All'inizio dell'invasione russa, una squadra di giornalisti ucraini intrappolati nella città assediata di Mariupol lotta per continuare a documentare le atrocità della guerra.All'inizio dell'invasione russa, una squadra di giornalisti ucraini intrappolati nella città assediata di Mariupol lotta per continuare a documentare le atrocità della guerra.All'inizio dell'invasione russa, una squadra di giornalisti ucraini intrappolati nella città assediata di Mariupol lotta per continuare a documentare le atrocità della guerra.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 35 vittorie e 51 candidature totali
Liudmyla Amelkina
- Self - Mariupol Resident
- (as Lyudmyla Amelkina)
Roman Golovanov
- Self - Correspondent
- (filmato d'archivio)
- …
Igor Konashenkov
- Self
- (filmato d'archivio)
Sergey Lavrov
- Self - Minister of Foreign Affairs of Russia
- (filmato d'archivio)
Ernest Matskyavichyus
- Self - Journalist
- (filmato d'archivio)
Vasiliy Nebenzya
- Self - Russian Ambassador to the UN
- (filmato d'archivio)
Volodymyr Nikulin
- Self - Police Officer
- (as Volodymyr)
Vladimir Putin
- Self - President of Russia
- (filmato d'archivio)
Volodymyr Zelenskyy
- Self - President of Ukraine
- (filmato d'archivio)
Recensioni in evidenza
It is very difficult to watch this movie. The worst thing is that it covers less then 1% of the horrors that happened in Mariupol. When the russians launched a full-scale invasion of Ukraine, they spared no shells and destroyed everything in their path. They destroyed entire cities, killed thousands of civilians and children. This is a real genocide of the Ukrainian people. I hope karma catches up with them. I hope the world society will do something to stop the bloody aggressor - the russia.
It is impossible to watch this movie and remain indifferent. It's very scary and it's very sad. I couldn't hold back tears the whole time I was watching the movie. I wish this had never happened, but unfortunately it is a reality, it really was. And it continues to this day.
It is impossible to watch this movie and remain indifferent. It's very scary and it's very sad. I couldn't hold back tears the whole time I was watching the movie. I wish this had never happened, but unfortunately it is a reality, it really was. And it continues to this day.
Considering the searing nature of this troubling documentary, I feel somewhat uneasy in recommending it as must-see viewing. Nevertheless, this is one of those films that has to be seen in order for the truth behind its story to be fully realized. When Ukrainian journalist-writer-director Mstyslav Chernov and two colleagues chronicled the first days of the nation's brutal conflict with Russia, they probably had no idea what they were in for. Working from the Black Sea port city of Mariupol, they captured devastating footage of the relentless Russian attacks, particularly the enemy's ruthless assaults on civilian targets, despite assurances to the contrary. The Russians were simultaneously determined to destroy the Ukrainian communications infrastructure to prevent word of the atrocities from getting out to the wider world, seriously hindering the work of Chernov and company as the only international journalists still in the war-torn country at the time. As the city was systematically being destroyed, the international community had little knowledge of what was transpiring in Mariupol beyond Russian President Vladimir Putin's skewed propaganda claims. But, when images of the warfront finally made their way out of Ukraine, the world got an entirely new perspective on the carnage unfolding there, despite the Russians' astoundingly incredulous claims that everything that had been photographed was staged, not unlike what one would find on a movie set. Such reporting opened the eyes of the world, first in media coverage at the time and now in this film, a joint production of the Associated Press and the PBS documentary series Frontline. This gripping release holds nothing back, making it an exceedingly difficult watch for virtually everyone, including those with thick skins who ordinarily might not be affected by such graphic imagery. However, it honestly reveals what the Ukrainians were up against in this horrific siege, putting the war crimes of the aggressors on display for all to see. In addition, this offering reinforces the importance of the work of intrepid journalists under the most trying of conditions, particularly where those wreaking havoc are desperate to keep the facts from reaching the light of day. This highly acclaimed film - a recipient of ample awards season buzz and honors - may be difficult to sit through, but discovering the truth is often a challenging process, and both Ukraine and the world should be grateful that there are those out there who are willing to put themselves on the line to see that through, no matter how treacherous or daunting circumstances may be.
