All'inizio dell'invasione russa, una squadra di giornalisti ucraini intrappolati nella città assediata di Mariupol lotta per continuare a documentare le atrocità della guerra.All'inizio dell'invasione russa, una squadra di giornalisti ucraini intrappolati nella città assediata di Mariupol lotta per continuare a documentare le atrocità della guerra.All'inizio dell'invasione russa, una squadra di giornalisti ucraini intrappolati nella città assediata di Mariupol lotta per continuare a documentare le atrocità della guerra.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 35 vittorie e 51 candidature totali
Liudmyla Amelkina
- Self - Mariupol Resident
- (as Lyudmyla Amelkina)
Roman Golovanov
- Self - Correspondent
- (filmato d'archivio)
- …
Igor Konashenkov
- Self
- (filmato d'archivio)
Sergey Lavrov
- Self - Minister of Foreign Affairs of Russia
- (filmato d'archivio)
Ernest Matskyavichyus
- Self - Journalist
- (filmato d'archivio)
Vasiliy Nebenzya
- Self - Russian Ambassador to the UN
- (filmato d'archivio)
Volodymyr Nikulin
- Self - Police Officer
- (as Volodymyr)
Vladimir Putin
- Self - President of Russia
- (filmato d'archivio)
Volodymyr Zelenskyy
- Self - President of Ukraine
- (filmato d'archivio)
Recensioni in evidenza
I saw this in a well-attended cinema screening just the other day. I can't recall a film having the impact this one did. At the end credits - silence. No one said a word and slowly filtered out. Its difficult not being effected by this film, as it confronts the viewer with the sort of hard-hitting stuff that the news generally air-brushes out. Its pretty much the exact opposite of comfort viewing - this film confirms not only are things bad but they are probably a lot worse than you imagined them to be.
As the title indicates, this is a ground level view of events in the Ukrainian city of Mariupol in the first 20 days of the Russian invasion. A disembodied voice-over relates details and an ominous soundtrack magnifies certain moments but mostly, the footage speaks for itself. The basic set-up has journalist Mstyslav Chernov stay behind to film events as the horror of war escalates on a daily basis. From Chernov's position, we are put directly into the war zone and are confronted with the civilian experience. To this end, we are forced to see the terror and suffering that these innocent people are forced to endure on account of a war initiated for utterly disingenuous reasons. While this is clearly a film about the Ukrainian situation and the sheer wrongness of the Russian invasion, it also will get you thinking that it is also about war in general, as these shocking moments are happening all over our world as part of various military conflicts. We can become desensitised to this and our news reporting is often far too sanitised, allowing us to more easily disconnect. Its films like this one which approaches war in the opposite way and ensures the viewer has no easy escape.
As the title indicates, this is a ground level view of events in the Ukrainian city of Mariupol in the first 20 days of the Russian invasion. A disembodied voice-over relates details and an ominous soundtrack magnifies certain moments but mostly, the footage speaks for itself. The basic set-up has journalist Mstyslav Chernov stay behind to film events as the horror of war escalates on a daily basis. From Chernov's position, we are put directly into the war zone and are confronted with the civilian experience. To this end, we are forced to see the terror and suffering that these innocent people are forced to endure on account of a war initiated for utterly disingenuous reasons. While this is clearly a film about the Ukrainian situation and the sheer wrongness of the Russian invasion, it also will get you thinking that it is also about war in general, as these shocking moments are happening all over our world as part of various military conflicts. We can become desensitised to this and our news reporting is often far too sanitised, allowing us to more easily disconnect. Its films like this one which approaches war in the opposite way and ensures the viewer has no easy escape.
Considering the searing nature of this troubling documentary, I feel somewhat uneasy in recommending it as must-see viewing. Nevertheless, this is one of those films that has to be seen in order for the truth behind its story to be fully realized. When Ukrainian journalist-writer-director Mstyslav Chernov and two colleagues chronicled the first days of the nation's brutal conflict with Russia, they probably had no idea what they were in for. Working from the Black Sea port city of Mariupol, they captured devastating footage of the relentless Russian attacks, particularly the enemy's ruthless assaults on civilian targets, despite assurances to the contrary. The Russians were simultaneously determined to destroy the Ukrainian communications infrastructure to prevent word of the atrocities from getting out to the wider world, seriously hindering the work of Chernov and company as the only international journalists still in the war-torn country at the time. As the city was systematically being destroyed, the international community had little knowledge of what was transpiring in Mariupol beyond Russian President Vladimir Putin's skewed propaganda claims. But, when images of the warfront finally made their way out of Ukraine, the world got an entirely new perspective on the carnage unfolding there, despite the Russians' astoundingly incredulous claims that everything that had been photographed was staged, not unlike what one would find on a movie set. Such reporting opened the eyes of the world, first in media coverage at the time and now in this film, a joint production of the Associated Press and the PBS documentary series Frontline. This gripping release holds nothing back, making it an exceedingly difficult watch for virtually everyone, including those with thick skins who ordinarily might not be affected by such graphic imagery. However, it honestly reveals what the Ukrainians were up against in this horrific siege, putting the war crimes of the aggressors on display for all to see. In addition, this offering reinforces the importance of the work of intrepid journalists under the most trying of conditions, particularly where those wreaking havoc are desperate to keep the facts from reaching the light of day. This highly acclaimed film - a recipient of ample awards season buzz and honors - may be difficult to sit through, but discovering the truth is often a challenging process, and both Ukraine and the world should be grateful that there are those out there who are willing to put themselves on the line to see that through, no matter how treacherous or daunting circumstances may be.
