Esteban Arango's Ponyboi is a neon-lit neo-noir that pulses with the grit of New Jersey's underbelly and the vibrancy of queer identity. Set against the backdrop of Valentine's Day 2002, the film follows Ponyboi (River Gallo), an intersex sex worker entangled in a botched drug deal orchestrated by his volatile employer, Vinny (Dylan O'Brien). As the night spirals into chaos, Ponyboi seeks refuge and self-discovery amidst a world that constantly seeks to define him.
A Star in the Making
River Gallo, who also penned the screenplay, delivers a performance that is both raw and luminous. Their portrayal of Ponyboi is a masterclass in vulnerability and resilience, capturing the complexities of an intersex individual navigating a world that insists on categorization. Gallo's nuanced performance is the film's beating heart, elevating it beyond the confines of a typical crime thriller.
A Cast That Shines
Dylan O'Brien's portrayal of Vinny is a revelation. Departing from his usual roles, O'Brien embodies the sleazy, insecure mobster with a blend of menace and charm, making Vinny both repulsive and pitiable.
Victoria Pedretti, as Angel, Ponyboi's childhood friend and Vinny's pregnant girlfriend, delivers a performance that is both captivating and tragic. Her portrayal of Angel as a "Jersey girl with a heart of gold" adds depth to the character, making her more than just a trope. However, the film's structure sidelines Angel, relegating her to the periphery of Ponyboi's journey. This underutilization of Pedretti's talent is a missed opportunity, as her character's potential remains largely unexplored.
A Familiar Tale with a Unique Lens
The narrative of Ponyboi treads familiar ground-mobsters, betrayal, and survival-but through the lens of an intersex protagonist, it offers a fresh perspective. The film's exploration of identity, body politics, and societal expectations is poignant and timely. However, the film occasionally falters in its pacing and reliance on genre conventions, leading to moments that feel predictable.
Visuals and Atmosphere
Cinematographer Ed Wu crafts a visually arresting world, using neon hues and contrasting shadows to reflect Ponyboi's internal turmoil and the external chaos surrounding him. The film's aesthetic choices enhance its dreamlike quality, immersing the audience in Ponyboi's tumultuous journey.
Conclusion
Ponyboi is a bold and ambitious film that shines a much-needed spotlight on intersex narratives within the crime genre. While River Gallo's performance anchors the film, the underutilization of Victoria Pedretti's character is a notable shortcoming. Despite this, the film's exploration of identity and survival offers a compelling and thought-provoking experience.
