Le streghe son tornate

This is a full-on surreal terror movie that blends thrills , a lot of fun , suspense , tension as well as an intriguing script full of underlying seriousness , horror , comedy and embarrassing situations . This Spanish horror/comedy is Alex De la Iglesia's latest foray into absolute and total lunacy , being titled ¨Witching and Bitching¨ or ¨Las Brujas De Zugarramurdi¨ . The flick centers on a band of thieves trying to flee to France after purloining 25,000 gold rings from a Spanish city . When a bank heist in the city doesn't all go according to plan, José (Hugo Silva) and Tony (Mario Casas) find themselves in possession of some hostages (Manuel Tafalle , Jaime Ordoñez) and speeding through the mountains of Spain . As the gang of escaping jewellery theft get trapped by a coven of witches . A curse is placed on them , and they fall into the clutches of the witches (Carmen Maura , Terele Pavez and Carolina Bang , partner to Alex De Iglesia and his fetish actress) of the Navarrese little town of Zugarramurdi . Meanwhile , the thieves have been pursued by a botcher couple of polices (Secun De La Rosa and Pepon Nieto) . The village of Zugarramurdi has been cursed and it is up to an elected to remove this affliction . The townsfolk need his blood and his sacrifice in order to remove the curse .

Alex De la Iglesia's horror comedy Witching & Bitching blends horror elements with humor , tongue-in-cheek and thrills ; so, the tone of the film is light-hearted . It's a veritable buffet of the cream of recent Spanish horror plenty of action , laughs , scares and witches attacks . Packed with scenes of fantastic nature , robust comedy , this story is exciting as well as frightening , as we follow the strange situations of some peculiar thieves whose destination is dictated by terrible events . The narration is so filled with quirk characters , crazy violence mixed with diabolic elements and an underlying sense of horror , and it is so excessive and plenty of surprises , one can't help but keep watching , much as it is over the top in many an occasion . Witches aren't an easy cult for horror buffs to fall in love with, despite being a prolific symbol for screams , but Alex thrives where most falter . De La Iglesia reigns in his style this time around and gives an utterly watchable takedown of horror/comedy that certainly delivers a few madly inspired moments . Once again De la Iglesia exemplifies why he's one of the most amusing Spanish filmmakers currently churning out foreign cinema , adopting frenetic storytelling much like Quentin Tarantino , Brian Singer , Robert Rodriguez or Matthew Vaughn might dream up . Enjoyable main cast and agreeable support actors deliver one of the most engaging , hysterical, action packed and wonderfully shot witchery movie in years . Witching's ensemble cast boasts some of Spain's biggest film and TV stars, such as Mario Casas (I Want You) , Hugo Silva (Sex, Parties and Lies , The body ), and Carmen Maura , who earned a Best Actress award at San Sebastian in 2000 for her role in La Comunidad . Further cast members are Terele Pavez, Carolina Bang , Secun de la Rosa, Pepon Nieto, Jaime Ordonez , Macarena Gomez , Enrique Villen , Carlos Areces and Santiago Segura ; most of them Alex De Iglesia's ordinaries . This Spanish horror-comedy ¨Brujas of Zugarramurdi¨ was much praised by critics as well as public during its European festival run . Being a big winner with eight statues Goyas was this Alex De la Iglesia's comedy Witching and Bitching which dominated the technical categories .

The motion picture was well directed by De La Iglesia , well known as the Spanish king of black comedy . He's a cool director has got much success as ¨Accion Mutante¨ ,¨Dying of laughter¨ or ¨Muertos De Risa¨ , ¨Baby's room¨ , ¨Oxford murders¨ , ¨Balada Triste De Una Trompeta¨ and ¨Perdita Durango¨ is probably the weirdest Javier Bardem film ever made . And , of course , ¨Day of the beast¨ and ¨La Comunidad¨ obtained the unanimous praise of both the critics and the public and result to be a lot of fun¨, especially for those who enjoy surrealist humor , they won several Goya prizes and and resulted to be a turning point in his meteoric career ; from then on he became his own producer, beginning with '800 bullets' (2002) through the Pánico Films company . Winner of several Goyas (Spanish Oscars), however his movies have not yet reached box office in USA, but he has strong followers , as his films have a kind of comic edge to them . Nonsense, ridicule , laughters , absurdity , disturbing scenes and many other issues ; you can find everything in this flick . ¨Las Brujas De Zugarramurdi¨ captures the essence of the best Alex De La Iglesia, a filmmaker who, at this point in his own story, is respected and admired worldwide and has the most committed fans in the film universe . This is without a doubt a thrilling and enjoyable movie to be enjoyed for terror/comedy fans and Alex De Iglesia fans .

