't know if the younger Eugene is, or if he's even queer. It doesn't help that William has a self-deprecating, unconfident nature, although vast amounts of cheap booze and cigarettes seem to help. It's an awkward love/lust story, with a lob-sided feeling that William is destined to be hurt. Panama hats, linen suits, glass coke bottles and rusting Cadillacs driving down sunburnt dusty streets, past the daytime drinkers. There's a sordid, lazy, quietly hedonistic tone. Where time is largely irrelevant. The perfect place for William to wallow in a heroin stupor as Eugene leads him on, encourages him, pushes him away. Things don't change much as William tries to whisk Eugene away on a trip to Ecuador, but he does at least have him to himself. William's on a mission though, to source a plant that produces the drug Yage (nope me neither), that's said to give the user a telepathic experience. Here the music does get interesting. Scored by Trent Reznor and Atticus Ross, although still oddly modern, it depicts perfectly William's obsessive and destructive nature. One that leads him deep into the jungle to find Dr Cotter (Lesley Manville). Who helps both William and Eugene discover things that they already knew. It's all very striking, but I'm not sure that's enough. Craig is pretty fantastic, but Queer did lose me toward the end, even though I'm a big fan of some Lynchian style surrealism. Ultimately I think Burroughs is just better on the page, but this is still an interesting adaptation.
    ivantheeditor

    Epic disaster... way too abstract

    I'm all for using movies to evoke some type of emotion but this movie took that quite literally by combining random images with random music and hoping we feel what the director felt. There's almost no connection between anything. It's like the writer took a bunch of pills, got high, and wrote the script. Then the director and the whole cast smoked a ton of weed and then made this. Whatever this is.

    Trust me, I know very well what the director was going for. I'm gay. I know all about the queer culture, how lonely it is, and how we all long for a lasting connection with someone much younger and hotter than us. This movie makes that very clear. And I love that it explored that. But why was it necessary to get high to do that?? The whole thing feels like a hallucination trip. There is minimal dialog. There are looooooong scenes with no dialog at all. Sometimes for 5-10 minutes. We're just staying on a close up of someone's face or watching them perform an action but ultimately nothing is happening on screen except for some subtle movement which is just not enough to keep you engaged or interested.

    Thank god I watched this at home and I could fast forward. Many times I skipped forward 20-30 seconds and it was STILL the same exact shot on screen. That's crazy!! That's not movie making. That's not a masterpiece. You're not being some kind of genius by boring us to death. You can't just play an upbeat tempo song for 5 minutes and show us one shot and think that will do the trick.

    As far as the acting goes... I can't believe Daniel Craig did this. I'm talking full nudity, full on gay sex, tons of making out... the whole 9 yards.

    The Mexico setting was a complete miss in this one. It did not fit the theme at all. The sets were ridiculous. They were very well made but just completely wrong for this movie.

    I was a huge fan of Call me By Your Name but I think this might have been the last Luca movie I'll ever see. At least for a while. My time was completely wasted.

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    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Daniel Craig was ultimately the one who convinced Luca Guadagnino to cast Drew Starkey after watching audition tapes with Guadagnino and telling him "That's the guy" after seeing Starkey's.
    • Blooper
      On the bar scene around minute 13-14 when William Lee (Daniel Craig) notices the centipede necklace, he lifts his glasses over his eyebrows with his left hand and hold it like that, on the follow up scene his glasses are correctly in place and his left hand not visible. The next scene when the man across from him touch William's leg, he is still holding the glasses above his eyebrows and then correctly puts it back in place.
    • Citazioni

      [via telepathy]

      Eugene Allerton: I'm not queer. Lee... I'm not queer.

      William Lee: I know.

      Eugene Allerton: I'm disembodied.

    • Curiosità sui crediti
      Although every effort has been made to identify and contact all intellectual property rights holders of the materials used in the film, the producer remains available to any rights holders who were unknown or unreachable at the time of the film's production and/or in case of any unintentional omissions.
    • Versioni alternative
      The Singapore release is a censored version, with 3 minutes cut due to 'explicit depictions of sexual activities between two men'. According to the local censors, 'These have exceeded the Classification Guidelines which state that "any material that is about or promotes... sexual behaviour that does not reflect current community attitudes and values in Singapore" will be refused classification.'
    • Connessioni
      Featured in The Graham Norton Show: Daniel Craig/Nicola Coughlan/Jesse Eisenberg/Kieran Culkin/Flo (2024)
    • Colonne sonore
      All Apologies
      Written by Kurt Cobain (as Kurt Donald Cobain)

      Performed by Sinéad O'Connor

      Courtesy of Chrysalis Records Limited

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    Dettagli

    Modifica
    • Data di uscita
      • 17 aprile 2025 (Italia)
    • Paesi di origine
      • Italia
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
      • Francese
    • Celebre anche come
      • Квір
    • Luoghi delle riprese
      • Cinecittà Studios, Roma, Italia
    • Aziende produttrici
      • The Apartment
      • Frenesy Film Company
      • FremantleMedia North America
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 3.736.813 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 200.951 USD
      • 1 dic 2024
    • Lordo in tutto il mondo
      • 6.902.080 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 17 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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