Una coppia accetta un invito ad un party a casa della ex-moglie di lui, ma dietro ad un atmosfera conviviale si nasconde qualcosa di sinistro.Una coppia accetta un invito ad un party a casa della ex-moglie di lui, ma dietro ad un atmosfera conviviale si nasconde qualcosa di sinistro.Una coppia accetta un invito ad un party a casa della ex-moglie di lui, ma dietro ad un atmosfera conviviale si nasconde qualcosa di sinistro.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 15 candidature totali
Trish Gates
- Follower
- (as a different name)
Recensioni in evidenza
The build up and suspence was great, you can clearly feel the 'Coherence' vibes, but cliche outcome without any real resolution to the drama makes the whole thing so painfully superficial.
I'm not going to give a review of this film. I'll leave that to others who can argue whether it was worth watch or not. For me, I feel it was one of the best thrillers with a horror bent that I have seen in a long while. But here's the thing, I don't really like horror films, avoid them most of the time, unless I heard a good word of mouth from someone. That's how I found The Invitation.
After reading the reviews here, I would say the criticism falls in to two opposing camps. Those that thought it was thrilling, terrifying and well done movie and those who thought it was a waste of their time, slow and they saw all the punches coming.
I think the difference is this, the latter camp watches a lot of horror films, nothing surprises them, they are looking for all the little nuances of all the other horror movies they have watched and are comparing them to the film they are currently watching. They are two - three steps ahead of a conventional audience and thus, nothing surprises them. To these folks, I can understand why the film fell flat, it's clear if you put the movie under a microscope you can tell what's going to happen and naturally with the purposefully drawn out pace of this film, they get bored waiting for the payoff.
I, as well as the people who I have give / shown this film to, fall in to the other camp. We rarely watch films like this and therefore are willing to let it all play out without trying the guess what's going to happen next. It's certainly a creepy film and while we might imagine where it's going, we are willing to suspend our expectations and go along for the ride.
My advice, watch this if you enjoy the ride up on the climbing roller coaster without thinking about the plunge when you reach the top.
After reading the reviews here, I would say the criticism falls in to two opposing camps. Those that thought it was thrilling, terrifying and well done movie and those who thought it was a waste of their time, slow and they saw all the punches coming.
I think the difference is this, the latter camp watches a lot of horror films, nothing surprises them, they are looking for all the little nuances of all the other horror movies they have watched and are comparing them to the film they are currently watching. They are two - three steps ahead of a conventional audience and thus, nothing surprises them. To these folks, I can understand why the film fell flat, it's clear if you put the movie under a microscope you can tell what's going to happen and naturally with the purposefully drawn out pace of this film, they get bored waiting for the payoff.
I, as well as the people who I have give / shown this film to, fall in to the other camp. We rarely watch films like this and therefore are willing to let it all play out without trying the guess what's going to happen next. It's certainly a creepy film and while we might imagine where it's going, we are willing to suspend our expectations and go along for the ride.
My advice, watch this if you enjoy the ride up on the climbing roller coaster without thinking about the plunge when you reach the top.
I don´t mind the slow build-up, I think it´s justified, kind of like the calm before the storm. The problem is how much of it is wasted. We focus on the main character´s grief, which in the end isn´t that important, while the other characters are completely ignored. One tiny conversation with each one of them, that´s all we know. The girlfriend Kira literally disappears for an hour. It often feels like Will is all by himself in that house. Suspicion gets bigger but none of the guests seem to care about anything. There are some small comments, of course, but we have 5 or 6 characters devoid of any personality or will. I feel like some events could have been much stronger if those characters weren´t merely filling the space.
There are some fine things, though, I´d never wanted to punch John Carroll Lynch so hard in the face. The same goes for Lindsay Burdge.
There are some fine things, though, I´d never wanted to punch John Carroll Lynch so hard in the face. The same goes for Lindsay Burdge.
It's very rare lately that a thriller movie has a great ending but this movie has a great 1!! Excellent cast and excellent story it's slow button but interesting and you'll love the ending, a must see thriller!!!,
A powerful feature film. Despite some reminiscence (group of friends, dinner, the house atmosphere, colors) with "Coherence" is undoubtedly an original movie. A very interesting point made by the director (who had already done Girlfight and Jennifer's Body) over a possible processing of the pain of a loss, in a quite denying way, perhaps cynical, reaching extremes of aggressiveness. A lot of tension, making us doubt who you believe (or even what is real) at every step, until the crux of the matter comes; you may wait a little for that, but it's worth it. Point for the director for not using low blows. Worthwhile if you want to spend a very intense time. With regards to actors' work, "Will" comes out unscathed. "Eden" maybe a little artificial, but I think it is an intentional nuance given by the director. The rest comes off well. The screenplay is pretty good. Although it is not revolutionary, the pace is accurate, keeps the suspense, and plays with ambiguity.
Lo sapevi?
- QuizThe director and the writers had complete creative control on the film, as it was independently produced without any involvement from major studios.
- BlooperDuring the opening scene, the street address shown in the invitation has the number 3908. However, when they arrive in front of the residence, 8105 can be seen on the curb.
- ConnessioniFeatured in Horror Noire: A History of Black Horror (2019)
- Colonne sonoreBaby You're Gone
Written by Craig Wedren and Benjamin Newgard (as Benjamin L. Newgard)
Vocals, Harmonica and Percussion Performed by Craig Wedren
Guitar Performed by Benjamin Newgard (as Benjamin L. Newgard)
Published by Modern Works and Benjamin L. Newgard (BMI)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 231.737 USD
- Fine settimana di apertura Stati Uniti e Canada
- 67.877 USD
- 10 apr 2016
- Lordo in tutto il mondo
- 354.835 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Proporzioni
- 2.35 : 1
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