La ragazza del dipinto

Although "Belle" tells a highly fictionalised account of her life, Dido Elizabeth Belle Lindsay was a real person. She was the illegitimate daughter of a British naval officer and a black slave. Unlike many children born in similar circumstances, however, she was fortunate in that her father acknowledged her and paid for her keep. When her mother died, her father brought her from the West Indies to England and entrusted her to the care of uncle, Lord Mansfield, who just happened to be the Lord Chief Justice. When her father died she inherited his fortune, making her a desirable heiress.

This is essentially a Jane Austen story, set a generation earlier and with a racial element thrown in. The film centres on Dido's emotional relationships. She is sought in marriage by Oliver Ashford, the younger son of an aristocratic family, but his interest is largely financial and the match is fiercely opposed by his mother and his elder brother, both of whom object to the idea of a mixed-race woman marrying into their family. The great love of her life is John Davinier, a clergyman's son, an aspiring lawyer and an ardent anti-slavery campaigner.

At her uncle's stately home Kenwood House, Dido is placed in a strange and anomalous position. By reason of her fortune she is an insider, part of England's establishment; Mansfield even worries that, because of the disparity in their financial positions she might be "marrying beneath herself" if she accepts John. Her race and her illegitimacy, however, make her an outsider. She is allowed to dine with the family when they are alone, but is forced to eat separately when they have guests who might be upset by the sight of a black face. Her position contrasts strangely with that of her cousin and close friend Lady Elizabeth Murray, another niece and ward of Lord Mansfield. Elizabeth is legitimate, but has no fortune of her own, having been virtually disowned by her father under the influence of his second wife. Yet because she is white there can be no question of Elizabeth having to dine apart from the family.

Set against the love of Dido and John is a subplot about what became known as the "Zong case". When sickness broke out on a slave ship, the captain ordered the crew to throw the slaves overboard. When the insurance company refused to compensate the ship-owners for their losses, the owners sued. Lord Mansfield was the judge who heard the case in the Court of King's Bench.

Tom Wilkinson has given a number of fine performances in recent British films (and sometimes in Hollywood too), and this is one of his best. In his dealings with Dido, whom he loves dearly, Mansfield is torn between his inner decency and the need to conform to the social proprieties of the period. In legal matters he is equally torn between the demands of the law and those of justice, which is not always the same thing. In the "Zong" case he is well aware that, in refusing to pay out on the policy the insurers are motivated by commercial considerations, not humanitarian ones; if they had any humanitarian feelings they would not have become involved in facilitating the slave trade in the first place. Nevertheless, he is equally well aware that a decision against the ship- owners will be seen as a victory for the growing anti-slavery movement and a step on the road to the abolition of the slave trade. Other good performances come from newcomer Gugu Mbatha-Raw in the leading role, Penelope Wilton as Lord Mansfield's sister and Sam Reid as John.

The film has something in common with "Amazing Grace", another film about the abolitionist movement; both tend to suggest that the fight against slavery was something waged by upper-class people in wigs sitting in elegant Georgian drawing-rooms, although "Belle" does at least put a black character at centre stage. Dido, moreover, would have known about the horrors of slavery through personal experience, whereas the likes of John Davinier and Lord Mansfield only know about them at second hand. For this reason I would have liked to see more about Dido's childhood in the West Indies before the death of her mother.

As one might expect of a British costume drama, "Belle" is visually attractive, but it is more than a mere pretty face. The "heritage cinema" genre is sometimes dismissed as a mere exercise in sentimental nostalgia, but it can be much more than that. It can also be (as in much of the work of Merchant-Ivory) a vehicle for exploring significant issues, and in this case manages to explore the questions of race, social class, compassion, justice and freedom. As Lord Mansfield put it, "Fiat justitia, ruat caelum". Let justice be done though the heavens fall. 8/10

I wanted to see this movie because it is a period piece. I did not know that it is based on a true story . I loved the settings, the costumes, the writing and the acting. A well written story of the start of the road to abolishing slavery in England. The Story of DIdo - the caring aunt and uncle who took her under their roof, the other niece who they are raising also and how she develops into a beautiful and very smart lady. I'm sure the reactions by the people at that time were presented accurately. Dido was not allowed to eat with company but could with just the family. The courting of the women when they were of that age was interesting to watch and the conniving by the mother of the two -oh so different men in the name of wanting more money to come from the women. I especially like the intelligence of Dido and how it came out in the age of when women were not to be involved in politics or anything other than the home. A beautifully photographed film.

This movie is most likely not playing at a theater near you, but it is so worth traveling to see. The acting was superb! I don't remember a movie in recent times that I enjoyed so much. The story touched my heart as a person of mixed African descent. It showed how then and now too much emphasis is placed on skin color. It showcased people (both white and black) that were willing to stand up for what is right. I don't find this kind of movie to be controversial as it will do so much to enlighten people to historical facts that cannot be denied.

The costumes were so beautiful and some were on display at the Landmark Theater in Los Angeles. The audience clapped and cheered at the end of the movie and were raving about the movie as they left the theater.

I'm a film lover who's encouraged to see a story that reveals a piece of the history so often ignored. "Belle" is based on a true story. Since the history of slavery is not taught, films that deal with it - when done well - can be not only entertaining but also instructive. We need these stories! "Belle" is surprising, a piece in the grand puzzle of the history of the slave trade and its impact on the lives of all manner of people. Tom Wilkinson is as always wonderful... The other actors are all just fine. Gugu is lovely as Dido. The hypocrisy of the British upper class is on full display. The Zong Slave ship case is threaded through this film and opens another door on the horrors of the slave trade. That case alone deserves its own film but it would probably be too horrible to watch! I was reminded of all the pained experiences black children endured as they attempted to integrate public schools. The insults and denigration, the racist assumptions hurled at these students were nightmarish. Being the only black person in a sea of whites to this day can be challenging. "Belle" allows us to see and to imagine what that was like in England in the late 1700's. "Belle" was a blood relative and still she could not sit at the dinner table if guests were dining. There's much to learn here, much to think about.