Catch Hell

An amazing thing about Catch Hell is how unexpectedly *watchable* it is. I really figured it wouldn't have staying power, yet it coaxed me in.

Others have commented on the film's modest strengths, which are; decent writing, good acting, good pacing (the scenes that seek to capture the long waiting of a hostage situation like this don't feel interminable), good (if elemental) character development, good editing, interesting scenario.

And, amazingly, the final scene (which ingeniously plays over the end credits) struck me as a profound redemption tour-de-force. Rarely have I seen such a cosmic message writ so bizarrely. I can think of one other example, off the top of my head, that comes close. And, when I say "redemption", I don't mean the redemption of a person. I really mean the redemption of this film from being a mere low-rent action/horror snack. I'm sincere about this: It says an important thing about the nature of grace; that you might encounter some at the very bottom of a very deep, very dark pit.

Worth watching, even if only because you're fascinated by the promise of smart low-budget stylizing.

Ryan Phillippe directs and stars in Catch Hell the story of a film star on the downward slope of his career getting kidnapped by a pair of rednecks. One of them is Ian Barford who has a psychotic personality and a grudge against Phillippe for having a quickie with his wife. Poor Ryan he just can't remember who it was. Turns out she was a wardrobe girl on the set of one of his films. Barford and his nephew Stephen Louis Grush who's just a follower type drive off with him from his hotel in Shreveport, Louisiana and take him to a secluded cabin in the bayous.

Of course Barford wants to kill him, but he also wants to humiliate him as well so he gets Phillippe to cough up his computer and Twitter passwords and he starts posting all kinds of noxious material, the kind that has ruined the reputations of folks like Charlie Sheen and Mel Gibson.

No doubt Ryan Phillippe was going for a gay audience as well because of Grush's character. Throughout the film he's giving the look of love to Phillippe as he's a most closeted gay man. Life throws Grush a real nasty curve however. It gets good and homoerotic with Phillippe and Grush.

I wish Phillippe had picked some better material for a directorial debut. But the man does show some promise there.

Wondering how come this has under 2k voters in over 4 months since the release.

Maybe the script is not something new, but this is the case with almost everything nowadays. However, the way how the things are presented and the acting level is notable.

The situation is simple and one young actor is trapped into a scam for doing a new film, things ending up with him being a prisoner. But from an initial ignorance and the 'stars attitude' he is going to transform himself and to experience a new reality, of being afraid, insecure, hurt and even losing his 'image' for the outside world.

Ryan Phillippe is putting a great effort in impersonating all these emotions, while on the dark side, you will get a good acting level from both kidnappers.

Greetings again from the darkness. Ryan Phillippe has hit the big Four-O, so it makes sense that he would want to explore the other side of the camera with writing, directing, and producing. He's had a pretty successful acting career given what could be termed a minimal lack of range and a quiet screen presence. His feature film directorial debut utilizes a script he co-wrote with Joe Gossett, capitalizing on Phillippe's lot in Hollywood right now ... the once promising star looking to recapture the magic with a "game-changer".

The film opens with a dramatic shot of actor Reagan Pearce's (RP ... get it?) stunning mansion. We see him catch a flight to Shreveport, Louisiana and take a meeting with a slightly spastic director and blow-hard producer. He decides to stick with the project in an effort to re-establish his career ... he's just out of rehab (of course). The next morning, things go really badly as Reagan is kidnapped by a couple of Louisiana hillbillies and locked up in a swamp cabin.

Brutal torture scenes follow and we soon enough learn that one of his captors (Ian Barford) is seeking revenge for Reagan's dalliance with his wife on the set of a movie. The plan is to destroy his reputation and then kill him once he is hated by all. The script attempts some Hollywood satire and makes some obvious commentary on the whole tabloid and celebrity world, but mostly it comes off as a bit self-indulgent for Mr. Phillippe.

There are some flashes of interesting moments, mostly involving Stephen Grush as the second hillbilly with homosexual overtures towards Reagan. Unfortunately, the film does not take advantage of the colorful swamp setting and instead takes place almost entirely within the run down cabin. You will note dashes of Deliverance, Black Snake Moan, and Misery, but this one isn't at that level. Instead it comes off like a bucket list item for Phillippe ... director/writer/producer/star of his own film.

Ryan Phillippe's directorial debut 'Catch Hell' is a strange little movie. It's an interesting story that never really goes anywhere. The plot never really advances. And Phillippe in the lead role is never really given any opportunity to shine. He co-wrote the story as well so this surprised me. Surely when you write a character that you know you're going to play you give yourself every opportunity to be the star of the show, but this was never really the case. The kidnappers had the most interesting characters of the lot.

It's not an overly bad movie, it's just simply pretty forgettable. There's no element to it that separates it from the bunch. Does Phillippe have a future behind the camera? I don't see why not. This film would have been about as straight forward as they come to direct, but I still didn't see any glaring mistakes he made. The choice of the scene over the credits was a bizarre one for me. I'm not sure exactly what he was going for with that and I'd love to hear his explanation. Give it a look if you're short of something to watch but otherwise you're not missing a whole lot.