Un poliziotto che indaga su crimini temporali deve catturare l'unico criminale che è riuscito a sfuggirgli per tutta la carriera, un misterioso folle che compie attentati dinamitardi.Un poliziotto che indaga su crimini temporali deve catturare l'unico criminale che è riuscito a sfuggirgli per tutta la carriera, un misterioso folle che compie attentati dinamitardi.Un poliziotto che indaga su crimini temporali deve catturare l'unico criminale che è riuscito a sfuggirgli per tutta la carriera, un misterioso folle che compie attentati dinamitardi.
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Sadly I had to travel to an old and tiny cinema to see this movie as it didn't play in the major cinemas on the Gold Coast...after watching this movie i have absolutely no clue why.
I truly enjoyed every minute of this film, all of the actors did a great job, especially Ethan Hawk. I did see some of the plot lines coming and still got a bit of a surprise in how they delivered those plot lines...if you get a chance and like a sci-fi with brains then go and watch this!!!
I would definitely not compare it to looper (just to add to the end) yes looper and predestination are about time travel, but thats were it ends... :)
I truly enjoyed every minute of this film, all of the actors did a great job, especially Ethan Hawk. I did see some of the plot lines coming and still got a bit of a surprise in how they delivered those plot lines...if you get a chance and like a sci-fi with brains then go and watch this!!!
I would definitely not compare it to looper (just to add to the end) yes looper and predestination are about time travel, but thats were it ends... :)
Twisty, turny and mind-bending, one viewing won't be enough for this time travelling head scratcher. Two plots – one revolving around Ethan Hawke's temporal agent seeking to stop a terrorist, the other following the life of a precocious orphan who isn't quite like everybody else – are intricately and intelligently woven together to not only build tension but to explore provocative themes to spoiler-y to mention here. In fact, Predestination is one of those movies its hard to say much of anything about. It's such a meticulously drip-fed thriller – slowly and superbly unravelling as each and every minute of the runtime ticks on – that the real joy here is unwrapping and grasping (or attempting to any rate) what it is you're actually witnessing. In his second collaboration with Aussie filmmakers the Spierig Brothers, Hawke is in career-best form as the veteran time traveller on the brink of burning out, whilst relative newcomer Sarah Snook (born and bred South Australian) is outstanding in a complex and demanding role that has rightly grabbed the attention of Hollywood. The Spierig's also demonstrate their diversity in both the writing and directing departments, going from the enjoyable but tonally lightweight splatter-fest Daybreakers to this altogether more mature, thematically heavy and narratively elaborate sci-fi saga that still manages to maintain a high excitement level. This year's Looper or Inception.
I have watched this movie twice the story appears complex so when I first watched I was paying attention but was also trying to work out the connections of the characters and in doing so missing small points. The story is quite unique and at first hard to understand but as you do it highlights the imagination of the writers and the complexity of how they wrote the story I loved it as I love movies that make you think and this one never stops making you think! I don't want to explain my meaning as I don't wish to spoil the story or your entertainment in figuring it out. The acting is great and I am sure you will enjoy the movie maybe your smarter than me and everything falls into place on first viewing either way it is entertaining.
Out of Australia, Predestination is directed by Michael Spierig and Peter Spierig (who also scores the music). The Spierig's also adapt the screenplay from Robert A. Heinlein's story "All You Zombies". It stars Ethan Hawke, Sarah Snook, Noah Taylor, Christopher Kirby and Madeleine West. Ben Nott is the cinematographer.
If we throw up a simple synopsis for this pic, it's about a time travelling agent who goes back in time to stop a killer known as "The Fizzle Bomber" - whilst helping a trans-gender man who has just told him a fascinating and emotionally wrought story. But simple is not a word readily associated with the Spierig's deliriously complicated mind meld of a movie.
The first half of film is the story being relayed by Snook to Hawke, and then the film spirals into a world of temporal loops and frazzled paradoxes. This demands the utmost attention from the viewer, a piece guaranteed to have you asking tricky questions, and also likely to have you rewinding some scenes for clarity - like I did!
This is not an actioner, this is very cerebral and sedate in tone, adult science fiction that's as audacious as it is clever. Snook is quite simply outstanding, the various layers she gives to her characterisations grip with intensity and emotional heart tugs. Hawke once again is reassuringly great - in that how he doesn't need to overact, he recognises the tone needed here, whilst knowing it's wise to let his co-star take the main stage.