This is not Spanish director Alex De La Iglesia's best effort (my personal favorite is Ferpect Crime), but is entertaining and watchable, if you like his brand of anarchic, corrosive, politically incorrect and pitch black humor. Here three misogynistic thieves on the run, trying to flee to France after a botched burglary in Madrid, end up in a little Basque village called Zugarramurdi (a place in which there was a real witch trial in the 17th century) where they are captured by a coven of feminist witches (the leader of which is Almodovar regular Carmen Maura) who subject them to a number of torments. Many more outrageous things happen, but they are not for me to reveal. A couple of very beautiful actresses (Carolina Bang and Macarena Gomez) help the film.

That's all that should be said but... I'll say a bit more.

After pulling a jewelry store heist, a group of men find their route of escape leading them to an encounter with witches. It is nothing short of a rollercoaster ride that is hard to lose interest in.

I thought this has some great and pretty funny, moments. Comedy horror isn't really something I usually find much interest in but after watching What We Do In The Shadows, which I love, I wanted to see if I could find any other films that might be just as good. This is a film that kept showing up so I decided to check it out.

Horror comedy is tricky. You can twist things up a bit to add humor but if you go too far, it ends up being a cheese- fest. While this gets close to that fine line, it never went so far that it made me want to walk away from it. That's good so, I feel they got it right with this.

The acting is good, it is filmed and scripted well. Some of the special effects were the only issue I had but once again, it wasn't so bad I wanted to stop watching.

I say watch it if you like horror comedy.

Years ago I saw Alex de la Iglesia's film, Accion Mutante, and I really liked it, despite the poverty-row budget. It had interesting, though unsympathetic characters, whose antics were fun to watch and an amazing artificial world full of surprises.

Witching & Bitching is an absolutely terrible title for a movie. I blame de la Iglesia's unfamiliarity with English. In any case, it is clear from the start that Mr. de la Iglesia's style in this film is the same as Accion Mutante. He has his signature whacked-out, borderline insane, outside-the-law bunglers, alongside seemingly minor characters that turn into major pillars of the plot line. He has his lame running jokes that rarely work, but are somehow comforting nonetheless, and, just like Accion Mutante, the movie has enough plot twists for three or four more conventional films.

Accion Mutante kept you surprised every minute. Witching & Bitching (man, I HATE that name) can't do quite as well, because the title, as well as the title screens both give away the fact that, at some point in the film, witches figure prominently. I was thrilled by the fact that the film managed to mingle fairy-tale witches with earth-goddess shenanigans.

Some of the scenes were spectacular. Many directors, when they get money, don't seem to know how to spend it to get the best results. But de la Iglesia sure did. You got to see every penny on the screen, and as a result, this movie was, in my opinion, superior to my beloved Accion Mutante.

I love the way that his films attack both the status quo as WELL as the revolution. He subverts the subversives. His witches are (obviously) aggressively feminist, but it is clear that if they controlled more of society, the world would not be a better place.

If you've not seen Accion Mutante (which probably most people haven't), then perhaps the closest "type" of movie to Witching & Bitching would be something by Terry Gilliam, or perhaps City of Lost Children. If you like that kind of anarchic, fantasy semi-comedy, this might be for you.

Witching and Bitching is the latest insane film from Álex de la Iglesia. His last effort was the bonkers violent clown madness that was The Last Circus. This film probably falls a little short of that one overall but it shares the anarchic comedy with violence template pretty closely. Like that film too, this one does lose steam a bit in its final section where it goes for a big ending, which loses sight of what made it good before a little. This is a pretty minor criticism though because on the whole this movie proves again that Iglesia is always someone who delivers something a bit left-field, unconcerned with the niceties of political correctness. The story has thieves on the run from a badly staged crime. On their escape route, they find themselves in a mysterious village in the Basque country where they are soon captured by a coven of witches.

As is common for Iglesia, this one starts out with a great, attention grabbing credit sequence where we are presented with images of witches and evil women throughout the ages. It takes a bit of a nerve to show a picture of notorious female killers such as Myra Hindley juxtaposed with former UK Prime Minister Margaret Thatcher! After seeing that, well you can't say you haven't been warned. The opening heist is pretty hilarious, with the criminals dressed up as street artists and mascots. It's both funny and successfully pulse-pounding and certainly gets things off to a great start. Once the characters meet the witches, the film moves from being a crime-comedy into a horror-comedy, with a focus always on the humour. The witches themselves make for the most interesting characters in the movie, with Iglesia regular Carolina Bang being the standout as the seriously gorgeous biker-witch – she smolders the screen every time she appears. This section of the film focuses on lots of macabre humour and ends with a horde of witches gathering in a cave in anticipation for the arrival of their queen, who is a giant monstrous being. Like I said earlier, this whole finale in the cavern is less interesting than what has gone before – when things get too big and effects-driven you feel Iglesia himself loses a bit of interest too. But overall, this is another very enjoyable, crazy movie from this Spanish maverick.