As heart wrenching a film as you're ever likely to see; you will be overwhelmed with disbelief that in the 21st Century the sights and sounds captured by Mstyslav Chernov's camera and microphone can actually take place; that innocent children, women and men can be forced to endure such torment and turmoil, by an aggressor who has no concern for the rules of engagement during times of conflict, and is clearly targeting the most vulnerable citizens of a city that's been battered and beaten continually by munitions of destruction, where even the hospitals are open season for razing. Not long ago it was Syria, For Sama, and there is a common denominator.
My family moved out of Mariupol in mid-2021. We lived in between the Drama Theater and maternity hospital, across from the University. We sometimes sat outside at Coffee Racer cafe next to the hospital, drank coffee, and watched people strolling along Miru Ave.
My mother stayed behind in Mariupol. Despite the ominous warnings, nobody really expected a full-scale invasion with bombs and artillery. She lived directly across the street from hospital #2, which is where the filmmakers hid through much of the movie. In fact, her burning apartment building is the opening shot of "Day 16". The area all along Kuprina St, adjacent to the hospital and small church, sits at the very western edge of the city, which took the brunt of the attacks approaching from Crimea direction.
After surviving the initial bombings and attacks, Mom had to drink, cook, and clean herself with water from a well adjacent to shallow graves of her neighbors. Survivors chopped up furniture to burn for cooking. It was truly medieval in every way possible, and intentionally so. After 73 days trapped, she made it out by a miracle of good luck, but not before first going through Bezimmene filtration camp.
None of my family will watch this movie except me. Everything is too close and too familiar. One thing the movie does not show is how vibrant and thriving this same city had been prior to 2/24/22. It seems surreal to see your old comfortable neighborhood get intentionally destroyed on international news. To be honest, the Russians were so jealous of Mariupol that they tried to murder it. They cannot get away with this.
This is a story that absolutely needs to be seen and heard - without any sugar-coating - as painful as it may be.
My mother stayed behind in Mariupol. Despite the ominous warnings, nobody really expected a full-scale invasion with bombs and artillery. She lived directly across the street from hospital #2, which is where the filmmakers hid through much of the movie. In fact, her burning apartment building is the opening shot of "Day 16". The area all along Kuprina St, adjacent to the hospital and small church, sits at the very western edge of the city, which took the brunt of the attacks approaching from Crimea direction.
After surviving the initial bombings and attacks, Mom had to drink, cook, and clean herself with water from a well adjacent to shallow graves of her neighbors. Survivors chopped up furniture to burn for cooking. It was truly medieval in every way possible, and intentionally so. After 73 days trapped, she made it out by a miracle of good luck, but not before first going through Bezimmene filtration camp.
None of my family will watch this movie except me. Everything is too close and too familiar. One thing the movie does not show is how vibrant and thriving this same city had been prior to 2/24/22. It seems surreal to see your old comfortable neighborhood get intentionally destroyed on international news. To be honest, the Russians were so jealous of Mariupol that they tried to murder it. They cannot get away with this.
This is a story that absolutely needs to be seen and heard - without any sugar-coating - as painful as it may be.
If you are a human being alive in 2024 and living in a civilised country, this is mandatory viewing. If your government is blocking aide to Ukraine, get on the phone to your representatives every day, make noise, donate what you can to approved organisations (Red Cross, etc), demonstrate (peacefully), wear the colours of Ukraine, and NEVER let anyone forget what is happening there.
For two years I wear a pin with the Ukraine colours every day, and strangers come to me and shake my hand, or share a "Slava Ukraini"! With me.
What is currently happening with funding from the richest countries in the world drying up for internal political reasons is the biggest sin I have witnessed in my lifetime.
Share this film with everyone you know!
For two years I wear a pin with the Ukraine colours every day, and strangers come to me and shake my hand, or share a "Slava Ukraini"! With me.
What is currently happening with funding from the richest countries in the world drying up for internal political reasons is the biggest sin I have witnessed in my lifetime.
Share this film with everyone you know!
Lo sapevi?
- QuizA photograph by Evgeniy Maloletka of the injured pregnant woman being carried from the maternity hospital, was awarded "World Press Photo of the Year" in 2023. Her name was Irina Kalinina (32 years old). Her baby, named Miron (after the word for 'peace') was stillborn, and then his mother died in half an hour.
- Citazioni
Self - Narrator and interviewer: When we were in the hospital, one of the doctors told me, "War is like an X-Ray. All human insides become visible. Good people become better, bad people worse".
- ConnessioniFeatured in 2024 EE BAFTA Film Awards (2024)
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- 35.971 USD
- Tempo di esecuzione1 ora 35 minuti
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