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6,9/10
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Jordan Firstman, celebrità dei social media, inizia la ricerca del regista Sebastian Silva, scomparso a Città del Messico. Sospetta che la donna delle pulizie nell'edificio di Sebastian poss... Leggi tuttoJordan Firstman, celebrità dei social media, inizia la ricerca del regista Sebastian Silva, scomparso a Città del Messico. Sospetta che la donna delle pulizie nell'edificio di Sebastian possa essere coinvolta nella sua scomparsa.Jordan Firstman, celebrità dei social media, inizia la ricerca del regista Sebastian Silva, scomparso a Città del Messico. Sospetta che la donna delle pulizie nell'edificio di Sebastian possa essere coinvolta nella sua scomparsa.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 13 candidature totali
Juan Andrés Silva
- Juan
- (as Juan Silva)
Recensioni in evidenza
Wasn't expecting a few unexpected twists and the fast sudden change of leads within a movie with 2 protagonists. Impressive. This has a genuine feel of reality and it follows a very logical route of story telling. And that's exactly how the guilty character would behave with anyone caught in that dire predicament. The female helper was truly superb in her performance giving so many conflicting and disturbing vibes of what exactly is she in character essence. She can seem naive and somewhat intellectually slow, yet her instinctive prodding for an accomplice to erase her reckless misdeed betrays her darker nature. Again, the ending was another unexpected twist from her yet unpredictable surrender of truth when she could have had simply fade into oblivion. Great show.
Without giving too much away, this film took an unexpected turn halfway through and so it's almost like it becomes it's own sequel. There was a Hitchhockian angle to the way the film changes pace, and it became almost stressful to watch at times. I enjoyed the disoriented feel, a kind of metaverse vibe to it. It's really daring in the best possible way. Also offers a lot of social commentary on the poverty divide in Mexico, with the complete ignorance of the rich to how the poor live and the physical division of neighbourhoods. Of course it's also full of cocks so just a warning if you are easily offended by male nudity, this one is not for you.
Overall, Rotting in the Sun has everything it takes to make a decent thriller. It's pacy, it's good kind of chaotic, well acted by the protagonists and interesting twists and turn.
I get that excessive drugs use from the hedonistic protagonists seems like a 'social commentary' of influencers life, but it ended up being tacky. Haven't you heard, hedonism is no longer cool in this economy ?
Coming into this film i expect a certain degree of nudity, but my goodness, i didn't expect this many flashing of male genitalia and explicit sex scenes that pretty much a 'corn'.
These things felt like it serves as a 'shock value', with purpose to compensate other things that this film lack of, and that is humor. It has nothing to do with the story and i don't see any reason why this is necessary.
I watched this film cause of some rave on tiktok. Maybe it's not the most reliable apps to gets films recommendation.
I get that excessive drugs use from the hedonistic protagonists seems like a 'social commentary' of influencers life, but it ended up being tacky. Haven't you heard, hedonism is no longer cool in this economy ?
Coming into this film i expect a certain degree of nudity, but my goodness, i didn't expect this many flashing of male genitalia and explicit sex scenes that pretty much a 'corn'.
These things felt like it serves as a 'shock value', with purpose to compensate other things that this film lack of, and that is humor. It has nothing to do with the story and i don't see any reason why this is necessary.
I watched this film cause of some rave on tiktok. Maybe it's not the most reliable apps to gets films recommendation.
When an overwrought, angst-ridden, drug addicted filmmaker (Sebastián Silva playing a fictional version of himself) unexpectedly meets a wacky, unhinged comedian/social media influencer (Jordan Firstman playing a fictional version of himself) at a gay Mexican beach resort, the troubled director does all he can to distance himself from his new acquaintance when he becomes interminably annoying, especially in his incessant, unfocused pitches for collaborating on a new movie project. But, when the financially strapped filmmaker returns to his home in Mexico City, he reluctantly relents on the comic's offer when all his other production proposals are turned down by would-be backers. He thus invites his new writing partner to come stay with him while they hammer out the script, but, upon his collaborator's arrival, he finds the director has mysteriously disappeared. What ensues is a humorous gay comedy-mystery in which clues about the disappearance slowly emerge. At the same time, however, the story also delves into some surprisingly mature and insightful themes, developments very much in contrast to the film's screwball narrative and its somewhat manic opening act. Writer-director Silva's latest thus presents viewers with an intriguing combination of plot elements that one might think shouldn't belong in the same picture but that work surprisingly well together. While it's true that the ending seems somewhat abrupt and that some segments run on a little too long (particularly in the first half-hour), with a few others that could have been omitted entirely, the majority of the material nevertheless holds together well, making for an entertaining, if somewhat offbeat, time at the movies. Sensitive viewers are strongly cautioned, however, that the film features numerous scenes with explicit depictions of gay male sexuality, so those who are easily given to offense may wish to pass on this unrated release. Those considerations aside, though, this is a film that's more than it might superficially seem, particularly the further one gets into the story. It's quite an eye-opening ride into a world that many may be unfamiliar with, but it's also one that simultaneously makes us laugh and makes us think - a rare combination to be found in the same picture, to be sure.
I just loved watching this movie. Hard to watch in some parts but overall this is a modern age art film at his best.
It was such an interesting idea from the director to come out with this story. It's like a moodboard of the queer community but also about the difference between being a local or a visitor in a foreign country.
I wasn't expecting the twist through not even halfway the movie. The character of Vero is silly but also brilliant. Jordan is just being Jordan and we just love to watch. Like he said, he's a happy clown!
Between all the shots on the dicks, the Hitchcock mystery or the drugs use, this movie was very original and it just shows that you don't need alot of budget or material to make a movie that will catch your attention and made you think after.
It is also refreshing to watch a queer movie that is not about finding your identity or about love.
We need more projects between Sebastian and Jordan!!
It was such an interesting idea from the director to come out with this story. It's like a moodboard of the queer community but also about the difference between being a local or a visitor in a foreign country.
I wasn't expecting the twist through not even halfway the movie. The character of Vero is silly but also brilliant. Jordan is just being Jordan and we just love to watch. Like he said, he's a happy clown!
Between all the shots on the dicks, the Hitchcock mystery or the drugs use, this movie was very original and it just shows that you don't need alot of budget or material to make a movie that will catch your attention and made you think after.
It is also refreshing to watch a queer movie that is not about finding your identity or about love.
We need more projects between Sebastian and Jordan!!
Lo sapevi?
- QuizIn this movie Catalina Saavedra reprises her role as the maid - after having played the maid in the critically acclaimed 'The Maid' (2009) by the same director.
- Citazioni
Jordan Firstman: I'm sorry. I've, like, never met someone so obsessed with drowning.
- ConnessioniReferences Affetti & dispetti (La nana) (2009)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Истлевший на солнце
- Luoghi delle riprese
- Zipolite, Oaxaca, Messico(beach scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 14.707 USD
- Tempo di esecuzione
- 1h 49min(109 min)
- Colore
- Proporzioni
- 1.92:1
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