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"I've been listening to this woman say the worst things about the guy I'm starting to really like." Eva (Louis-Dreyfus) is a masseuse and a single parent who is tired of being single. When she meets Albert (Gandolfini) at a party she is surprised when he asks her out. She has a few dates with him and begins to really like him and tells her new client about him and the client begins to bash her ex-husband. When Eva realizes they are talking about the same guy she is torn as to what to do. I was interested in watching this because my two favorite TV shows ever are Seinfeld and The Sopranos. I also went in a little depressed because being a huge Gandolfini fan I was saddened at his passing and knowing this was his last movie made it a little bittersweet. All that out of the way I have to say that I did like this movie but it is not a typical romantic comedy. Most movie like this are light, mostly fluff and leave you feeling happy. When this ended I felt sad and depressed. Some of it had to do with Gandolfini and some with the movie itself. While this is still a romantic comedy it is very real and that added to the sadness. I'm not saying not to watch this because I did like it but don't expect to have a super happy time watching it. Overall, good and worth watching but the saddest romantic comedy I have ever seen. I give it a B.

'ENOUGH SAID': Four and a Half Stars (Out of Five) James Gandolfini (in one of his last film roles) co-stars with Julia Louis-Dreyfus in this romantic comedy drama film written and directed by Nicole Holofcener. Holofcener also helmed such critically acclaimed movies as 2010's 'PLEASE GIVE', 2006's 'FRIENDS WITH MONEY' and 2001's 'LOVELY & AMAZING'. This film also co-stars Catherine Keener (a usual player in Holofcener's movies), Toni Collette and Ben Falcone. I think it's one of Gandolfini's best and most likable performances and Louis-Dreyfus has never been better or more lovable as well. Fans of honest and real romantic comedies should be more than pleased.

Julia Louis-Dreyfus stars as Eva, a divorced massage therapist who is not looking forward to her daughter, Ellen (Tracey Fairaway), going away to college. She goes to a party with her friend Sarah (Collette), and Sarah's husband Will (Falcone), and meets Albert (Gandolfini). Albert is a divorced father who's also not looking forward to his daughter, Tess (Eve Hewson), moving away for school. Eva and Albert hit it off and begin dating, despite the fact that Eva is not physically attracted to Albert (due to him being overweight). Eva also starts giving massages to a client she met at the party as well, named Marianne (Keener). The two become friends and Marianne tells Eva a bunch of horror stories about her ex-husband. When Eva learns that her ex is Albert things become complicated as she doesn't know how to tell Albert or Marianne that she knows the other.

The film is funny but in a very real way; I was really impressed with how much the movie felt so true to life. It has a lot to say about attraction and relationships, as well as family and divorce. Eva and Albert's relationship is the driving point of the film and the two lead performances really make the whole thing work. Gandolfini is once again awkward and kind of crude but ultimately very lovable. It's Louis-Dreyfus that really surprised me though. On 'SEINFELD' she was so self centered and unlikeable (like all of the characters on that show, except for Kramer) so it's really refreshing to see her be so adorable. She's really sweet and so is this film; Holofcener gives the movie the perfect touch once again and proves why she's an awesome indie film director. I really liked this movie and think most others will too.

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The unusual thing about this story is that it is about a woman between two people; not two lovers as one might expect but her boyfriend and his ex wife with whom they are friends and this ex wife cannot stop dishing the former husband her current friend is dating.

Another dilemma this woman is facing is the fact that her current boyfriend whom she has come to really like, is 'flabby' as she refers to him and on this matter I am pleased that Hollywood is raising this issue. Do overweight people deserve to be loved? This woman clearly was very hesitant due to the fact that he is overweight and could not fully express her affection becoming torn in the process between the poison spouted by his ex wife as well as expecting her circle to approve of him.

Interesting, intelligent and heart warming would perhaps be a fitting finale to the great James Gandolfini.

Earlier this year we lost James Gandolfini. Although he already left a rich legacy with The Sopranos, it felt like he still had more to give us. I saw an interview with Julia Louis-Dreyfus yesterday and while she put on a brave face, when asked about Gandolfini, you could tell how deeply saddened he was by his death. Good thing that Enough Said is such a joyous and light- hearted film despite inevitably destined to be associated with his death. I'm a fan of The Sopranos and I've never really watched or liked Seinfeld, but it's a genius idea to pair these two actors up in such off-type roles. There was a huge goofy grin on my face when they were on screen together. They shed those past screen images with surprising ease and reveal effortless human beings. That's the beauty in their performances. It's incredibly funny at times and quietly poignant in others. But it's a gentle film in its very casual visual approach and lack of emotionally explosive scenes. Unfortunately the subplots really bog the film down. They don't add to the film's point and are just not up to the same quality. The daughter subplot is the only one close but it wasn't focused enough. However, Enough Said is still a very charming film with a mature look at adult love and second chances.

7/10

ENOUGH SAID is quite simply wonderful. Its plot is straightforward: a middle-aged woman (Julia-Louis Dreyfus) falls in love with a divorced middle-aged man (James Gandolfini). However the course of true love never runs smoothly, as the woman also becomes friends with the man's ex-wife. This ultimately leads to trouble. Within that straightforward plot, director Nicole Holofcener obtains two absolutely wonderful central performances. Dreyfus doesn't want to fall in love, yet finds herself inexorably drawn towards Gandolfini's shy yet bear-like personality. Physically imposing, he has a basic insecurity both about himself and his relationship with the two women in his life, his ex-wife and his daughter (Eve Hewson). Photographed amid the suburban sprawl of California, Holofcener explores the cracks underlying life behind the closed doors and immaculately manicured gardens. While the plot might seem familiar, the performances redeem the film, which is truly bitter- sweet and spell-binding. This was Gandolfini's last film before his untimely death; it stands as a fitting epitaph to a wonderful actor.