The Sacrament

The journalist Patrick (Kentucker Audley) works at the VICE, a company dedicated to cover bizarre news. When his sister Caroline (Amy Seimetz) joins a community, she travels abroad with her new family. Out of the blue, Caroline invites her brother to visit her in an undefined country and Patrick travels by helicopter with his friends Jake (Joe Swanberg) and Sam (AJ Bowen) that work with him at VICE.

They find weird that the men that have come to guide them to the Eden Parish have guns. On the arrival to the camp, Patrick, Sam and Jake find a community of happy people that worship Father (Gene Jones). They interview Father but soon they realize that people are not as happy as they seem to be. Further, they find that they are trapped in the Parish Eden and they want to leave the place with the newcomers. But the Father does not have intention to let them go.

"The Sacrament" is a suspenseful horror movie with a music score in the beginning that recalls "The Twilight Zone". However this awful "found- footage" genre spoils the creepy story. The Dogma 95 has only 77 recognized movies, but this rip-off of the genre seems to be the easiest means to produce cheap low-budget movies in the present days. My vote is five.

Title (Brazil): "O Sacramento" ("The Sacrament")

What starts out as a promising look into a religious cult, quickly turns into a jumbled mess of incoherent storytelling, baffling motivations, and annoying camera work.

The problem is none of the characters are well rounded or defined beyond the absolute basics (and they do incredibly stupid things throughout the film, especially in the second half). So when things start going bad, it's hard to care. The film seems to want to offer a deep, nuanced look into the world of cults, but West doesn't seem to be able to paint anyone with more than a primary colored brush. Everyone is a caricature ...especially "Father", who is little more than a mouthpiece for religious mumbo jumbo.

The decision to make this found footage becomes the film's biggest flaw, as the extremely limited use of the camera gives every scene a flat incomplete feeling, totally stripping the film of any gravitas or meaning. Found footage has become a lazy, tired cliché in the horror genre and West is no where near talented enough to make it work. West is quickly becoming a hackneyed presence in the world of horror, and it's a mystery why people make such a big deal of him.

And I am wondering where the hell the $4 Million budget went, since the cinematography is bare bones, we're only ever in a single location, and there are no explosions or huge actions scenes. I mean you could've made this for less than a million dollars and it would've been exactly the same movie.

All in all a disappointing film.

I was born in 83, so anything I know of Jonestown has been gleaned from podcasts, documentaries, or anniversary television broadcasts. Even that is much more than some.

And that's how it works, right? As much as we hate to admit it, as time moves on, everything (and I do mean *everything*) fades from memory. Go ahead and ask a 16 yr old nowadays who Jim Jones or David Koresh were - I bet they'll roll their eyes and assume you're talking about an 80s rock band lead. That fading and moving on of time is exactly why the remake/prequel/sequel/reboot industry is a thing of the Millennial age that never was before.

In order for history (good, bad, or indifferent) to continue to be passed along, the stories have to be retold and reincarnated in ways that are more appealing to those who come after. So maybe The Sacrament doesn't come right out and say, "Hey, we remade Guyana," but I sincerely doubt any of the filmmakers involved thought that viewers of the right age were going to mistake the story for anything else. Another movie that tells a variation of Jonestown without acknowledging it is "The Veil" btw.

As far as found footage films go, this one is high quality cinematography-wise. I thought the casting was actually fairly impressive, and despite knowing exactly where the story was headed, I did find the second half hard to watch; it did give me insight into Jonestown in a way that was truly shocking.

Worth a watch. Won't blow your mind, or bring home an Oscar, but Ti West is always hit or miss with me (mostly miss) and this one wasn't too bad. If you would rather see Jonestown through a less modern, less horror-genre lens, then by all means, go watch the stuff made in the 80s.

The film is among the found footage genre. It leads in with some decent photography, nice ambient soundtrack, and some pretty good acting. The suspense builds with a decent and slow momentum, but unfortunately doesn't lead to anything interesting or unique. The film had a really nice opportunity to go down a different path. It had all the qualities to do so and be good. Unfortunately it just decided to re hash an old story and try to deliver it as something new. I can give it five out of 10 for keeping me interested until the climax good photography and nice track, but the subsequent let down can't allow me to give it anything higher. If you are interested in something like this I would recommend a documentary on Jonestown. There are many good ones out there.

The Sacrament is a fairly straightforward movie. It's about a group of guys who are part of a documentary film group and one of the guys' sister moves into an isolated commune and the film crew wants to know the full scoop. You'll know exactly where this movie is going as it progresses, but that isn't necessarily a bad thing. It gives a chance for director Ti West to establish some character background and vague insights into the religious group while slowly turning the creep dial up until the movie's climax. The acting is good across the board, the standout being the Father (Gene Jones) who is suitably charismatic as the cult's ominous leader. For a found-footage movie it's shot well, but of course there are the typical issues that come with the turf - impossible angles, how the footage was even found - but these are things you'd know going in. The movie itself is a well executed, suspenseful slow burn.

The biggest fault in The Sacrament is its predictability. Again, it's not a bad thing, we just know what's coming at every turn. Creepy cult, innocent people poking their noses in places they don't belong, an underlying dark scheme that slowly unravels to the protagonists. If that kind of stuff interests you and you're willing to forgive the tropes that come with the genre, The Sacrament is a worthwhile watch.