Veronika

A new entry into the rapidly vast growing genre of Nordic Noir, this one set in a quaint Swedish village where a troubled police officer has visions of dead people who come to her for their unsolved murders! Sounds familiar, but Veronika has connections with the deceased, stemming from an early age when her father passed tragically, and how it all ties in with the current horrific murders.

A slow burner (really kicks in by end of episode 2) that is approached in a feature film style, allowing scenes to build and not relying on too much dialogue. Instead it shows the art in visual storytelling, piecing together the intricate puzzle, leaving a tiny trail of breadcrumbs, enough to keep one watching in unraveling the murder mystery that will hook you in to the very end.

How a show could take good actors and yet make the worst painfully slow and disconnected noir possible is a mystery. I tried to like this movie but it was too hard. The Director needs to rethink their technique. The dialogue was slow motion dialogue . I could not stand the character Alexandria Rapaport played. She was narcissistic. Her mental state was the only thing that mattered. She completely neglected her family. She just checked out of life. Her character made no sense. She would never have kept her job. The whole plot was unrealistic. I watched all the episodes hoping it would get better but it never did. A waste of time. I woukd not recommend this movie to anyone.

Veronika is probably one of the best recently released Nordic Noir shows within the last 3 years. Although it is not an extraordinary serie such as Wallander, The Bridge, The Killing or Beck, it is still worth watching. The uniqueness of this serie is that it combines Nordic Noir with Victorian Ghost Stories so it is an interesting mix. The atmosphere of this series is eerie, dark and even creepy and nature of Sweden is as usual stunning. Alexandra Rapaport and Tobias Santelmann are acting as usual great. If you have not seen Sandhamn Murders and Gåsmannen by Alexandra Rapaport you should definitely watch them. I think that this serie worths 8 over 10.

Too slow paced and unoriginal series. When seeing a only the first few episodes of this series I got the feeling I have seen it all already sometime before. Couldn't put myself to watch it until the end. So tiresome it gets annoying. A minimum of at least six hundred characters is required to submit a review, but man... It not even worth all the typing. Three episodes in and I still have the feeling it's not going anywhere and on the other hand you already have a pretty good feeling of where the story and character development are heading towards. I'm not going to spoil anything because for die hard Scandinavian detective series this might still be worth watching.

What on earth was Alexandra Rapaport doing in this? She can't be short of a bob or two from her work in Murders in Sandhamn. Perhaps she accepted the commission without reading the script. Whatever the reason, her presence couldn't redeem this mixture of fantasy and tosh. We watched as a woman who was clearly mentally ill was allowed to continue working as a policewoman after two previous hospitalisations for psychosis. All the time we were being asked to believe that delusions of dead people appearing were actually real and were aids to solving murder cases. I've got news for the scriptwriters. Delusions are just that and the illness causing them needs to be treated.

I realise why the mental illness angle was pushed so forcefully. There were no actual clues in these cold cases susceptible to police work so the hallucinations had to be used to solve the case.

In the result this was a totally unbelievable scenario that should have either been binned or rewritten.

Just as an aside, I had never realised how tiny Rapaport is. The men in the series towered over her, particularly her screen husband.

I sat through the lot but it got more ridiculous as it went on. I'd advise giving this a miss. 2 stars because I got to the end.