Ping Pong Summer

The latest in a long line of 80s nostalgia films, 'Ping Pong Summer' differs a bit from the rest due to its indie film roots. The production is less polished and the story and characters more quirky. The results are a bit mixed, with its indie trappings being both a blessing and a curse.

The adult cast is quite good, with veterans like Susan Sarandon, John Hannah and Leah Thomson making the most of rather thankless roles. But the weight of the movie falls on the shoulders of its young first time actors, and it's here that 'Ping Pong Summer' both soars and sinks. At times there's a real charm to their performances and at others they lack the experience to lift the material to the level that it needs to work.

This is a feel good movie with a lot of heart, and though a bit uneven at times, it does reward you for sticking with it. Anyone who loves the 80s should definitely check it out. For everyone else, your mileage may vary.

The premise was great. Having grown up in the 80's, when I saw the description I had to watch this movie. The first five minutes really got my hopes up. I love nostalgia and the film was spot on as the director shot it through a mid 80's camera lens. Except for the 1989 police car, (horrible choice) everything was authentic for the most part. But the plot was too formulaic. Too many movie clichés. However, there were some funny moments. This film is only worth watching due to the fact that there's a shortage of new 80's nostalgia films like this. Because it's seen through the eyes of a young teen male, it might only be enjoyable for a guy in his forties today as he might be able to reminisce of his 80's childhood through the film.

It's 1985. Rad Miracle (Marcello Conte) is an awkward teen loner. He loves ping pong and hip hop. His sister Michelle (Helena Seabrook) is a bitter sarcastic teen. His parents state trooper Brendan (John Hannah) and Crandall (Lea Thompson) are cheapskates. They got a deal on their Ocean City annual summer vacation. He's infatuated with Stacy Summers. Rich kids Lyle Ace and Dale Lyons are picking on him. His new friend Teddy Fryy tells him that his next door neighbor Randi Jammer (Susan Sarandon) is a weirdo but she turns out to be a great mentor.

I really want to root for these kids. I kinda like them in their shy dorky ways. Their story is sweet and a little cliché. I like the popular girl who has a problem. The main drawback are the teen actors. I don't want to say bad things about them but they're mostly amateurs. It shows. Their dialog, their interactions and their general acting abilities are all a bit deficient. Writer/director Michael Tully needs to give Rad another dimension. He needs an awkward sense of humor or something more than just being shy. The adults are fine and I love Hannah and Thompson. Sarandon has some nice moments. Amy Sedaris has a nice fun short section. The kids need a bit more charisma.

This film is about a teenager who takes up ping pong ball by chance during a family summer holiday in a seaside town.

I guess this film is more about the story than the acting, but I still think "Ping Pong Summer" can be better in this aspect. The teenage actors are not very convincing, only the Gothic sister is good. The plot is probably supposed to be inspiring, but it turns out to be very flat and not very engaging. Maybe it's because there's no ups then downs, or maybe there's not enough intensive training, or the psychological motivation to win is not presented to be strong enough. The plot fails to interest me. I wonder why Susan Sarandon got involved with this project. And the film could have cast all unknowns to save on budget.

One's impression while watching this film is fairly mixed: there were many parts that made it funnier than the typical Hollywood Asian rip-off (intentionally so) which kept me interested in the film. Furthermore, the acting is not as bad as typical of this genre, and I found some of the characters especially expressive and entertaining.

However, the fault of the film is that it falls victim to many of the errors of US rips on Japanese cinema: the quality being grainy and questionable, the simplicity of the plot and having shocking simplicity in the archetypes of good & evil, and furthermore, being overall rather corny.

But if you can stand for a typical "re-imagined" B movie, this is not so bad; I found it entertaining and its' pong scenes were not very shabby, either. And furthermore, the film did not fall victim to any ridiculous subplot or added Twilight-esque love-stories, nor was it ruined by an overwhelming personality clogging up the story, which can easily kill other films. For what they have, a decent film. If you see it for what it is, it is not hard to watch and enjoy it. Decent for anybody who has an attachment to the genre.