If you are a human being alive in 2024 and living in a civilised country, this is mandatory viewing. If your government is blocking aide to Ukraine, get on the phone to your representatives every day, make noise, donate what you can to approved organisations (Red Cross, etc), demonstrate (peacefully), wear the colours of Ukraine, and NEVER let anyone forget what is happening there.
For two years I wear a pin with the Ukraine colours every day, and strangers come to me and shake my hand, or share a "Slava Ukraini"! With me.
What is currently happening with funding from the richest countries in the world drying up for internal political reasons is the biggest sin I have witnessed in my lifetime.
Share this film with everyone you know!
For two years I wear a pin with the Ukraine colours every day, and strangers come to me and shake my hand, or share a "Slava Ukraini"! With me.
What is currently happening with funding from the richest countries in the world drying up for internal political reasons is the biggest sin I have witnessed in my lifetime.
Share this film with everyone you know!
As heart wrenching a film as you're ever likely to see; you will be overwhelmed with disbelief that in the 21st Century the sights and sounds captured by Mstyslav Chernov's camera and microphone can actually take place; that innocent children, women and men can be forced to endure such torment and turmoil, by an aggressor who has no concern for the rules of engagement during times of conflict, and is clearly targeting the most vulnerable citizens of a city that's been battered and beaten continually by munitions of destruction, where even the hospitals are open season for razing. Not long ago it was Syria, For Sama, and there is a common denominator.
I don't usually include reviews on documentaries on this blog, but '20 Days in Mariupol' is a documentary that needs to be seen. This is current, relevant, and illustrates the horrors of war.
On February 24th, 2022 the city of Mariupol in Ukraine still looked normal. In the words of the narrator: "Wars don't start with explosions; it starts with silence." A Journalist team captures the outbreak of war, and documents how a city is reduced to ruins and rubble within just 20 days.
There are no actors here. There's no make-up, no CGI, no green/blue screen effects, no visual effects. We get to see the events unfold through the lens of a camera of men on the run fearing for their lives - raw footage. The documentary plays like a found footage sci-fi thriller, but this is real life with real people.
'20 Days in Mariupol' is harrowing to watch, and it is heartbreaking - more so because this is not fiction or fantasy. The film had me very emotional at times, so get that box of tissues before watching this. This ain't no popcorn flick; it is a hard-hitting documentary. Yes, it is depressing - as war generally is - but the world needs to see this. I'm so glad '20 Days in Mariupol' won the Oscar for Best Documentary. The film editing was also very good.
On February 24th, 2022 the city of Mariupol in Ukraine still looked normal. In the words of the narrator: "Wars don't start with explosions; it starts with silence." A Journalist team captures the outbreak of war, and documents how a city is reduced to ruins and rubble within just 20 days.
There are no actors here. There's no make-up, no CGI, no green/blue screen effects, no visual effects. We get to see the events unfold through the lens of a camera of men on the run fearing for their lives - raw footage. The documentary plays like a found footage sci-fi thriller, but this is real life with real people.
'20 Days in Mariupol' is harrowing to watch, and it is heartbreaking - more so because this is not fiction or fantasy. The film had me very emotional at times, so get that box of tissues before watching this. This ain't no popcorn flick; it is a hard-hitting documentary. Yes, it is depressing - as war generally is - but the world needs to see this. I'm so glad '20 Days in Mariupol' won the Oscar for Best Documentary. The film editing was also very good.
Lo sapevi?
- QuizA photograph by Evgeniy Maloletka of the injured pregnant woman being carried from the maternity hospital, was awarded "World Press Photo of the Year" in 2023. Her name was Irina Kalinina (32 years old). Her baby, named Miron (after the word for 'peace') was stillborn, and then his mother died in half an hour.
- Citazioni
Self - Narrator and interviewer: When we were in the hospital, one of the doctors told me, "War is like an X-Ray. All human insides become visible. Good people become better, bad people worse".
- ConnessioniFeatured in 2024 EE BAFTA Film Awards (2024)
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- 20 днів у Маріуполі
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- 35.971 USD
- Tempo di esecuzione1 ora 35 minuti
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