Dopo aver passato 12 anni in prigione per essersi rifiutato di testimoniare, il famigerato scassinatore Dom Hemingway è tornato per le strade di Londra per riscuotere ciò che gli è dovuto.Dopo aver passato 12 anni in prigione per essersi rifiutato di testimoniare, il famigerato scassinatore Dom Hemingway è tornato per le strade di Londra per riscuotere ciò che gli è dovuto.Dopo aver passato 12 anni in prigione per essersi rifiutato di testimoniare, il famigerato scassinatore Dom Hemingway è tornato per le strade di Londra per riscuotere ciò che gli è dovuto.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
- Mr. Fontaine
- (as Demian Bichir)
- Dom's Prison Buddy
- (as Luca Franzoni)
- Paolina
- (as Madalina Ghenea)
Recensioni in evidenza
It has a couple of funny moments, but this movie is just too forced to be naturally funny. If you want to watch a film with a similar mood, but done better, I would recommend Filth for you.
The lasting impression is the tremendous energy of the script and Jude Law - it could really be a stage play in places - it is not often these days that movies create energy through an excellent script, rather than energy by effects - this does.
No way is this the greatest film of the year - but Jude Law's performance is full of sly humour, and Richard E Grant obviously loved being the dry sidekick - there is more than a touch of Withnail to the whole proceedings and he is superb.
Dom Hemingway avoids squeamish violence in the main and goes for the jugular in its script instead - it even has more than a touch of pathos admid the insanity. All in all, if you like films with some style, real laughs, and energy - and crude craziness - then this fits the bill better than most.
"Dom Hemingway" starts off with a shocker scene of an almost unrecognisable Jude Law. His appearance is drastically changed from his heartthrob days! The unrecognisable Jude Law then goes on a monologue about his assets, which is so offensive and funny at the same time. Throughout the film, he puts on a good performance as an arrogant, ego-centric, foul mouthed alcoholic crook. Yet, he is likable for some unknown reason. His misbehaviour keeps on being entertaining, and the emotional elements work well too. The humour is a bit dark, but it is funny. For example, the car crash scene where people and objects (especially the hand) fly around made me laugh! I enjoyed watching "Dom Hemingway" a lot.
But from the first, very confronting second, it's clear that he is much, much different. Without spoiling anything, you'll find him confronting, arrogant, taller, more muscular than ever before. It will shock you, surprise you but even more important: entertain you.
Law takes us to life after prison, to find out much has changed, except for him. In his head, he is still a legend and acts like one, while realizing that his life and his time in prison cost him dearly.
Be warned: the way Law acts, approaches the line between acting and over-acting, which will take a lot of your patience. But Law manages to do it tongue-in-cheek, while still displaying genuine emotions. This movies is more than just about a man after prison, picking up the pieces with some slapstick moments. It's about a man who is who he is, but also learns to change. Who doesn't care, but learns to care.
Law succeeds in finding a balance between comedy and seriousness. Between drama and satire. In this he creates a character that you can love, like, dislike, hate. But whatever it is, you WILL remember him and feel for him in the end.
Lo sapevi?
- BlooperWhen Dom and Lestor are discussing business by the canal, a predominantly yellow barge suddenly appears, moored, just behind them, then - as Lestor jogs off - it's gone.
- Citazioni
Paolina: I don't know who this man is.
Dom Hemingway: Oh. I'll tell you who I am. I'm the fucker who'll tear your nose off with my teeth. I'm the fucker who will gut you with a dull cheese knife and sing Gilbert and Sullivan while I do it. I'm the fucker who'll dump your dead body in a freezing cold lake and watch you sink to the bottom like so much shit. I am that fucker. That's the fucker who I am.
- ConnessioniFeatured in The Graham Norton Show: Lady Gaga/Jude Law/Greg Davies/June Brown (2013)
- Colonne sonoreThe Stand
Written by Eddie MacDonald (as MacDonald), Mike Peters (as Peters) and David Sharp (as Sharp)
Published by Lovolar Music (BMI) administered by
Bike Music (BMI) c/o The Bicycle Music Company
Administered in the UK by Bucks Music Group Limited
Performed by The Alarm
Licensed courtesy of EMI Records Ltd
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Botteghino
- Lordo Stati Uniti e Canada
- 523.511 USD
- Fine settimana di apertura Stati Uniti e Canada
- 29.276 USD
- 6 apr 2014
- Lordo in tutto il mondo
- 1.317.032 USD