Thematically the story blends its dizzying thoughts about time and its impact on the human race, with that of our basic human condition, that of identity. This is a very rewarding production for those who wont be popping off to make a cup of coffee during the viewing, it's hoped that in time this will garner more fans and be seen as something of a sci-fi gem. 8/10
If we throw up a simple synopsis for this pic, it's about a time travelling agent who goes back in time to stop a killer known as "The Fizzle Bomber" - whilst helping a trans-gender man who has just told him a fascinating and emotionally wrought story. But simple is not a word readily associated with the Spierig's deliriously complicated mind meld of a movie.
The first half of film is the story being relayed by Snook to Hawke, and then the film spirals into a world of temporal loops and frazzled paradoxes. This demands the utmost attention from the viewer, a piece guaranteed to have you asking tricky questions, and also likely to have you rewinding some scenes for clarity - like I did!
This is not an actioner, this is very cerebral and sedate in tone, adult science fiction that's as audacious as it is clever. Snook is quite simply outstanding, the various layers she gives to her characterisations grip with intensity and emotional heart tugs. Hawke once again is reassuringly great - in that how he doesn't need to overact, he recognises the tone needed here, whilst knowing it's wise to let his co-star take the main stage.
Thematically the story blends its dizzying thoughts about time and its impact on the human race, with that of our basic human condition, that of identity. This is a very rewarding production for those who wont be popping off to make a cup of coffee during the viewing, it's hoped that in time this will garner more fans and be seen as something of a sci-fi gem. 8/10
I feel like sometimes great movies don't get enough recognition, films like Prisoners, Enemy, or Predestination.
This film impacted me heavily, and it kept me thinking and thinking about it for a week after I saw it. Ethan Hawke gave a great performance, which keeps me wondering why he ever agreed to do "The Purge", but the real standout is Sarah Snook, who is breathtaking in her role.
One of the best things about this film was that when I thought it was going in one direction, it took a hard right hand turn. Not many movies make me doubt myself like that. The direction was clean and solid, the cinematography was immaculate, and the special and visual effects were outstanding. Everything about the look of the film was perfect.
My only complaints are that the movie's first act was a little slow. However, as the film progresses into the second and third act, the long first act is absolutely necessary. If it was a little shorter, it would've worked so well.
Confusing? Yes. Enjoyable? Big time.
If you can see Predestination, definitely do so. 8/10
This film impacted me heavily, and it kept me thinking and thinking about it for a week after I saw it. Ethan Hawke gave a great performance, which keeps me wondering why he ever agreed to do "The Purge", but the real standout is Sarah Snook, who is breathtaking in her role.
One of the best things about this film was that when I thought it was going in one direction, it took a hard right hand turn. Not many movies make me doubt myself like that. The direction was clean and solid, the cinematography was immaculate, and the special and visual effects were outstanding. Everything about the look of the film was perfect.
My only complaints are that the movie's first act was a little slow. However, as the film progresses into the second and third act, the long first act is absolutely necessary. If it was a little shorter, it would've worked so well.
Confusing? Yes. Enjoyable? Big time.
If you can see Predestination, definitely do so. 8/10
Lo sapevi?
- QuizWhen the barkeep sits down at the typewriter for the first time, there is a copy of "Stranger in a Strange Land" by Robert A. Heinlein next to the typewriter. Heinlein is the author of the short story "All You Zombies" on which the movie is based.
- BlooperThe movie is set in an alternative universe where space travel in the 1960s was more advanced than in our world, and where New York was subject to a wave of terror attacks in the 1970s. There are agents patrolling the timeline, and may have left something behind. Most apparent anachronisms and factual errors can be excused by this notion.
- Citazioni
[first lines]
The Bartender: What if I could put him in front of you? The man that ruined your life. If I could guarantee that you'd get away with it, would you kill him?
- ConnessioniFeatured in All You Zombies: Bringing 'Predestination' to Life (2015)
- Colonne sonore1970 (I Feel Alright)
Composed by Scott Asheton, Ron Asheton (as Ronald Asheton), Iggy Pop (as James Osterberg) and David Alexander
Performed by The Stooges
© 1970 Warner-Tamerlane Publishing Corp., Stooge Staffel Music
By Kind Permission of Warner/Chappell Music Australia Pty Ltd; and Bug Music (BMI)
Administered by BMG Rights Management (US) LLC
Licensed Courtesy of Warner Music Australia Pty Ltd
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Predestinación
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 5.100.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 68.372 USD
- Fine settimana di apertura Stati Uniti e Canada
- 44.028 USD
- 11 gen 2015
- Lordo in tutto il mondo
- 4.942.449 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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